clubmaster

The Chelsea Hotel, Atlantic City?s newest and hippest boutique hotel, is the Jersey Shore's answer to Las Vegas glitz and glamour. Located centrally on ?The Strip?, The Chelsea Hotel boasts 4 different venues for wining and dining in true AC style. These venues (C5, Cabana Club, The Lounge, and Chelsea Prime) together comprise The Fifth: Chelsea AC?s Premiere Nightlife Destination. These elements combine to make the most fabulous destination for all of your nightlife desires. Sip champagne and cocktails in the Living Room, dine at Chelsea Prime, lounge with friends at the Cabana Club, and dance until late night at C5. This New Year?s Eve on the Jersey Shore, ring in 2010 at what is set to be Atlantic City?s trendiest and most upscale event at The Chelsea. Hosted by The Fifth at The Ballroom and The Lounge, celebrate in high style and fashion as the antique wood and brass clocks tick down the minutes to the exciting new year ahead. New Year?s Eve at Chelsea is Atlantic City's and the Jersey Shore's best deal around, hosting 2 parties in 1! Revelers gain access to both parties in The Ballroom and The Lounge, occurring simultaneously under 1 roof. Mix, mingle, and socialize with new friends and old while enjoying a premium open bar, delicious hors d?oeuvres, all while rocking out to the live DJs spinning all your favorite hits. Don?t miss the opportunity to ring in the New Year at The Chelsea? it's the Jersey Shore, you never know who may show up! Celebrity Sightings at The Chelsea: John Mayer Real Housewives of NYC Joel & Benji Madden Vanessa Minillo Winners of "America's Next Top Model" Cast of MTV's Hit Reality Show "Jersey Shore" Stars of MTV?s ?The City? Chazz Palmentiri Travis McCoy of Gym Class Heros Stars of The Sopranos Alexandra Richards Cisco Adler Schwayze New Year's Eve 2010 at Chelsea Hotel Features: 5 Hour Top Shelf Open Bar (9:00pm - 2:00am) Special Guest Performances Live New Year's Eve Countdown Passed Hors d'oeuvres of the restaurant's signature dishes Live Countdown of the Ball Drop VIP Tables Available Tax and gratuity are not included in ticket price. A 20% gratuity, 7% New Jersey Sales Tax, and 3% luxury tax will be charged at the venue prior to receiving your bottles. Additional gratuity is welcome at your discretion. Credit card and driver?s license will be collected upon arrival prior to being seated.

On the eve of thanksgiving, for the first time in us on his official maya's tour: edward maya live @ avalon - hollywood. for tables reservation please contact: 888-la90210 pre-sale tickets are strongly recommended. pre-sales discounted tickets will give you front of the line & express entry. www.edwardmaya.com www.avalonhollywood.com

Patrick m, louis puig, lazardi, kidd maddony (terrace) tony rohr & tim xavier (techno loft)

Rain las vegas with multiple levels and environments comprising 25,000 square feet, extraordinary design and special effects, and a variety of luxurious private areas, rain las vegas represents the ultimate contemporary nightclub and concert venue. located on the casino level of the palms casino resort, rain combines performances by international headliners, an electrifying dance club, a private event facility and intimate enclaves in one dynamic, multi-sensory destination. rain?s entrance tunnel of gold-mirrored mosaic with color changing lights, fog, and sound hints at the energy level inside. at the entrance of the club stands an elevated staging area with multi-level plasma screens and state of the art dj booth. an ultra-sleek interior boasts contemporary furnishings, distinctive blends of mosaic, terrazzo, glass and bamboo all set in a seductive color scheme of red, gold, black, purple, and orange. lavish special effects throughout the club include intelligent lighting and an electrifying play of water, fog and pyrotechnics including three-foot fireballs above the dance floor. the independent 20-foot truss mechanisms are capable of traversing the room at incredible speeds. luxurious design and state of the art technology blend together to create a dynamic tension and exciting sense of possibility. luxury private and vip environments include a cabana level encompassing seven private cabanas, each accommodating 8-12 guests, and a large bar offering a breathtaking view of the las vegas strip. each cabana features lcds, color-changing lights, and specialty furniture. high above the cabana level, six sky boxes on the mezzanine/vip level boast private balconies overlooking the nightclub below. each features lavish furnishings and custom environmental controls. each box accommodates 15-20 guests, and can be combined with other boxes, up to and including the entire mezzanine area for 120 guests. the mezzanine/vip level is accessed by private elevator; members gain access via a biometric thumbprint scanner. in the main club, eight high-back dance floor booths and eight vip booths one level up are available by reservation only. a separate vip lounge, with plush furniture and private bar, accommodates receptions for up to 50 guests. rain?s vip hosts cater to guests needs. rain can accommodate private events up to 1,800 guests. a limited number of private vip memberships are available; cover charges vary based on entertainment. on entertainment.

The biggest NYE Celebration will be at Heat. Ring in the New Year at OCs #1 Nightclub. Champagne Toast at Midnight, Balloon Drop, Confetti blasts, Kryogenic Blasts, Live Video Countdown, Party Favors and much much more! Tickets on sale now!

The Biggest NYE Event in Miami! The Space family invites you to welcome the New Year aboard Flight#2011! Complimentary Bar till Midnight included. Complimentary Midnight Toast included. The before 12am ticket is only good before 12am. The before 2am ticket is only good before 2am. Limited VIP reservations (Strongly suggested) For VIP Table Reservations call 786-357-6456 or email tiffani@clubspacevip.com Stay tuned for more info and complete talent roster!

Benny?s back! Since you last saw him rock a sweaty set at Governor?s Island, our intrepid Italian has made history, touring six venues and 500 miles of California coastline not on a bus or plane, but on his bike. The beat master has also taken off with Kelis in his very own ?Spaceship.? Tonight he?s joined by Congorock, whose blistering ?Babylon? was dubbed the ?#1 track at WMC? by none other than MSTRKRFT. Get Tickets: http://pacha-nyc.clubtickets.com

FEATURING: Wallace Roney, trumpet Randy Brecker, trumpet Jimmy Heath, tenor saxophone Greg Gisbert, trumpet Steve Davis, trombone Benny Green, piano Yotam Silberstein, guitar John Lee, bass Lewis Nash, drums Other musicians History has produced its share of great artists and great people-John Birks "Dizzy" Gillespie was both. As a performer, he left behind an incredible record of innovation and inspiration. As a composer, a broad repository of musical masterpieces, and as a man, a legion of friends, colleagues and compatriots who remember him with the same degree of love and esteem they reserve for his work. For Dizzy Gillespie, playing in a small combo was never enough. His artistry compelled him to seek and to create larger ensembles because as a composer and arranger, a big band was the ultimate vehicle for self expression. Given that the majority of his career took place after 1950 when the big band era was over, it's especially notable that Dizzy Gillespie continued to create brilliant music using the grand scale formats of jazz big band and orchestra right up to the end of his life in 1993. The Dizzy Gillespie? Big Band and Alumni All Star group (small group) are the direct descendants of these ventures, and happily, the tradition lives on, nurtured by Gillespie alumni and executive director, producer, and bassist John Lee. The Big Band and the Alumni All Stars feature some of Dizzy's closest compatriots: senior statesmen and NEA Jazz Master James Moody and veteran Gillespie alumni Roy Hargrove, Roberta Gambarini, Cyrus Chestnut, Steve Davis, Willie Jones III, and musical director John Lee. All of them are band leaders, educators, and recording artists in their own right. The small group debuted in 1996 while the Big Band debuted in 1998. Together they continue to delight audiences around the world with the enduring power and freshness of Dizzy Gillespie's music. This is the legacy the master would have wanted-and a living tribute from the many extraordinary musicians in this group who exemplify his style, range, and commitment Together, the Dizzy Big Band and small group All Stars have recorded five critically acclaimed CDs, "Dizzy's 80th Birthday Celebration" (Shanachie), "Dizzy's World" (Shanachie), and, as a big band,"Things to Come" (MCG Jazz), and"Dizzy's Business" (MCG Jazz). "Dizzy's Business" features new arrangements by musical director Slide Hampton, tenor saxophonist Jimmy Heath, drummer Dennis Mackrel, vocalist Roberta Gambarini, and two vintage Ernie Wilkin's arrangements originally commissioned by Dizzy himself. The Dizzy Gillespie? Big Band's latest CD, titled I'm BeBoppin' Too, was released on Half Note Records in June 2009. The big band CD features arranagements by Slide Hampton and a vocal appearence by Roy Hargrove on the title track. AllAboutJazz called the recording "a remarkably proficient and invariably engaging outing." The Dizzy Gillespie? All Stars' home would have to be New York's famed Blue Note Jazz Club, which was for many years Dizzy's favorite jazz club not only in New York City, but in the world. The All Star Big Band performs there for a week every summer, and the Alumni All Star small group celebrates Dizzy's birthday for a week every October.

Rain las vegas with multiple levels and environments comprising 25,000 square feet, extraordinary design and special effects, and a variety of luxurious private areas, rain las vegas represents the ultimate contemporary nightclub and concert venue. located on the casino level of the palms casino resort, rain combines performances by international headliners, an electrifying dance club, a private event facility and intimate enclaves in one dynamic, multi-sensory destination. rain?s entrance tunnel of gold-mirrored mosaic with color changing lights, fog, and sound hints at the energy level inside. at the entrance of the club stands an elevated staging area with multi-level plasma screens and state of the art dj booth. an ultra-sleek interior boasts contemporary furnishings, distinctive blends of mosaic, terrazzo, glass and bamboo all set in a seductive color scheme of red, gold, black, purple, and orange. lavish special effects throughout the club include intelligent lighting and an electrifying play of water, fog and pyrotechnics including three-foot fireballs above the dance floor. the independent 20-foot truss mechanisms are capable of traversing the room at incredible speeds. luxurious design and state of the art technology blend together to create a dynamic tension and exciting sense of possibility. luxury private and vip environments include a cabana level encompassing seven private cabanas, each accommodating 8-12 guests, and a large bar offering a breathtaking view of the las vegas strip. each cabana features lcds, color-changing lights, and specialty furniture. high above the cabana level, six sky boxes on the mezzanine/vip level boast private balconies overlooking the nightclub below. each features lavish furnishings and custom environmental controls. each box accommodates 15-20 guests, and can be combined with other boxes, up to and including the entire mezzanine area for 120 guests. the mezzanine/vip level is accessed by private elevator; members gain access via a biometric thumbprint scanner. in the main club, eight high-back dance floor booths and eight vip booths one level up are available by reservation only. a separate vip lounge, with plush furniture and private bar, accommodates receptions for up to 50 guests. rain?s vip hosts cater to guests needs. rain can accommodate private events up to 1,800 guests. a limited number of private vip memberships are available; cover charges vary based on entertainment.

Get ready for the sexiest night in town where you?ll be seduced by impeccable sounds from celebrated DJs and distinctive live bands, sultry burlesque dancers, powerful signature drinks, and impressive décor all under one amazing roof. Beginning Friday, August 1st, 2008 the Downtown La Renaissance heats up with the Grand Opening of Friday?S at Bordello. Formerly known as Little Pedro?s, Bordello flirts with the notorious past of its infamous location as the oldest bar and brothel in Downtown Los Angeles by reflecting its legendary status as a theater of the unusual and provocative. Situated in Downtown?s Artist district, characterized to be much like New York?s SoHo district, Bordello combines the city?s old glamour with the likes of today?s high-profile talent. Start your weekend off right with an unforgettable happy hour beginning at 4 PM and lasting until 7 PM. Tickle your palette with specialty drinks, along with your favorite scrumptious treats. On Friday, August 1st, roar in delight with the happy hour?s dollar menu, where you can even indulge in $1 shots! When you?re ready for an exquisite night, get amped up as LA?s local favorite Herick Hell spins his special musical selections from 9 PM-2 AM. Herick Hell joined the nightlife arena in 1985 and quickly positioned himself as a trendsetter in the dance music scene. As a founding member of Go Ventures (which continues to provide the largest electronic dance festivals, boasting well over 40,000 people at each event), Herick was one of the first DJ's to spearhead the electronic dance movement or "rave" scene in the late 80's, early 90's. He was the exclusive Los Angeles DJ to serve as a resident at the famed Bananas nightclub in Ensenada during the peak of their success, with legendary 12-hour sets that rocked party-goers from all over the world. His fame grew to such great heights that he sold out world-renowned Hollywood Paladium, Shrine Auditorium and countless other venues. In the late 1990's he switched his focus from large-scale events to the 21 & over club scene. He helped create the soundtrack for the most influential club of the L.A. "Fashionista" era, The Mission, now known as Vertigo's. Herick continues to play to capacity crowds on a weekly basis and still finds the time to travel to the biggest and best events throughout Los Angeles, Las Vegas, and the bay area, including special features on the Style Network and The Peter Project. For Friday night birthday parties, celebrations, or other bookings at Bordello, call the wickedly gorgeous Loriann Valencia at 626.354.9033. Considered the ?madam to the club goers of Los Angeles,? Loriann Valencia has helped set the bar high for the social network of the city?s nightlife. Boasting impressive credentials from hotspots throughout the La area, Loriann has hosted renowned clubs such as: Element, Basque, Social, Bordello, Minx, Crazy Horse, White Lotus, Ritual, Avalon, The Flat Lounge, Vanguard, and Cabana Club. She?s also a sought-after spokeswoman and event planner. Loriann has successfully planned high-profile festivities, such as: the Grand Prix of Long Beach, San Jose, Houston, and Denver, and numerous Bench Warmer events. In addition to being one of the top event planners, Loriann is also a talented model, having appeared in favorite ads for: GM Motors, Kix Cereal, PFF Bank Campaign, and Bench Warmer. Recently, Loriann wed famed DJ Herick Hell and combined their talents to form their own dynamic nightlife, entertainment, and event-planning venture. Herick and Loriann are co-producing Friday?S at Bordello along with ?Dino,? Ken Black, ?Chunkeebutt and B,? Amber Dee, Stevie D, and Aj Productions. Bordello is located at 901 E. 1st St. Los Angeles, CA 90012 From all directions: Take the 101 Freeway, exit Alameda St. Head south to 1st St. Make a left. On Vignes St. make a left. Bordello is at the corner of 1st St. and Vignes St. Valet parking is located directly in front of the venue. See you Friday?S at Bordello for the ultimate seduction. Music: House music and burlesque show weekly

Doors open at 7:00 PM, show begins at 8:00 PM.

Salted is delighted to welcome the legendary Danny Krivit!... As part of the highly regarded Body & Soul NYC team, Danny has inspired countless dance floors around the globe with his vast knowledge of musical history and impressive DJ skills...and in the uFUNK Lounge, we also welcome local veteran The Selector DJ Kirk as he spins an all vinyl set of Funk, Soul and Boogie gems... This will be a communal night of bliss for true music lovers, one not to be missed!

DJ PAULY D Pauly D strides in keeping the dance floor moving and feeds off the crowd?s energy. Come see one reality TV?s biggest stars shine live -- behind the decks!* MEET PAULY D Meet & Greet Passes Limited Availability Meet, Take a Photo, and Receive a Signed Pauly D Autographed Poster* $23 Party Tickets $95 Meet & Greet Passes (Must Have General Admission Ticket) http://www.globaladrenaline.net/Events/Aragon+Ballroom+112410?eventId=1744 ALL AGES | 8P-2A

>> electric gathering

La beatdown is back featuring an official world tour stop with israeli dubstep sensation borgore and the legendary turntablist dj qbert, voted "america's best dj" in a poll presented by pioneer dj and dj times for 2010. stay tuned for even more talent and attractions to be annouced soon. visit our official site for updates at www.labeatdown.com

FACE-LIFT Tour featuring Paul Oakenfold, Chuckie, and Nervo

Thumpday Icon Lounge has always been a really nice venue... Two proper rooms of sound, smoking lounge, funky decor throughout, and great staff = all the ingredients for fun times. Now there are multiple crews coming together to form Voltron for a new Wednesday night weekly. There are some great DJ's and promoters involved, and this week is no exception. With guest host Keyatta in tow and DJ's like Nesto and Leemone at the controls, it's bound to be a proper party inside Icon tonight. By: Kuze

QUIVVER (Bedrock/Yoshitoshi/Boz Boz Recordings UK/LA) returns to SF for a night of bumpin tech house and big tunes on the Public Works Funktion One Sound System. Local Allstars- Fedora (Matt Wilder and Michael Perry) are opening this show and Nikita (Listed/End Up) will be closing it out. Quivver (John Graham) has performed every conceivable hot spot from Glastonbury, UK to Pacha, Buenos Aires to Twilo, NYC to Avalon, L.A., Homelands, Ibiza, Live8, Coachella and Ultra.

It's the most spectacular new years eve party boston has ever seen. royale proudly presents big top. say hello to 2011 with us and see why we are boston's most popular nightclub. feel the fun of the circus as we do what no other club in boston can. doors open at 9:00pm. your ringmasters for the evening, dj breeazy and dj erik valez. vip table service please call alexandra at 617-866-8933. happy new year!

Gary Numan has never been on firm, 'authentic' ground as a songwriter. Whereas the likes of Oasis slot into a classic pop/rock lineage, Gary Webb (he took on the Numan stage name just in time for his debut Tubeway Army album) was not a fan of '50s or '60s music. As a child the flash of The Shadows' guitars catching the spotlight on a TV show excited his imagination, but the sounds didn't make much of an impression. In the early 1970s he latched on to David Bowie (circa Ziggy Stardust), Marc Bolan and to a lesser extent Lou Reed, Roxy Music and Mott The Hoople. Once again it was the 'flash' of glam rock that was attractive but more subtly the freakish personas and individualistic music of these artists struck a chord with this softly-spoken introvert. He'd been writing short stories since the age of four and as he took his material more seriously, he started to flesh out his lyrics with ideas inspired by science fiction magazines and authors such as Philip K Dick and William Burroughs. The surreal scene setting, bizarre characters and futuristic themes of these novels offered oblique, otherwordly locations for him to express his own feelings which he would sing with all the introspective frailties of a sci-fi Morrissey. These qualities were already in evidence in the pop-punk of early Tubeway Army, who signed to Beggars Banquet Records in 1977. By the time Tubeway Army trod the boards of punk clubs such as The Vortex and The Roxy most of the initial idealism of the movement had long since vanished but very few people were ready to own up to the fact. In retrospect some of the early three-minute Tubeway Army songs like 'That's Too Bad' and 'Bombers' stand up well against their contemporaries because of their pop suss and the urgency of recording over 20 songs in a couple of days. It was at one of these frantic sessions that Numan stumbled across his first synthesizer. He certainly wasn't the first musician to fall in love with the Moog's fat, burbling analogue sound but his approach was original. Brian Eno had briefly enjoyed fame in Roxy Music as a fully-fledged low-tech star but he had long since moved into more ambient territory with his mixture of studio strategies and DIY instinct. Apart from their one-off novelty hit 'Autobahn', Kraftwerk's exploration of flawless, machine-made pop hadn't made much of an impression on the High Street and even David Bowie was seen to be retreating to more esoteric ground with the Eno-influenced Low and 'Heroes'. Furthermore, these were well established pioneers rather than a 20-year-old from the suburbs of west London who was signed to a small indie label. Numan was virtually alone in seeing the possibility of a 'synthesizer star' and much to the critics' initial anguish, he achieved success almost overnight. In late 1978 Beggars banquet released Tubeway Army's self-titled debut, mixing electronics with post-punk guitars and solid, no frills drumming by Gary's uncle, Jess Lidyard. The only other member of the band was Gary's best friend Paul Gardiner (who died of a heroin overdose in 1984) but their record label refused to let Numan take on solo status just yet. Although the post-punk electronica of Tubeway Army was briefly championed in the UK by Radio One DJ John Peel, Numan was in a hurry to get back to the studio. He recorded Replicas in five days at Gooseberry studios in London, utilising a stark, synthetic sound for most of the tracks, punctuated with more guitar-dominated songs such as 'It Must Have Been Years' and 'You Are In My Vision'. The album's first single 'Down In The Park' announced his radical change of direction but no one believed that the alienated, rythmical drone of the follow-up, Are 'Friends' Electric? would elbow its way past the likes of ELO and Blondie to the Number 1 slot. Within weeks Numan was posing on Top Of The Pops in harsh white light, bringing a touch of showbiz camp to the clipped, motorik repetitiveness of the song. From that moment on he was simultaneously branded 'hero' and 'villain'. When 'Cars' and The Pleasure Principle album both topped the UK charts in autumn 1979, he put together a complete package of song, promo video and aloof solo stage image which would act as a catalyst on a new wave of suburban no-hopers who achieved fame through their own synth pop styles. In some cases like Depeche Mode,Numan's success encouraged them to switch from guitars to keyboards. In others, such as The Human League, OMD and Soft Cell, he opened up the market, both in the UK and the States where 'Cars' was a hit in 1980. Nevertheless, his detractors continued to attack him as 'pretentious' and 'bombastic'. This was a little unfair as his mixture of neon-tubed futuristic chic and android-like posing were born out of a strange combination of shyness and a passionate commitment to showmanship. He was often freakishly wooden on stage, an articulate but unwordly young man shoved in front of sold out auditoriums through his own success. Over the next two years, Numan scored more hits including Top 10 UK singles 'We Are Glass' and 'I Die: You Die', as well as a third successive Number 1 album Telekon, which featured an increasingly opulent sound built out of synths, piano, strings and guitar. Then he announced his intention to give up live performances and made a melodramatic, emotional exit with three lavish Wembley Arena shows in 1981. These 'farewell' appearances effectively ended his reign as a multi-million selling 'popstar' and he took time to enjoy the rags-to-riches trappings of money, Ferraris, sponsored racing cars and, of course, his own aircraft! In any case, The Human League, Duran Duran and Adam Ant were now topping the charts and Numan resolved to experiment in the studio without the pressure of trying to write hits or material he would have to perform live. On his next album Dance, he explored sparser, more ambient textures and varied percussion. This was a natural direction for him to take as Numan's instictive feel for unusual rhythms runs through all his albums, inspiring electro, hip hop and techno artists to later sample his work. His last albums for Beggars Banquet, I, Assassin (1982) and Warriors (1983) continued to move into fluid funk styles and he had more chart success with 'Music For Chameleons', 'We Take Mystery' and 'Warriors'. In 1981 a much publicised round-the-world solo flight in his own plane was initially aborted when he was arrested in India on suspicion of spying. Although he eventually achieved his ambition, the newspapers had lost interest and his return home was hardly acknowledged. He did, however, appear on the BBC news after an emergency landing on a road due to engine failure and his bad luck continued when he was charged with carrying an offensive weapon after queuing up at a hamburger stall with an American baseball bat. During this period Numan became increasingly reclusive, ready to face intruders with a harpoon gun in his bedroom. During a six month stay in Hollywood he joined a local gun club and splashed out on two combat rifles, a repeating shotgun (a la Steve McQueen in The Getaway) and a nine millimetre, semi-automatic Beretta pistol. His sense of isolation increased. The next decade witnessed a gradual decline in his sales as he preached to the converted, releasing a new album nearly every year on his own label. Musically the likes of Berserker, The Fury, Strange Charm, Metal Rhythm and Outland combined forward looking electro-funk with bizarre songwriting and production habits that would make a song seem refreshingly original one day and infuriatingly 'cultish' the next. Although Numan continued to chart in or just outside the UK Top 40, his career was clearly in a rut. To most people he'd become more famous for his flying exploits as an aerobatic display pilot than for his music. When 1992's Machine & Soul followed the usualpattern and stalled at Number 42 in the charts, Numan felt he'd hit an all-time low. Yet only three years later the musical climate had changed in his favour for the first time in a decade. His mixture of atmospheric textures and power-chorded synthesizers inspired dance artists such as the Prodigy and the Orb and a whole new wave of mavericks began to talk about him as a source of inspiration with many of them also covering his songs - they included Trent Reznor (Nine Inch Nails), Marilyn Manson. Jarvis Cocker (Pulp), Damon Albarn (Blur), Tricky, Weezer, Moloko, The Magnetic Fields, The Foo Fighters (Kurt Cobain was also a fan of the Replicas album, especially the track 'It Must Have Been Years'), Smashing Pumpkins and Beck. In fact, it seemed as if each new cutting edge artist that emerged was later revealed to be a Numan fan, giving him a cultural cool that had eluded him even in the early days. Timed with this, the singer also released his best album in years, Sacrifice (1994). Described by Melody Maker as his 'most consistent album since Telekon', it was a return to the dark electronic chill of his early records. By 1997 Numan was enjoyoing a full-scale revival, releasing Exile to some of the best reviews of his career. According to The Guardian, 'Gazza's obviously been listening to everything from Roni Size to his own records and the pay-off is a very atmospheric, dark album that is full of great songs.' Q Magazine was also positive, arguing that Exile 'bears a coherent authority, perhaps reflecting Numan's new-found sense of status as muso uncle to an electronic generation.' When the singer played in LA during his first world tour in 16 years, Marilyn Manson joined him on stage for a version of 'Down In The Park.' Over the last decade, Numan has continued to mine a rich artistic vein with heavy, electronic rock albums such as 2000's Pure, described by Kerrang! as a 'dark and dysfunctional industrial album - if you like your melancholia dense and dynamic you won't want Pure to end.' Three years later he scored his biggest hit in years with 'Crazier', a collaboration with alternative artist Rico which was taken from his critically acclaimed Hybrid album. He's also played a part in three massive worldwide singles - Armand Van Helden's 'Cars'-sampling 'Koochy'; 'Where's Your Head At' by Basement Jaxx (containing samples of two Numan tracks, 'M.E.' and 'This Wreckage') and 'Freak Like Me' by Sugababes, which utilises a huge chunk of 'Are 'Friends' Electric?' and became a UK Number 1 single. In the late 1990s ago Numan scored his biggest U.S. success since 1980 when he teamed up with the rock act Fear Factory for a new version of 'Cars' - the track broke into the Top 10 on American radio. Just as with hip hop, electro and industrial rock, the 21st Century crop of acts such as The Killers, Goldfrapp, Peaches, The Knife and Late of The Pier would probably have happened without him but he has played an important and intriguing role in their development. While others will claim their influence on these artists and styles, few have retained Numan's passion for new sounds or the bottle to follow through on his ideas. Kerrang! recently enthused - 'put simply, if you're a fan of the bands that he's influenced, you'll love what Numan's doing now. Put your preconceptions to one side.' In 2006 Numan further consolidated his creative rejuvenation with the release of Jagged, which ranks alongside his very best work. After taking some time off after Hybrid, he found that songs came to him with a fluency that he hasn't experienced in years. This sense of renewed momentum continued when he began experimenting with new sounds in a collaboration with co-producer Ade Fenton (the pair have also worked together on Fenton's 2007 debut album, Artificial Perfect.) The result is a constistenly inventive record full of imaginative arrangements and atmospheric treatments. Fans of Numan's more electronic-based songwriting will no doubt love the icy synthesizer hooks of 'Haunted', 'Pressure', 'Blind' and 'In A Dark Place', while the title track is a powerful synthesis of aggression and beauty conjured up out of machine-made noises and effects. Yet these tracks also highlight that for all the technology on the album, the music is constructed around the kind of melodies that have driven Numan's worldwide sales to over 10 million. His subtle and weird phrasing where he plays around with words and stretches them into something new, creates many sublime moments on Jagged, while Arabian riffs and sky-scraping choruses give the album a distinctive impact. This is all the more thrilling because the music isn't a pastiche or a sly reference to anyone else, it's very much his own style. Just at the point where nearly all of his contemporaries have either disapeared or compromised to the point where they've lost their identity, Numan has pulled off an album which is heavy and dark but also contains some of his finest songwriting. He's also succeeded in experimenting while retaining the essence of his original appeal. Now three years on Numan is recording a new album, Splinter which is set for release in autumn 2010. This comes fresh from recent on-stage appearances with Nine Inch Nails in the States and Little Boots in the UK. As The Guardian recently concluded, 'Gary Numan's transformation from electro-clown into respected, still relevant pioneer is startling. It's Numan's overall sound that counts and for the most part that sound remains edgy and genuinely exciting.'

Early arrival is strongly suggested. don't forget to bring your id, the credit card that you used to purchase your tickets and your receipt or we will not release your tickets. in case of complications with pick up you must see the door manager in order to record/document the problem. if your problem is not documented you will not qualify for a refund.

Gay Monday nights in Boston has been going strong for over 13 years. Since the closing of Axis Mondays we move around the corner to Machine Nightclub for Dirty Sexy Mondays. Boston's most beloved Drag Queen Miss Kris Knievil hosts, with resident guest performances by Fena Barbitall, Raquel Blake, and JuJuBee. There are weekly themes, contests, guest comedy acts, Boston's best bar staff and music by DJ Susan Esthera. Come by and see why Mondays are loved by so many. Gay, Straight... everyone!

Rain las vegas with multiple levels and environments comprising 25,000 square feet, extraordinary design and special effects, and a variety of luxurious private areas, rain las vegas represents the ultimate contemporary nightclub and concert venue. located on the casino level of the palms casino resort, rain combines performances by international headliners, an electrifying dance club, a private event facility and intimate enclaves in one dynamic, multi-sensory destination. rain?s entrance tunnel of gold-mirrored mosaic with color changing lights, fog, and sound hints at the energy level inside. at the entrance of the club stands an elevated staging area with multi-level plasma screens and state of the art dj booth. an ultra-sleek interior boasts contemporary furnishings, distinctive blends of mosaic, terrazzo, glass and bamboo all set in a seductive color scheme of red, gold, black, purple, and orange. lavish special effects throughout the club include intelligent lighting and an electrifying play of water, fog and pyrotechnics including three-foot fireballs above the dance floor. the independent 20-foot truss mechanisms are capable of traversing the room at incredible speeds. luxurious design and state of the art technology blend together to create a dynamic tension and exciting sense of possibility. luxury private and vip environments include a cabana level encompassing seven private cabanas, each accommodating 8-12 guests, and a large bar offering a breathtaking view of the las vegas strip. each cabana features lcds, color-changing lights, and specialty furniture. high above the cabana level, six sky boxes on the mezzanine/vip level boast private balconies overlooking the nightclub below. each features lavish furnishings and custom environmental controls. each box accommodates 15-20 guests, and can be combined with other boxes, up to and including the entire mezzanine area for 120 guests. the mezzanine/vip level is accessed by private elevator; members gain access via a biometric thumbprint scanner. in the main club, eight high-back dance floor booths and eight vip booths one level up are available by reservation only. a separate vip lounge, with plush furniture and private bar, accommodates receptions for up to 50 guests. rain?s vip hosts cater to guests needs. rain can accommodate private events up to 1,800 guests. a limited number of private vip memberships are available; cover charges vary based on entertainment.

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Satisfaction's 5th annual halloween masquerade presented by pitchperfect music sunday october 31st,10 featuring yvonne black joseph christopher von ukuf brad slims + more guests tba 21 & over | casual trendy attire 8pm - 2am $4 drink specials all night / valet parking bar validates hotel parking **** smoking patio located at suede bar & lounge 404 south figueroa st. los angeles ca, 90071