clubmaster

Get Wet Live Tour with Krewella, Seven Lions, Candyland

Adventure Club is a Dubstep Duo hailing from Montreal. Formed in early 2011, Adventure Club is a production outfit / DJ duo birthed by local musicians Christian Srigley & Leighton James. After a blitz in the studio, they've released 5 tracks with an upcoming EP to hit the scene shortly, with remixes ranging from 1950's classics, post-hardcore rock to the sweet electronic sounds of today.

1015 Folsom & Euphonic Conceptions Present THE POLISH // PHAELEH AMBASSADOR DJ VADIM // LITTLE PEOPLE // WILDLIGHT + MUCH MORE TBA FRIDAY OCTOBER 4TH, 2013 / 10P-4A / 21+ ONLY

5th Annual | "A Nightmare On Van Ness" at The Regency Center Saturday, October 26th, 2013 Presented By:Events To The 'T' & San Francisco Nightlife From the Creator that brought you these past years A Nightmare On Van Ness with Lmfao, Far East Movement, Too $hort, Dev, Cali Swag District, Jonn HART…and many more. *** This event Will Sell Out, so grab your tickets while you can! $ave up to 70% for Early Bird Tickets as they are limited time offer and while supplies last! *** For the 5th year in a row The Regency Center will be taken over as your senses indulge in absolute amazement by the most Extravagant and most Entertaining Halloween Party in San Francisco by far. FEATURING: 2 Levels of Non-Stop Entertainment TOP 40 | Hip Hop | Electro LIVE Performance Massive Celebration filled with Music, Lighting, and Décor State of Art Light and Sound Production Sexy Go Go Dancers $$$$ Costume Contest VIP Meet & Greet with Special Guest PERFORMER Premium Table Service Multiple Professionally Staffed Bars Exclusive VIP Mezzanine overlooking the entire main floor ...Among other surprises that will occur throughout the night making this party the Ultimate fun Nightmare! .....And you can't ignore the Rapture of the building itself: 35 Foot Ceilings, and Architectural Details that Define the Masterpiece that is San Francisco in this 100 year old art-deco theatre! Take all this, and add a Slew of Massive Decorations and you have yourself a Night you Won't Forget! Unless of course, you Partake in the All You Can Drink Hosted Bar in the VIP Mezzaninne. :| Presale purchase required - Get yours early as the price will steadily increase. :| Table Service Available. Check out our All Inclusive Packages or call 415 573 0740 :| Costumes REQUIRED. Questions? Comments? Call us now 415 573 0740 Visit Our Facebook Page For All The Photos From Previous Nightmare On Van Ness EVENTS: https://www.facebook.com/NightmareOnVanNess ::| All Sales are final. Must be 21+ to attend. No refunds or exchanges. Prices are subject to change while supplies last ||:

VIP ACCESS Saturdays at The Estate are the undisputed hottest club night in Boston. Estate was named "Best Dance Club" by Improper Bostonian in 2009 & 2011 Classy, trendy dress.Collared shirts & dress shoes required for men. Doors open at 10pm. Enter through the ISIS door not the main door (across from Liquor Store and next to Sweetwater Tavern) Text 617.905.1821 for guestlist and tables reservation Estate Nightclub - 1 Boylston Place, Boston MA 02115

Featuring an ultra lounge with vodka bar, two spacious dance floors, table service, VIP lounge, plush couches, and some of Boston’s best nightlife events, PRIME'S third, fourth and fifth floors are a world class club catering to 21+ clientele. As a premiere nightlife destination every Saturday night, the nightclub presents internationally famed DJs spinning a mix of House, Top 40’s and Mashup every Saturday. Voted Boston's Best Dance Club by Citysearch.com. flavormediagroup@gmail.com

Life In Color Formerly Known As Dayglow, “The World’s Largest Paint Party,†began in 2006 on college campuses in Florida. Since then, it has quickly taken the nation by storm by positioning itself as a one of a kind experience. Now, hundreds of thousands of people have witnessed this spectacular show that fuses high-energy music, art, dance, and Paint into one mind blowing combination. Founded by Committee Entertainment, Life In Color is truly a unique, spectacular, and innovative show that you must experience to comprehend. What initially began as a college tradition has transformed into a world-renowned live concert, featuring spectacular DJs, soaring aerial acts, stilt-walkers, contortion acts, fire shows, and cannons to deliver the famous “Paint Blast,†along with many other unforgettable live performances. Life In Color has grown immensely each and every year in attendance, strength of line-up, and production. Life In Color Orlando at the Ucf Arena set a new record for the United States with over 5,500 fans in attendance selling out days before the show. Starting off their International Tour with great success, Life In Color Cancun 2010 sold out its first show outside the U.S. with over 4,300 party people! Life In Color has featured live performances by legendary DJs such as Laidback Luke, Rodger Sanchez, Robbie Rivera, Diplo, Funkagenda, A-Track, Joachim Garraud, Feed Me, Porter Robinson, Alex Gaudino, Funkerman, Starkillers, Austin Leeds, Oscar G, Electrixx, Static Revenger, David Berrie, The Devil From Acapulco, and resident Life In Color DJ David Solano. Life In Color has been a featured stage at Ultra Music Festival in Miami, FL in 2009 and 2010. Life In Color Rising to the level of technology in today’s entertainment world, “Life In Color 3D†kicked off its tour in 2010 and is coming to select cities. Life In Color 3D takes the Life In Color experience to the next level: eye-popping 3D visuals playing throughout the show on multiple screens, performers dancing covered in 3D body paint, and every member of the audience wearing a pair of Life In Color 3D glasses. All the while an enormous 3D Countdown plays leading up to the highly anticipated Paint Blast! LIFE In Color is consistently breaking new boundaries as a highly anticipated concert in the United States and as an international show desired by fans all across the world. Life In Color continues to present the most groundbreaking production as well as live acts and surprises around every corner! ~AXS

Alison Moyet Announces Us SHOWS Critics Hail New Album the minutes With the much-deserved return to the spotlight, world-renowned musical icon Alison Moyet will be making a trek over the Atlantic for three U.S. shows in support of her critically and publically-hailed new album the minutes (Cooking Vinyl/Metropolis Records). “Flipping flip. I'm only going to play some gigs in the USA. Huzzah! I so can't wait,†said Alison excitedly. “I've got clean pants and everthang. Come while you can. I'm not getting any younger.†With her new album receiving rave reviews on both sides of the Atlantic Ocean, Alison Moyet has returned to the forefront of the music scene with a Top Five charting album and boatloads of positive press. Associated Press: “True to her punk roots, the English artist didn't make the minutes, her first studio album since 2007, to please anyone. And, by doing so, she has created a remarkable collection that takes her rich contralto to new edges." New York Daily News: "While many singers in the electronic world end up slaves to the rhythm, here Moyet once again proves able to soar with any sound." New Noise Magazine: "[Alison Moyet] has created one of the best albums of her career and an album that should be in your collection." the minutes tour will place the new album center stage but will also focus on the significant electronic material from Yaz and her solo back catalog. ~AXS

Lounge: Jonathan Santarelli & Daniel Sevelt 2nd Saturday is RISE's monthly gay party. DJ, remixer, and producer DJ Escape (aka Jeff Jonas) began spinning turntables in the early '90s, inspired by the growing popularity of the hip-hop scene. The opportunity to start playing it came after teaming up with DJ Skribble. However, the newcomer turned into house music after meeting Junior Vasquez during a performance at New York's Palladium.

Opening: Ludé Lounge: Lovecraft & Tamer Malki Jay Lumen is one of the most exciting DJs and producers to emerge within the new generation of electronic dance music artists over the last number of years. The Hungarian’s musical journey has seen him come a long way, from classical violin training at 8 years old to now being one of the world’s leading driving forces behind the tech house and techno movements.

with Rooz & Alessandro Matthias Tanzmann started his DJ and production career in the mid nineties in Leipzig, playing regularly at the renowned club ‘Distillery’. These early days saw his first release as 'Gamat 3000' (with Daniel Scholz) on Dessous Recordings, which was quickly followed by releases on Freude Am Tanzen, Lo-Fi Stereo and FM Musik. In 2000 he founded Moon Harbour Recordings, and since then scores of Moon Harbour releases have been playlisted by renowned DJ's all over the world. The label rapidly became synonymous with quality deep-house and tech-house, and has released many of Matthias Tanzmann’s own records as well as those from the likes of Luna City Express, Marlow, Martinez and Dan Drastic. In 2006 he founded the label Cargo Edition, where you can find regular releases from Michael Melchner, Ekkohaus, Markus Schatz, Sven Tasnadi, Vera and Juno6. The success of both labels has seen the explosion of Matthias Tanzmann's DJ career, which now takes him almost continuously around the global club and festival scenes. Another factor in his success has been his residency at the famous party series Circoloco at DC10 in Ibiza since 2007. Playing regularly on both the Balearic Isle and at international Circoloco shows has resulted in 3 consecutive nominations at the Ibiza DJ Awards. Between his numerous DJ gigs, Matthias Tanzmann also produces consistently ground-breaking music. In addition to a line of singles, his first solo album "Restless" was released on Moon Harbour in 2006, and beyond that his remixing skills are also in great demand - remixing for artists such as Moby, 2000 and one, Josh Wink and Booka Shade to name just a few.

Insomniac Presents...ATB In Concertatb In Concert is more than just a simple DJ show. It’s the experience of a complete night full of Atb music presen

The popular "boy band" performs with Jesse McCartney and DJ Pauly D at Gibson.

“i guess i just accept that the music business has fallen apart,†says moby, describing the unexpectedly fruitful environment that spawned his upcoming album,* innocents, set for release october [tk]. “that demise means that, as a 47-year-old musician, when i make a record, it’s simply because i love making records – i don’t expect commercial success. there’s no reason to second guess whether something’s going to sell well, or if a radio programmer is going to like it – so i can just make the record i want to make.†indeed, that’s exactly what* innocents *entails. moby’s 11 th *studio album to date proves an uncompromised, fully realized work from one of the most iconoclastic, innovative, individual forces in electronic music – or popular music, period. as such,* innocents *proves distinctively a piece with moby’s discography, while simultaneously pushing the artist born richard melville hall towards new challenges. “i finished touring for my last record [2011’s* destroyed ] about a year and a half ago, and pretty much immediately started working on this album,†moby recalls. “i was listening to a lot of* broken english -era marianne faithfull and ‘80s grace jones, and really wanted to make a grungy, lo-fi, electronic dance record; over time, it transformed into a lo-fi, idiosyncratic, emotional, melodic record instead. i’m most interested in exploring vulnerability and humanity in music, and with innocents *i made a conscious effort to keep things imperfect and, at times, even awkward. my criteria was, how does what i’m creating resonate emotionally, and what sense of space does it create?†to achieve that perfectly imperfect state, moby chose to work with an outside producer for the first time in his career: mark “spike†stent, whose grammy-studded résumé spans superstar pop (madonna, lady gaga, beyoncé), rock (u2, bruce springsteen, muse, yeah yeah yeahs) and the genre-defying vanguard (björk, massive attack, goldfrapp, m.i.a.). “spike’s role was unconventional – first and foremost, he was a friend, and simultaneously a consultant, a&r person, mixer, and, yes, producer,†moby explains. “we grew up listening to the same records: it’s nice to have that shared frame of reference where you can refer to a british electric foundation b-side or an early rocksteady single that would be obscure to most people, but seminal to us. and spike was the reason the album shifted from a dance record to a more personal one: what really connected with him was the emotional, personal music.†another first marked by *innocents *was moby’s unexpected choice of collaborators. working with outside vocalists and musicians isn’t a new thing for moby – “south side,†featuring vocals by gwen stefani, proved a top 20 hit upon release in 2000, and the likes of artists ranging from sinéad o'connor to angie stone have appeared on his tracks. on innocents,* however, the guests provided a distinct inspirational motif. “i like that the title describes a group of people, because it’s my most collaborative record,†moby says. “and if you look at the disparate random bunch of people i’ve collaborated with, a lot of them you wouldn’t think of as innocents.†among those seasoned voices are the sole male lead vocals to appear on a moby album, other than a couple of earlier collaborations with rappers, and moby’s own voice. “for the most part, i’ve only ever worked with female singers,†he says. “i can’t think of any exceptions other than samples – until this record, if there’s been a male voice on my record, it’s been me.â€* innocents *reverses this tradition via some of the most distinctive male vocalists in rock music. wayne coyne of the flaming lips duets memorably with moby on rousing first single “the perfect lifeâ€; alt-rock legend mark lanegan lends his dark croon to the lynchian electro-noir ballad “the lonely nightâ€; and* the shimmering “almost home†proves even more sublime thanks to the indie-folk eminence damien jurado’s empyreal tones. what appeared to be a major artistic shift, however, stemmed organically from how* innocents ’ songs were taking shape. “as i was writing ‘perfect life,’ i kept thinking of wayne singing it,†moby says. “his voice has such an interesting, vulnerable timbre. likewise, damien jurado and mark lanegan have such unique voices, i just fell in love with the way they sing.†innocents ’ female contributors, meanwhile, prove nearly as surprising. the eerie apocalyptic ballad “the last day†features the enigmatic vocals and songwriting acumen of skylar grey – best known for co-writing and performing on eminem and rihanna’s “love the way you lieâ€; however, according to moby, the track* “doesn’t fit into the traditional pop/r&b canon, except that it’s really pretty. instead, it’s a weird lo-fi pop song that doesn’t have a bassline.†elsewhere, the defiant soul lament of “don’t love me†places the unforgettably brassy pipes of moby tour vocalist inyang bassey into a lush, retro-futuristic setting. “spike did this very smith and mighty, dub-inspired mix that evokes bristol, u.k. circa 1988,†moby says. “it has a very slinky, late-night quality: i imagine walking into a dark cabaret in leipzig, germany at 3:00 a.m. and hearing that song playing.†meanwhile, two songs – “a case for shame†and “tell me†– feature canadian singer-songwriter cold specks, whose debut album* i predict a graceful explosion* proved one of 2012’s most evocative debuts. “i was having lunch with [mute records founder] daniel miller, and i said, “daniel, i’m looking for interesting, beautiful vocals for my record,’†moby says. “he said, ‘oh, we just signed this woman cold specks.’ the moment i heard her voice, i was amazed by the challenging, idiosyncratic way that she approaches harmony, melody and phrasing. it’s like gothic blues, but combined with an avant-garde, intentional dissonance.†of course, moby has been retrofitting antiquated styles and archaic sounds to the electronic age since “natural blues†– one of many enduring hits off of his 1999, twelve-million-plus selling international smash album* play . as such, much of* innocents *recalls vintage moby in the best way. songs like “the last day†and “a long time†evoke* play ’s ingenious sampling of haunting spirituals over club grooves; as well, “saints†manipulates disembodied diva vocals, acid-house breakbeats, and orchestral synths into an uplifting yet melancholic anthem – much in the same way as did moby’s breakthrough hit, the rave classic “go,†which reached the u.k. top 10 following its 1990 release. meanwhile, the moody cinematic ambience of instrumentals “everything that rises†and “going wrong†suggests scores for films that don’t yet exist – reminding why moby remains the go-to source for soundtracks (moby’s song “extreme ways†appears over the credits in every* bourne identity *movie, his cover of joy division’s “new dawn fades†accompanies a key scene in michael mann’s* heat, and he gave the iconic james bond theme a techno makeover for* tomorrow never dies *– and those are just a few examples). “i approach things from a similar perspective as i was, say, fifteen years ago, because that’s what i love – when music has that ability to make your emotions swell,†moby says. “in my own small way, through my use of melody and strings, i’m trying to get to that.†innocents, however, carves out its own unique niche in moby’s discography. for one, it’s the first album he’s created since moving to los angeles from his longtime new york city home. “living in l.a. certainly inspired the making of this record and the music,†he says. “in new york, i’d work in my cloistered studio in a big apartment building, surrounded by thousands of other apartment buildings and people everywhere; in los angeles, meanwhile, you can be in the middle of an urban area of fifteen million people and still feel isolated, like you’re living in the country. my last album* destroyed *was all about the disassociation of constantly crossing time zones, living in hotel rooms and airports – these lifeless environments where you don’t even know what city you’re in.* innocents *still has that strangeness and dislocation: it’s just more about being at home in a new city that isn’t really a city.†despite its l.a. origins, moby insists* innocents *“doesn’t sound like sunshine and the beach – it’s not l.a. pastoral like, say, a csny or eagles record.†instead, the album captures the atmospheric anomie of being caught between eras – its sound and vision balancing today’s high-speed digitalism with the discarded, obsolete technology of an earlier machine age. on one level, this sensation is achieved sonically. “spike and i put everything through old, broken down analog equipment: tape machines with tons of hiss, old reverb units that barely work, drum machines where the timing is off,†moby notes. “my favorite records – the first suicide album, old r&b, ‘80s dance records, jimi hendrix, cream, the doors, early daf, black flag – they’re all really messy. so, in making music now, i try to do everything to make the whole process idiosyncratic: we let that weirdness and imperfection become an inherent part of the record.â€* that duality extends to the messages submerged within the songs, where the frequently stirring, uplifiting sounds are subtly contradicted by shadow in the words. the madchester singalong groove of “the perfect life,†for example, belies “lyrics so dark i’m hesitant to say what they’re really about,†moby says. “it sounds like the happiest song on the album, but really it’s the darkest.†elsewhere, “the last day†pays doleful tribute to end times (“i’ve only just discovered the sun on the last day†goes a key line), while album closer “the dogs†(the only song on the album fully sung by moby himself) balances mournful synth-pop melodies with a eerily sinister refrain: “this is where it died/like the dogs left outside.†“i like dark, twisted lyrics,†moby admits with a laugh. “my perspective is kind of skewed! when i look at the music i’m most influenced by, it’s all informed by this idea that the world in which we live is crumbling and dystopian, but we can be celebratory within that.†as such, nothing is business as usual about the* innocents *experience – down to the album’s idiosyncratic promotion strategy: instead of the usual continent-spanning world tour, moby will only be playing three shows in los angeles. “my criteria was, ‘it has to be a venue i like, and i have to be able to walk there from my house,’†moby explains. “so for three consecutive days in october after the album comes out, i’ll walk down the hill and play a show. i just don’t like the touring lifestyle: i never wanted to be that haggard musician in my 40s looking beaten down and unhealthy in an airport, and that’s what i became. so why not just stay home and see what it’s like developing friendships, a home life, and maybe get a dog?â€* art imitates life, and vice versa: that oft-frustrated desire for human connection ultimately proves* innocents ’ resonant theme. “it sounds like something you’d read on the side of a teabag, but there’s a quality of innocence that resonates in all of us,†moby says. “i have yet to meet a human – even the most hardened criminal, or the nastiest, toughest rapper – who isn’t scared and insecure. i always think, “at one point, you were a little kid who was scared in the middle of the night. you’re going to get older and look in the mirror and wonder what happened to your youth; you’re going to be alone, and afraid, and get sick, lonely, and all the things that affect us by virtue of being human. in my music, i try to evoke the emotional response to that – joy, longing, fear, anger: these very human responses to living a material existence for a brief moment in our vast, strange universe. i always think of samuel barber’s ‘adagio for strings’: when it builds to a crescendo, unless you’re a sociopath, you have an emotional reaction to it. in my music, i try to give myself that same feeling – and if i’m lucky, someone else who’s listening to it will have a similar reaction.†~AXS

Eye Heart HALLOWEEN with Tommie SUNSHINE Friday October 25th at The Factory SF Eye Heart SF presents the 3rd Annual Eye Heart Halloween party taking place on Friday, October 25th at special event venue The Factory in San Francisco's Soma district, right off the Bay Bridge Entrance located at 525 Harrison Street. The Factory has been host to tons of big parties over the years including Wobbleland which featured one of Skrillex's first performances in San Francisco. If you've never had the chance to visit The Factory, the venue features two stages of music, with multiple VIP tables, a VIP Mezzanine which will feature Premium Open Bar for the entire night. The venue also features state of the art sound and lighting, and will be fully decked out in true Eye Heart Halloween fashion. Additionally, we chose The Factory because we will be able to keep the party going past 2am! Music by: Tommie Sunshine + More DJs To Be Announced on multiple stages More information to be announced... For Table Inquiries email: info@eyeheartsf.com See Video from Eye Heart Halloween See Photos from Eye Heart Halloween Eye Heart SF Twitter Eye Heart SF Facebook NEXT Eye Heart SF Events: 9/6 - Future Fridays at Mezzanine with Myndset and Panic City: Rufuture.com 9/14 - Summersalt Fest in Potrero Hill: Smrslt.com

Sunday, September 1st 2013 North Coast Music Festival presents... "An Official North Coast Fest Late Night Event" :: DATSIK:: [ www.facebook.com/djdatsik ] :: TERRAVITA :: [ www.facebook.com/terravitabass ] :: PROTOHYPE :: [ www.facebook.com/portohypemusic ] :: ALPHA DATA :: [ www.alpha-data.com ] BUY TICKETS HERE >>>http://www.clubtix.com/ncmf-after-datsik-terravita-protohype-tickets-221473

An audio-visual performance event that combines the musical and choreographic languages of Rock and Flamenco, in both subtle and obvious ways.

Light NIGHTCLUB presents Dyro. For table reservations please call 702-588-5656 or email *wantickets@daylightvegas.com Guests must bring a printed copy of the scannable ticket and e-mail confirmation, valid photo I.D., and the credit card the ticket was purchased with. Please print out and bring your scannable ticket as well as the e-mail confirmation, Id, and Credit Card to the club by 10:30pm and follow signage to the Will Call area, adjacent to the entrance of Light. *You Must arrive by 11:00pm to guarantee entry. * All patrons must be 21 years of age with valid Id. Us residents must bring state or federal issued Id. Foreign residents must have passports. LIGHT Nightclub door and management reserves all rights to decline entry of any guest not in proper dress code. Light Nightclub reserves the right to decline entry due to capacity issues, in which event guests will be asked to wait until the door is re-opened. Visibly intoxicated guests will not be admitted to the venue. No minors will be admitted. www.thelightvegas.com http://www.facebook.com/TheLightVegas http://www.twitter.com/TheLightVegas http://www.instagram.com/TheLightVegas Before dancing the night away at Light, join us at Kumi Japanese Restaurant + Bar by Akira Back! Kumi features a moden Japanese menu with a Korean American twist. Akira Back's suptuous cuisine is complimented by a wide array of specialty cocktails created by The Light Group's very own master mixologist. For reservations, please contact us at 702.632.9100 or visit www.kumilasvegas.com.

Early arrival is encouraged, prior to 11 PM for entry. Management reserves all rights to decline entry due to capacity issues, guests are not guaranteed after this time. Ticket is non-refundable. Table location is not set until arrival at venue. *Please Read Full Disclaimer* Wanticket guests are required to printed copy of the scannable ticket and e-mail confirmation, a valid photo I.D., and the credit card that the ticket was purchased. These tickets are print at home. Please print out and bring the scannable ticket as well as the e-mail confirmation, Id, and Credit Card to the club by 11pm. Early arrival is encouraged. All patrons must be 21 years of age with valid Id Us residents must bring state or federal issued Id foreign residents must have passports no copies or paper ID's will be accepted. The door and management reserve all rights to decline entry of any guest not in proper dress code. Surrender Nightclub reserves the right to decline entry due to capacity issues. Visibly intoxicated guests will not be admitted to the venue Surrender is a 21 venue, no minors will be admitted. Any disregard of the previously stated rules will invalidate your ticket / entry.******

Wil Trahan is a Providence, RI, based DJ/producer who has put in WORK over the last decade. From his early days at the famed Therapy After-Hours, to his current residency at Boston's Bijou, Wil has positioned himself at the forefront of New England's dance music scene. Celebrate Wil's birthday with us all as he treats the RISE massive to 5 hours of proper underground sounds.

Early arrival is encouraged, prior to 12 pm for entry. management reserves all rights to decline entry due to capacity issues, guests are not guaranteed after this time. ticket is non-refundable. table location is set upon arrival at venue. *please read full disclaimer* wanticket guests are required to printed copy of the scannable ticket and e-mail confirmation, a valid photo i.d., and the credit card that the ticket was purchased. these tickets are print at home. please print out and bring the scannable ticket as well as the e-mail confirmation, id, and credit card to the club by 12pm. early arrival is encouraged. all patrons must be 21 years of age with valid id us residents must bring state or federal issued id foreign residents must have passports no copies or paper id's will be accepted. the door and management reserve all rights to decline entry of any guest not in proper dress code. encore beach club reserves the right to decline entry due to capacity issues. visibly intoxicated guests will not be admitted to the venue ebc is a 21 venue, no minors will be admitted. any disregard of the previously stated rules will invalidate your ticket / entry.**** *

sampleLIVE: Pretty Lights vs Gramatik Experience Tracks like Gramatik’s ‘Don’t Let Me Down’ ( http://youtu.be/FHPg-bQneMY ) and Pretty Lights' ‘Total Fascination’ ( http://youtu.be/lTx-h6xrW_I ) mix and blend genres and sounds so thoroughly they deserve a special night of their own. Join us Saturday Aug 31st at Temple for the Pretty Lights vs Gramatik experience! with DJs Self Dustrukt :: Jonsey :: Lel_lion Pheeko Dubfunk :: King JAMES and many more ++RSVP on this page to get on the Free Guestlist ========== - -$20 without RSVP - - 21+ event - - 10pm-2am- - ========== ++local Host Favorites++ = Dustin Derego (Dream Team) = Sam Arrow (Leland Productions) = Jasmine Edwards (Love of Art) +unparalleled sound, lighting, and effects +filming for the 'Love of Art' +3 fully stocked bars +vendors, photographers, artwork Sampling in some of today’s music has almost taken on a genre of its own. Classic, familiar melodies accompanied by midtempo 808’s and electronic influences create a sound that spans generations. Our last show was huge, and this one's even bigger!! RSVP and early arrival is strongly recommended. Mark the date, Saturday Aug 31st, and see ya there!! More info and updates at: www.lelandpro.com for Birthday Specials, Large Groups, Bottle Service, Guestlists, to get involved, or general questions, contact: samarrow@lelandpro.com Official Site: http://www.lelandpro.com/ 'Like' us: http://fb.me/lelandpro http://lelandpro.com/

Jamie Barren Presents Saints & Sinners Halloween at the W San Francisco located at 181 Third Street, San Francisco, CA 94103 Thursday, October 31st 2013 10:00pm - 2:00am Join us - we dare you - where a mysterious underground universe lingers.. Transport to a place where dancing ensues in public spaces. 2 Floors w/ 3 rooms of music Living Room / Studio / Patio More information coming soon W Hotels San Francisco - As modern and hip as its fashionable clientele, this 31-story property suits its neighbors, which include the Museum of Modern Art, the Moscone Center, and the Metreon entertainment center. The design aesthetic pays homage to the Bay Area's large Asian population the conceit is actually called Gateway to the East and is visible in an array of small touches, from the exotic orchids adorning the front desk and hallways to the elevators decked out in holographic images of blossoming cherry trees to the room placards designed to look like fortune cookie messages (each with a different inspirational message printed on one side). Of course, vestiges of the self-consciously trendy vibe are still very much in evidence, from the subtle, seasonal fragrances that infuse the lobby and elevators to the well-curated indie-pop tunes that pump throughout the public spaces. The three-story octagonal Living Room is outfitted with white sculpted walls and a lighting motif that changes throughout the day.The trendy, urban style extends to the guest rooms, which contain a feather bed with a goose-down comforter and pillows, an upholstered chaise longue, and louvered blinds that open to (usually) great city views. Bathrooms are super-sleek and stocked with Bliss products. Whimsical touches like kaleidoscopes and mini-Buddha statues make the place all the more homey. New restaurant, Trace, opens with a theme of traceable, local foods. All in all, this is one of the top places to stay in San Francisco, particularly if you enjoy the nightlife scene, which quite literally begins at the W's doorstep. Music: hip hop, house, top 40

Lounge: Samuel Whiting & Lucas Alexander Providence based, but globally respected. Both are also prolific in the studio, with production credits extending back well over a decade. Hoska currently works with Arturia, designing the sounds in the instruments that are used to create today's club music. They are both musical scientists, with an understanding of how to construct an impactful dancefloor experience that only comes from lifelong immersion, passion, and experience.

with K. Flay, Sirah Aino Jawo and Caroline Hjelt met on a Saturday night in February 2009. It was, Aino says quite reasonably, “the best thing that ever happened.â€So the day after the best thing that ever happened happened, these two girls from the Stockholm suburbs formed a electronic pop duo band, and on the Monday – when the hangovers had cleared and it still all seemed like the best thing that had ever happened – they booked their first gig – Icona Pop was born. This felt all very well, but then they realised they had four weeks until their gig, but no songs.Autumn of 2011, Icona Pop moved from Stockholm to London, and with an album ready to go the tunes are in no short supply. Icona Pop says: “We like galloping drums, and synthesisers, but we still like the classical pop melodies. And that’s ‘what we are’. We don’t have to decide, because there’s no decision to be made. We just have to do exactly what we want.â€In the intervening years they’ve working with The Knocks (voted one of NME’s hottest production outfits of the hour), Patrik Berger (Robyn), Elof Loelv (Niki & The Dove), Fredrik Berger (The Good Natured) and Style of Eye, as well as sessions with UK producers like Starsmith (Kylie, Ellie Goulding) and Burns. Their Neon Gold-released double a-side single ‘Manners’ / ‘Top Rated’ prompted journals like NME and The Guardian say things along the lines of “effortlessly cool†and “all the makings of a 24-carat pop hit,†and the duo have perfected their live show, too – that first performance back in 2009 went rather well, all things considered, while their first London gig was impressive enough to bag them a management deal with Artist Company TEN, the team behind Niki & The Dove and Erik Hassle.There’s plenty more of this evocative stuff right across Icona Pop’s as-yet-untitled debut album, due out in 2012. Effervescently romantic number ‘Sun Goes Down’ is a Knocks collaboration written on a trip to New York. “We both had a crush at home,†Caroline recalls, “and we were thinking about our lovely men on the other side of the ocean, singing, ‘I will be waiting for you until the sun goes down’.†The sound of it all is hard to pinpoint, but there are some unmistakeable Madonnaisms on spirited anthem ‘Beat The L.’So that original plan for Caroline to give Aino her best night ever? Well, that night they met in 2009 has since been immortalised in song, on the vivid and joyous ‘Nights Like This’ Caroline explains, “everything that night was like magic, and the lyric ‘nights like this, you will never be alone’, is what Icona Pop is all about. It’s about being together and having fun, and inviting as many people as possible because the best nights out are the ones you want to share with everyone.â€As nights out go, Icona Pop’s first must of one of pop’s most vital, and it’s still in full effect three years later. In fact, it feels like it’s just getting going. “We’re having so much fun all the time,†Aino smiles. “It’s kind of scary.â€