clubmaster

Just Off The PRESS............Bzzzzzzzz Q102 Live Broadcast Now On Thursdays- 100% Live (Music and All) 1 Bottles & $1 Drinks 18 to party 21 to drink Shot specials All Night Long Q102s Joey Brooks Jessie Jordan and Rocco LIVE Dj Richie Rich, Dj 54 & Dj Ghost Park on 4th st (chestnut) $5 parking CLUB 27 Bank st. in Old CITY Alot of New Hot Things going on, check it out club27philly.net Music: Hip Hop, dance,house, top 40

Qoöl is the original clubbing happy hour in SF, if not the world, and the longest continuously running dance music event in San Francisco. Every Wednesday evening, starting at 5pm, Jondi & Spesh host a five hour club night at the 111 Minna Gallery in San Francisco. The music, mostly electronic, has a progressive theme, from electro, to breaks to techno, to progressive house and even ambient. Each DJ plays a short 45 minute set, and the talent ranges from bedroom DJs to international supastars. All are welcome, and partygoers are a chaotically diverse yet harmonious mix of electronic music loving phreeks, suit clad downtown wage slaves, hippies, artists, trust fund babies, neighborhood homeless, and international tourists. The enthusiasm and dedication of Qoölios is world famous. In fact Qoöl is often pegged for its personal vibe and all out "Saturday night" feeling. The cover charge is only $5 and a good chunk of the proceeds go to non-profit organizations, including The SETI Institute and the San Francisco Homeless Coalition. Every Wednesday from 5pm to 10pm at the 111 Minna Gallery, 111 Minna Street, San Francisco, Ca. [see event schedule for monthly Saturdays, one-off parties, and other well vibed events]

The rise to great success with most top DJs starts with a dedication born out of an obsession for music. For Markus Schulz, his story was no exception. Originally from Germany, Markus moved to the USA aged 13 and quickly become engrossed in the break-dancing scene of the time. Although a talented mover on the floor, a chance to dominate the decks at a breaks party he helped organise became the pivotal moment when Markus decided upon the path of his life's work. That dedication has since seen him storm up the charts to take his current place at number 8 in the prestigious DJ Mag Top 100 DJ poll 2008 - a position surely set to rise in 2009. Markus always had a desire to meet the world and has continued to tour globally over the past few years, bringing his unique brand of progressive and melodic trance to thousands of clubbers from as far afield as Australia to Russia and as far away as China and Trinidad, that combined with criss-crossing in his own country of the USA. Markus also dominates the airwaves with his weekly radio show, Global DJ Broadcast and can be heard in over 30 stations worldwide. His very special "Ibiza Summer Sessions" debuted in summer 2006 to rave reviews. Wanting to give the listener the feeling of being part of the Ibiza summer, Markus planned each week with the hottest music and best DJ's from the Balearic Islands. The mission was to bring Ibiza to those who couldn"t be there and to add to the experience of those who were. And it worked, with new stations around the world grappling to sign the show for their listening audiences. Through his radio show, Markus was able to reach out through the airwaves and meet even more people, thus touching their lives with his music. Markus has built himself a stellar reputation as one of the global leaders in production as well as a world renowned DJ. His own label, Coldharbour Recordings has delivered over 60 A-list releases within 3 years. His commitment to his own work as well as his peers has seen numerous solo, collaborative and remix projects that have enabled him to boast an unrivalled discography, largely inspired by his travels and the people he has met. With his heart at the soul of every project, Markus consistently delivers hit after hit, most notably with 'Without You Near', 'Daydream', 'Perfect', and his latest chart stormer 'The New World ' the booming trancer and theme tune to the infamous Transmission party that has clearly set the tempo for 2009 on fire! Schulz's steadily growing collection of awards is testament to his influence on the dance music community, and ever increasing popularity. His relentless determination to bring new sounds and new experiences to his audiences and fans worldwide demonstrates a passionate enthusiasm that knows no bounds and firmly sets Markus up as one of THE forces to be reckoned with in dance for 2009 and beyond! Stay tuned, his story has only just begun...

The Cabaret Cocktail Boutique journey begins before you even walk through the door? Thanks to the glamorous marquee that is guarding over Chicago?s Hubbard Street. The entrance sets the tone by lighting up the street with it?s 1000 sparkling lights and bright neon letters which can be seen from half a mile away. Cabaret is in-your-face with a style that compliments today?s love of luxury, rique-style, and Vegas inspired glitz. The amazing combination is what Chicagoans have been thirsting for. The venue houses three lounge areas but in an open floor plan. The room itself is lined with Corinthian style capitals inside etched glass columns coordinated with moody and colorful recessed floor lighting. On each side of the lounge seating areas line the walls underneath a few scattered bouquets of brilliant crystal chandeliers. Three full service bars with white corian tops and hints of raku stone, Terrazzo, Brazilian cherry wood floors and recessed lighting in the floors and walls throughout. Picture Louis Xvi tables encased in orange plexi-glass. There is a back room?a modern day speakeasy corner, with traditional red and gold hues. Look forward to interactive shows as well. Cabarets have been so successful for so long with good reason? expect to be teased, there is a flirt and provocative tone to the Cabaret concept?this venue comes equipped with gorgeous girls to set that tone. Think modern day Moulin Rouge, an irresistible blend of sex appeal, charm, humor, and rock-star style play. COME See Where You Belong Music: House / Club

Super Fun 80's Night...From Toto to Whitney to New Order, we play it all! 10pm-2am. Every Saturday Night. DJ's from Boston Party Makers. No cover. Boston's best Martini Bar. Next to Emmett's Pub. 6 Beacon St. Boston MA. (617)

Gay Monday nights in Boston have been going strong for over 13 years. We've had 2 different venues, and since the closing of Axis Mondays we move around the corner to Machine Nightclub for Dirty Sexy Mondays. Hosted by Boston's most beloved Drag Queen : Miss Kris Knievil with resident guest performances by : Fena Barbitall, Raquel Blake, and JuJuBee. There are weekly themes, contests, and guest comedy acts. Boston's best barstaff and music by DJ Susan Esthera. Music format is Electro pop and Current favorites. Come by and see why Mondays are loved by so many. Gay, Straight... everyone! Music: Electro Pop, House, Pop Remixes, Anthem

Back to School with Playboy!January 19th, 2007Party with Playboy @ Rumor! Featuring a special guest visit by Playmate Sarah Elizabeth, Playboy's Miss November 2006!RSVP for Reduced Admission before MIDNIGHT!Snow Jam!January 26th, 2007Join NGParty.com as we bring the mountain to the nightclub for the first installment of the Snow Jam Series.On Friday, January 26th RumoR will be transformed into a sexy winter wonderland with artificial snowfall, live dancing, ski bunnies, snowflake projections and VJs mixing ski and snowboard videos live.Plus, enter our exclusive raffle for ski and snowboard gear, lift tickets, and travel packages!!!Look out for The Snow Jam Parts 2 & 3 coming in February & March...RSVP for Reduced Admission before Midnight! Music: House/Techno & Hip Hop

Rain las vegas with multiple levels and environments comprising 25,000 square feet, extraordinary design and special effects, and a variety of luxurious private areas, rain las vegas represents the ultimate contemporary nightclub and concert venue. located on the casino level of the palms casino resort, rain combines performances by international headliners, an electrifying dance club, a private event facility and intimate enclaves in one dynamic, multi-sensory destination. rain?s entrance tunnel of gold-mirrored mosaic with color changing lights, fog, and sound hints at the energy level inside. at the entrance of the club stands an elevated staging area with multi-level plasma screens and state of the art dj booth. an ultra-sleek interior boasts contemporary furnishings, distinctive blends of mosaic, terrazzo, glass and bamboo all set in a seductive color scheme of red, gold, black, purple, and orange. lavish special effects throughout the club include intelligent lighting and an electrifying play of water, fog and pyrotechnics including three-foot fireballs above the dance floor. the independent 20-foot truss mechanisms are capable of traversing the room at incredible speeds. luxurious design and state of the art technology blend together to create a dynamic tension and exciting sense of possibility. luxury private and vip environments include a cabana level encompassing seven private cabanas, each accommodating 8-12 guests, and a large bar offering a breathtaking view of the las vegas strip. each cabana features lcds, color-changing lights, and specialty furniture. high above the cabana level, six sky boxes on the mezzanine/vip level boast private balconies overlooking the nightclub below. each features lavish furnishings and custom environmental controls. each box accommodates 15-20 guests, and can be combined with other boxes, up to and including the entire mezzanine area for 120 guests. the mezzanine/vip level is accessed by private elevator; members gain access via a biometric thumbprint scanner. in the main club, eight high-back dance floor booths and eight vip booths one level up are available by reservation only. a separate vip lounge, with plush furniture and private bar, accommodates receptions for up to 50 guests. rain?s vip hosts cater to guests needs. rain can accommodate private events up to 1,800 guests. a limited number of private vip memberships are available; cover charges vary based on entertainment.

At the top of the Palms' Fantasy Tower, the art of nightlife has been taken to a bold, new level ? more than 50 stories above the streets of Las Vegas. Located on the 53rd floor of the Fantasy Tower, Moon creates a dramatic, surreal environment for discerning party-goers. From the color-changing, glass-tile floor to the majestic, floor-to-ceiling windows that provide unrivaled views of Sin City, every aspect of this boutique nightclub begs for attention. A space-age theme pervades this 12,500-square-foot venue. Imagine a nightclub stationed on the moon -- all steel and glass with white and silver adornments. Cocktail servers and dancers dress in short, tight, metallic silver uniforms with black go-go boots. Lasers and space imagery fill the air and walls above the main dance floor. Overhead, a retractable roof opens to reveal an incredible view of the desert sky and stars. When closed, the ceiling serves as a massive video screen, displaying giant images of the club captured by a series of cameras.

La weekly?s 2007 best of la ?big time? club night the worlds best dj?s at los angeles? hottest nightclub 4 rooms of music only club in hollywood open until 7am best sound system on the west coast $18 valet parking new and improved vip bottle service area vip@avalonhollywood.com or 323.462.1307 questions: promotions@avalonhollywood.com info: 323.462.8900 10pm-8am please book all dinner reservations in advance at 323.462.8900. myspace.com/clubavaland avalonhollywood.com onepromotionsla.com liquified.com will call closes at 1:30am important ticket purchase information: ticket(s) purchased via this website may be claimed at the will call desk at avalon only on the night of the event. please bring the credit card used to purchase the ticket(s) along with a valid picture id documenting that you and your guest(s) are at least 21 years of age. tickets must be claimed by 11.30pm to guarantee immediate admission. we will hold space for everyone who claims their ticket(s) before 11:30pm. what happens if you arrive after 11:30pm? after 11.30pm, we can no longer limit capacity for you and we will start admitting general admission guests up to our capacity. if you arrive after avalon has reached capacity, you will be given priority admission. what is priority admission? once avalon reaches capacity, those holding ticket(s) will be admitted before those in the general admission or guest list lines, but you must wait for people already admitted to leave the club to reestablish available capacity. what if tickets for a specific event are sold out? we only sell 50% of our capacity in advance for each event. if you do not have a ticket, we strongly suggest arriving by 10:00pm to ensure entry. no refunds. all sales are final and you must agree to all the terms as outlined above and in the terms of purchase agreement on this form. remember to bring: 21 id & credit card used to purchase the tickets along with a printed confirmation. you must have the credit card. tickets cannot be picked up without it.

2009" will be brilliantly electrified, with a huge buzz in downtown los angeles at the all new l.a. LIVE complex. This newly developed entertainment capital, is receiving major worldwide recognition. That being said, Groove Society, Hardball Productions, and Night Vision, will loudly unveil the Grand Opening Premiere Party of City Nights. This will be held each and every Friday Night at the world famous Conga Room. Designed by the award winning Belzberg Architects, the Conga Room is a contemporary space that reflects the vibrant energies of Barcelona and Mexico City. Enjoy a weekly performance by celebrity entertainer Ravi Drums of SKAM Artist, video deejay sets in the main room by Mister-E, guest deejays in the Boca Glass Lounge, cover model go-go revues, percussionists, stage performances, fashion shows, movie release events and an amazing outdoor patio overlooking the courtyard of L.A. LIVE, located in the heart of Los Angeles, next to Nokia and Staples Center. Nothing will compare to the nightlife debauchery about to hit Los Angeles at Conga Room Fridays. Dinner reservations and VIP table service are highly recommended.

Ready, get set...... The embodiment of the modern DJ, Mark Knight?s legacy already ranks him as a leading player in dance music culture?s evolution into the digital and globalised age. His high octane sets, which treble and bass their way right across the dance music spectrum, have caused dance floor carnage in every corner of the world, whilst his original productions and slick remixes make his studio skills the most in-demand and sought after in the business. Yet, Mark Knight?s rise to number 42 in the DJ Mag Top 100 Poll (2008) has been more than just gigs and remixes. Not content with the status quo and outdated DJ ideas and methods, he created his own workshop for 21st century dance musicians, Toolroom Records, and with it a new way of thinking. Established in 2004, the Toolroom imprint has developed into an uncontrollable beast, forging an insatiable, genre busting sound, celebrating success as the biggest selling label on Beatport and reaching the milestone of 100 releases in 2009 with none other than Faithless as new label artists. All this on the back of 2008?s record breaking, award winning anthem ?Man with the Red Face?, a remake, with label buddy Funkagenda, of the Laurent Garnier classic. With Toolroom Records, Mark ripped up the rule book and pioneered the arrival of an era where the role of the DJ was more than just 2 hours behind the decks on a Saturday night. Pushing new boundaries and blending the lines between DJ and producer, Mark?s consistent stream of stellar tracks set a precedent that meant DJ dinosaurs had to shape up - DJs who don?t produce their own music have become extinct! Moreover, thanks to Mark, Toolroom has become a byword for cutting edge sounds and innovation within contemporary dance music, whether through underground sublabel ?Toolroom Trax? or their unparalleled pursuit of new electronic music talent. And there?s more! Since 2006 ?Toolroom Knights? has provided the most visible, and hedonistic, face of Mark?s increasing popular clubbing brand, with concept led events in the world?s premier arenas from Cocoon (Frankfurt) to Space (Miami). It is testament to the popularity of Mark Knight the DJ that after a summer residency at Amnesia Ibiza in 2008, he currently holds court bimonthly at Ministry of Sound (London), the spiritual home of Toolroom Knights and also where Mark got his big break as club resident in 2003, as well as having recently confirmed new residencies at Pacha (New York) and Vanguard (Los Angeles). If you haven?t already done so, it?s time to join Mark Knight on the global Toolroom rollercoaster through what modern day dance music is all about. Join the queue, hold tight and enjoy the ride. .....GO!

With a series of best-selling 'Prototype' mix CDs under his belt, a Saturday night show on Radio 1, a name as the first to be resident at both Cream and Ministry of Sound, an ongoing monthly New York gig as well as his own club night in London, Seb Fontaine clearly belongs among the elite of international Djs. But elitism is not in Seb Fontaine's vocabulary. In fact, you could argue that the reason the 31 year old Londoner has come so far (apart from excellent taste in music and deft spinning skills, of course) is by nature of his affability, modesty and sense of perspective. "We watch plastic go round," is how he describes the DJ's job. "Alright, it's slightly more than that, but I just feel that if you separate yourself from clubbers - if you become so much more important than they are - how can you understand what they want and how can you be part of it?" It's a rhetorical question: Seb has been a part of it for fifteen years now. His career choice may not seem surprising when you allow that he was conceived on the island of Ibiza, to a French restauranteur and a sojourning English woman. But the boy they christened Jean Sebastian Fontaine claims that "I never decided to be a DJ." Born and raised in west London, his heroes were Chelsea Football Club (his son's middle name is Stamford) and the bands of the 2-Tone label. To this day, he claims that "If I could swap being a DJ now to be in Madness, I would." That opportunity never arose. Instead, a teenage Seb talked his way into a gig at Hammersmith Town Hall on the lie that he'd already DJ'd "loads of times," after which he landed a regular slot at Crazy Larry's on the Kings Road where, like many of his peers, he played old soul and funk alongside new American hip-hop. From there it was onto The Fridge in Brixton, and The Wag in Soho, along with the occasional warehouse party where "If the promoter hadn't run away with a couple of strippers before you finished your set, you were lucky." As the British rave scene exploded toward the end of the 80s, Seb was at all the clubs, but tucked away in the back rooms, still playing rap. His epiphany? "Walking into the main room one day and hearing A Guy Called Gerald's 'Voodoo Ray' and thinking, 'What the hell is this record? It's unbelievable.'" He also noted the difference in audience. "UK hip-hop went through a moody stage at one point. You'd be DJing and instead of people dancing it would be crews of guys hugging the walls. And I would just spend more and more time in the house room where there'd be girls dancing on the speakers and semi-naked people swinging from the chandeliers. And I was thinking 'This is where I want to be, I want to be here?. Given how many DJs were undergoing a similar conversion, Seb's progress into the house rooms was gradual: gigs at Subterania with Jeremy Healey and Norman Jay, a residency at The Cross, guest slots where he could get them. And finally, alongside DJing and promoting partner Craig Richards, his own Saturday night at the Hanover Grand in central London under the club name Malibu Stacey. At which point it all came together. Seb and Craig found themselves with the hottest night in town. And it lasted almost four years. Malibu Stacey was relentlessly glamorous, refreshingly exuberant, and Fontaine played appropriately optimistic house music to match. Yet while the night put his name on the map, it also typecast him. "For a long time I got tarred with this 'glam house' brush. It's just what everyone was doing. It was trannies and feather boas. It took a long time to shake that moniker." He did so the only way he knew how, by working his way out of it. A residency at Ministry of Sound's 'Frisky' night certainly helped; then, when Paul Oakenfold abdicated his spot at rival night Cream up in Liverpool, Fontaine's name was put forward as replacement. The offer was too good to turn down, and Seb became the first DJ to claim both 'super clubs' as home turf. Not surprisingly, other opportunities quickly sprung forth. Seb took a radio gig on Britain's dance station Kiss FM, began playing Ibiza, burned up and down the British motorways on weekend nights, and moved into mix CDs. He's done a couple of best-sellers for Cream, but came into his own with the 'Prototype' series released by Global Underground, which gave him his own 'resident' CD status rather than 'guesting' for other brands. Over four increasingly popular 'Prototype' releases, Seb built a global audience by balancing the appealingly commercial vocal with the resolutely underground instrumental. Still, by the time of the fourth double mix, "I ended up thinking, how many Prototypes can you do before you have the finished article?" Similarly, he was becoming frustrated by dance music's household acceptance. "Clubbing was getting so big and so popular and so brand-led we were in the danger of being on the back of cornflake packets," he says. For a while, "It just felt like you were expected to play the standard ten tunes everywhere you went. And if you didn't, the DJ after you would play them and would be the hero while you were the villain." Fortunately, circumstances allowed Seb to reposition himself. Radio 1 hired him away from Kiss, initially to fill in for other Djs and for road trips, and then for a prestigious Saturday night slot from 7 pm-9 pm. (The show attracts almost a million UK listeners, is syndicated in five countries, and is available all week on the Radio 1 web site.) He quit Cream at the end of last year, which has allowed him to engage in more international travel, and that in turn has widened his musical perspective and opened his ears. Seb now has a monthly New York gig with Subliminal Sessions, while he has returned to The Cross in London to launch his own monthly night Type. "It holds all the ethics that I hold important about dance music at the moment," he enthuses. "It's a club that holds 1000 people. And it's all split up. Low ceiling, great sound." Guests have included Timo Maas, Slam, Circulation, the key figures in what Fontaine calls "A new sound coming through, like electro and house married, really dark sounding but very exciting too. . Clubbing is meant to be fun. It doesn't need to be a sell-out but there needs to be some energy." A similar mindset governs his radio show, for which Seb understands how fortunate he is to be with the BBC. "You're essentially federal employees, and basically you're given a white paper that says Play Good Music. We have no commercials, we have no sponsors, we're not dictated to. You're not told where you should be putting anything other than the fact you're chosen for your ability and told to do what you do. Being with the BBC is a fantastic opportunity to put forward where you think music should be going." While involved in the occasion club cut as either Cequenza (for the "bigger sounding tracks") or Sizzlak (for the "funky house music"), Seb has shied away from remixing opportunities, both to avoid becoming jaded by overexposure and because he's a family man. He and his wife/agent Vanessa are expecting their second child in July 2002, which will mean even less sleep than usual for several more months. "Sometimes I feel like I'm walking a tightrope," Seb admits, "but it seems to work." It does. And if you want to know why it works, just listen to him talk. This is a man who knows his music, appreciates his job, but best of all, understands his audience. "For every person who says 'clubbing was better five years ago,' there's someone new coming into it who will remember last Saturday like we remember 1990," says Seb. "Everyone has their time and place. Everyone has their moment - a year or two when everything is the most exciting thing in the world. And that's cool. As a DJ, you've got to try to help people have their moment all the time."

Philly's longest running underground house party !!! The shakedown is philadelphia's true underground house monthly , every second saturday of the month at the barbary....seven years strong and still vibing ! Sound reinforcement by solomonic , lighting and visuals by jj king ! Come out and experience the heavyweight sound of the shakedown for yourself !!! $5....21+ with id

Intelligence in Musical Selection ! Brought to you by 2204 Liberty Bar, Proper Promotions and Exotic Body Works, Ascend brings you the best in dubtempo house, minimal techno, acid jazz, detroit techno, trip-hop , acid house , dubstep and heavyweight dub. Deejays Ras Heights and K-Scape keep this event fresh and tasty with impeccible vinyl selections every third Friday of the month @ 2204 Liberty Bar , 2204 Market st. Philadelphia PA. If you are interested in, or simply live for, the finest in electronic music, this is the party for you !

Come party with over 1500 boyz at the 9th annual club papi brown party for san francisco gay pride weekend. 15 super sexy papi dancers + manhunt.nets $2000 dollar cash giveaway in our exclusive money booth. 3 dance floors of music, drink specials and the 1st 1000 people get the new live at club papi pride cd!!

Dj Angel Moraes spins European House all night. Special guest djs mixing hip-hop in the small room Dress to impress: no baggies, no open shoes for guys, no cap, basically dress well. 20 at door, $15 on guestlist For GuestList and tables Text or call: 617-412-0368 (before 10:30pm) or email ubpromoter@gmail.com (before 10pm). Just leave your name and the number of people you are coming with. Music: House, Electro

Origins: Colombia @ RISE Chriss Vargas (Pacha NYC) Andres Escallon (Proton Radio, Colombia) Doors @ 2am (Sunday morning) RISE is 18+ and there is never a dresscode. Email mike@riseclub.us for guestlist.

Lee Jones has and always will be throwing the sexiest parties in the city. Love Sexy is no exception. Love Sexy is love for sexy house grooves. Get here for some love from the staff that loves you back. Doors open at midnight. No cover. Music: House

Check this website out nvthelife.com its a new online nightlife network like myspace for the DC Northern Va area. Create your profile, see, hear, plan and blog! membership is free! Music: DJ Geometrix Main Room Hip Hop | DJ NV Smoke Room Latin| DJ Neekola & DJ Alex Rooftop Trance, House

attempt to break the world record for the most shots taken by a group KROQ's DJ Omar Khan Music: DJ top 40, mash up

Rouge Nightclub in Association with James & Jamie Presents - BLISS * A Cabo Cantina Party Hosted by Privilege SF and Mike Caro Saturday, June 20th Frozen Margaritas available all night in various flavors!! 8 Don Julio Drink Specials and half off bottle deals! Featuring DJ Rich Era Spinning hip hop and top 40 all night! For VIP Booth reservations please call 415-286-8621 or email vip@rougesf.com www.rougesf.com 1500 Broadway St. San Francisco Music: Hip Hop, Top 40, Dance Mash Ups

Pearl @ Five (Fridays) Hosted by Lush Promotions and EMCDC.COM The very best of International, National & Local DJ talent showcased every week... Funky . Progressive . House . Techno . Breakbeats . Electronica 21+ . $10 Admission all night . No dress code . Doors 9PM - 5AM For Free Admission before 1Am: Email LUSHPROMO@AOL.COM Please include full names and email addresses for all guests) For Table Reservations: Call Rohan 202.903.7186 Five is a spacious 3 level club offering a variety of moods. Some of the club's features include 3 fully stocked large bars, lounge areas, state-of-the-art sound systems and lighting, long-back sofas, coat check, and a rooftop patio for the summer months. With the perfect balance of colors and lighting, Five has a modern and inviting feel for any occasion. Experience The Night On Club FIVE's Full Bass Heavy Eaw Avalon Sound System!! Music: Funky . Progressive . House . Techno . Breakbeats

Get Bent! @ Vesuvio (8th & Fitzwater) every Friday - No COVER! South Philly's grimiest dance party! w/ residents Battleaxebaby & Hoagie Jawns electro, bassline, b-more, booty bass, freestyle, mash-ups, classic hip hop, disco... PARTY Smashers... 1 PBR & cheap shots til 11 www.myspace.com/getbentphilly click link below for a teaser mix of the Kid Queasy guest spot this Friday, June 12th 2009: www.sengge.com/GETBENT/JUNE/KQ%20GET%20BENT%20JUNE%20TEASER%20MIX.mp3 Music: Electro, Bassline, B-More, Booty Bass, Freestyle, Mash-Ups, Hip Hop, Disco

Madeira thursdays open mic night !