Jump to content
Clubplanet Nightlife Community

Event: Killswitch happy hour at Underground Sf, Fri, May 29 6:00p


Recommended Posts

Founded in February 2008, Killswitch is a weekly happy hour dedicated to featuring the Bay Area's finest underground techno and house talent. Consisting of Stap[e DJ Javaight and Black Market Techno DJ dCOY, Killswitch has featured DJs from [KONTROL], Auralism, Dirtybird, Platform, Mothership, Nightlight, Stompy, Magnificent 7, Fiction, Black Market Techno, Filter, Bassaholics Anonymous, DEF SF, and Racecar. Quickly establishing itself as an end of the week hangout for heads, techno lovers and party people alike, Killswitch is the spot for underground beats to kick off your weekend. This week @ killswitch: sutekh (context) & kit clayton (musork)! Long before "minimal techno" had it's resurgence in San Francisco, techno true schoolers Kit Clayton and Sutekh were holding things down with their own productions, running the gamut from minimal house and techno to experimental electronic collages. Tonight, these two make a rare appearance, giving you a long overdue auditory cleansing which will have the chins stroking, heads bobbing and asses ready for the weekend. About Sutekh: Since 1997, San Francisco-based Sutekh has released consistently inconsistent electronic music on labels such as Soul Jazz (UK), Leaf (UK), Force Inc./Mille Plateaux (Germany), Orthlorng Musork (USA), and his own Context. Manipulating and abusing computers, samplers, synthesizers, various acoustic instruments, and found sounds, he has created everything from deep, minimal house and techno to dense, dissonant noise collage. His live performances have taken place at festivals, museums, and night clubs in more than 20 countries on four continents. About Kit Clayton: Kit Clayton is a basement freak. With little sunlight and musty air, there he spends long days and late nights staring endlessly into the 1024 by 768 pixel grid, toggling the monitor switch back and forth between computers, between operating systems, drifting between work and music. He forgets which of these similar activities he is currently engaged in, as his work is typically constituted by typing line after line of code, and his music is manipulating row after row of digital audio tracks. An embarrassingly digital life, not untypical in our unfortunate age of technological dependence. Somehow sad, but nonetheless beyond the point of judgement. It's all he knows, and rather than being a soulless, sterile life, it is an environment which encourages his emotional expression. From this hole, he has poured himself into music for labels such as cytrax, delay, drop beat, mille plateaux, parallel, plug research, phthalo, ~scape, and vertical form. From minimal techno to melancholic dub to structured noise, Kit consistently abuses technology, manipulating sounds in otherworldly ways, following an old tradition of dub production. Occasionally he leaves his basement only to find himself at odds with the world around him. Unable to behave himself in public, he unavoidably causes more trouble than intended. This is true in both daily life and public performances. If not behind the turntables, Kit plays his laptop--umbilical cord to his basement womb. Improvisation through soundfile manipulation / recombination, granular synthesis, feedback chains, and other digital noisemaking methods, his live music is a scattered exploration of sound rather than a consistent recreation of his recorded music. Together with friends dj jasper and dj tang, Kit operates cytrax and delay record labels which continue to spill the messy contents of California techno all over the dance floor. With minimal, noisy, post-processed music more suited for other music geeks than the drug happy club kid, they occupy a strange space within what might appear to be an increasingly conservative world of bang bang techno. And causing even more trouble, Kit and Sue Costabile operate orthlorng musork, a label which seeks to be defined only in its deviance to musical norms. An outlet for marginalized music, it doesn't aim for continuity, but rather a divergent path of sounds and structures unwelcome in the status quo. Busy little bee, kit also works as a computer programmer for cycling '74, the company responsible for max/msp, a flexible environment for custom midi and dsp applications. for more info: http://www.musork.com http://www.cytrax.com http://www.scape-music.de Music: techno, minimal, house, tech house, acid, electro, disco

Link to comment
Share on other sites

Join the conversation

You can post now and register later. If you have an account, sign in now to post with your account.
Note: Your post will require moderator approval before it will be visible.

Guest
Reply to this topic...

×   Pasted as rich text.   Paste as plain text instead

  Only 75 emoji are allowed.

×   Your link has been automatically embedded.   Display as a link instead

×   Your previous content has been restored.   Clear editor

×   You cannot paste images directly. Upload or insert images from URL.

Loading...
×
×
  • Create New...