kingrewind

Friday October 9th 2009 Flawless Sound in association with Rob Rewind & Chris Love present DELUXE featuring Charles Feelgood Fever, Buzz, Moist Music, Baltimore www.myspace.com/charlesfeelgoodmusic DJ Heather Om Records, BlackCherry Recordings, Chicago www.myspace.com/djheather PLUS Sleepy & Boo LoveSound Project Dbow & Lou Cass Hosted by Fresh Productions, Miss Melody, Lina & Mr. Wong N8 213 North 8th Street Williamsburg BK 21+ 10pm- Late RSVP to RewindPromosNYC@gmail.com for $15 admission $20 General Admission www.TheFlawlessSound.com www.Wanttickets.com Watch out for full flyer this week!

Stuck On Earth and Rob Rewind Present: ONE NATION 2009 After the resounding success of last years event, For the First Time Ever, ONE NATION, will be a 3 Day affair!! The Main Event of course will be falling on Saturday the 4th with a Pre Party on Friday the 3rd and an After Party on Sunday the 5th!!! Spend your July 4th weekend in the greatest city in the world: NEW YORK FUCKIN' CITY!!!!!!!!! Here is a Little Tease of the ALL STAR INTERNATIONAL Lineup for the MAIN PARTY Saturday!!! HOUSE MUSIC ICON MARK FARINA- OM, GREAT LAKES AUDIO, SAN FRANCISCO TECHNO PRINCESS HEIDI- GET PHYSICAL, GERMANY DnB GANGSTA BACK FOR THE REWIND!!!!! DJ HYPE- TRU PLAYAZ, GANJA KRU, UK ORIGINAL CLUB KID!!!! SUPERSTAR DJ KEOKI- LIMELIGHT, DISCO 3000, NYC MUCH MUCH MORE TBA!!!!!!!!! STAY TUNED FOR MORE DETAILS!!!!!! Vendors, Promoters, Bus Trips and General Inquiries Contact RewindPromosNYC@Gmail.com Main Party to be held at STUDIO B 259 Banker Street Brooklyn www.clubstudioB.com FULL VIEW OF MANHATTAN SKYLINE AND MACY'S WORLD FAMOUS FIREWORK DISPLAY!! FREE BBQ ON THE ROOF FOR THE FIREWORKS!!! 8pm-8am 19 for Sparklers 21 for Blockbusters Pre & After party Lineups and Venue's TBA IT'S ON MUTHAFUCKA'S!!!!!!!!

We all came Together, now it's time to GET DOWN! Legendary DJ'S & Producer'S TODD TERRY aka Royal House aka Gypseymen X-MIX, Every Fuckin' Label, NYC & JUNIOR SANCHEZ X-MIX, DJ's are not Rockstars, NYC Are Joined by The Hot and Buzzworthy UK Producer CHEWY CHOCOLATE COOKIES! Kitsune, Southern Fried, UK www.myspace.com/chewychocolatecookies With Resident DJ's Alexander Technique & Van Scott Studio B 259 Banker Street Greenpoint, Brooklyn 9pm - late $10 on list - email RewindPromosNYC@Gmail.com for Guest List

DERRICK L. CARTER- CLASSIC MUSIC COMPANY, CHICAGO One of the pinnacles of Chicago house music's '90s wave, Derrick Carter began DJ’ing at the age of nine, spinning disco records at family reunions. Born and raised in the western suburbs, Carter was into music from a young age, but during his teens Chicago's house scene sucked him in for good. Before long Carter became a strong presence in the city's underground dance scene. "When I got my driver's license at 16 my sneak ability was validated," he laughs. "I was a fierce bedroom jock for a long time. After you mix for the love of it for six or seven years, you get it pretty tight and you can take it on the road." He got by working at dance-music specialty stores like Gramaphone and gigging at parties. Later he landed regular DJ stints at Shelter, Foxy's, and Smart Bar. Though he doesn't spin much locally anymore, when he does he attracts large crowds. Most of the time he works in Europe, where he's become a minor celebrity among dance-music aficionados : “Its hard not to laugh on the occaisions when you’ll make 20 times what you make in Chicago on a Saturday night, but back home there are also times when you just do it for fun… So many people come up to me and say ‘Man, I had the worst day, My girlfriend left me, I locked my keys in my car, but you turned it around for two hours, and that made me able to get up in the morning’ That’s the best thing going.” Derrick’s sets are rooted in house, but he freely travels outside club tastes, seamlessly incorporating old-school disco, soul, jazz and whatever catches his fancy. His debut single "Love Me Right" appeared in 1987, just after he graduated from college. Another single ("Symbols and Instruments" as Mood) appeared in 1989, but the Chicago house scene faded soon after, leaving Carter and other artists with few to play for except themselves. Thanks in part to Cajmere's and Felix Da Housecat's respective labels (Relief, Radikal Fear), Chicago house made a comeback during the mid-'90s and began to offer impressive newcomers in addition to the old guard. Carter, recording for the Organico label, returned with several singles, and an album as Sound Patrol. In 1995, he began working with a live band as the Sound Patrol Orchestra. Several mix albums have appeared, including Cosmic Disco on MixMag and Pagan Offering on Pagan. Carter has also founded two labels (Blue Cucaracha and Classic) and remixed tracks from Chicago's own post-rock heroes Tortoise. Since then pioneering, innovative tracks and consequent critical acclaim have repeatedly marked Derrick out as once of the most important players in Dance music. Carter says that due to his growing notoriety his production talents have been requested by pop-oriented acts. But he prefers to remain underground. Although enthused about his own Blue Cucaracha label and a new UK-based imprint he runs called Classic, he's reluctant to offer much explanation of either label's MO--other than each releases records when the mood strikes him: "I like to keep myself pretty invisible"

Friday October 24th - Studio B Presents TOGETHER MARK FARINA - Mushroom Jazz Six Tour, Om Records, Great Lakes Audio, San Francisco MARQUES WYATT- Om Records, Deep, LA With Joeski and Sleepy & Boo MARK FARINA hits Brooklyn to celebrate the latest release of his groundbreaking Mushroom Jazz series! Mark will be playing both house and his patented "mushroom jazz" sets in his Studio B debut, with a special appearance by LA's Marquess Wyatt. NYC's Joeski closes it out and Sleepy & Boo get the party started. With DJs: MARK FARINA-OM Records, Great Lakes Audio, SF MARQUES WYATT- Deep, LA Joeski-Maya Recordings Sleepy & Boo-Basic NYC Studio B 259 Banker Street Greenpoint, Brooklyn 9pm - late $10 on list - email RewindPromosNYC@gmail.com to RSVP http://www.clubstudiob.com

STUDIO B is Back with a Vengeance!!! OFFICIAL GRAND REOPENING FRIDAY OCTOBER 17th!!!! 21+ DOORS OPEN 9PM MUSIC FROM 9PM TILL 6AM 2 HOUR OPEN BAR FROM 9 TO 11 LADIES COMPLIMENTARY ENTRANCE FROM 9 TO 11 $10 ON THE LIST $20 GENERAL ADMISSION For Guest list Email RewindPromosNYC@Gmail.com

Due to the overwhelming response we have been receiving for Baby BOO, we have decided to secure a 100% Confirmed after hours walking distance from the BOO venue. The lineup will be another power packed array of all stars, which will be dropped at the main event. Only people that have a stamp from Baby BOO will be admitted to the after party. There will be a $5 cover. As well, 50 of the most creative party goers will be randomly selected to attend a private after hours at the ANDY WARHOL FACTORY MUSEUM. Tickets to that will be obtainable at the Main Event and at random only.

Chris Love, Justine D, Tom Mello, Rob Rewind, Georgie Seville, Bill Spector, Fixed, DJ's Are Not Rockstars, Good Peoples, Takeover Theory and the rest of the Studio B Family are proud to present: Studio B's October Schedule 10/12 SUN- Baby Boo w/ Grandmaster Flash, Terry Mullan, J Majik & Hyperactive ***Official Grand Reopening*** 10/17 FRI- Together w/ Derrick Carter & Doc Martin + Special Guests TBA 10/18 SAT- Windish Agency Showcase TBA 10/24 FRI- Together w/ Mark Farina(Mushroom Jazz 6 Release Party) & Marques Wyatt 10/25 SAT- Fixed 4 year Anniverssary w/ Tiga & WhoMadeWho(Gomma) 10/30 THURS- Special Event TBA 10/31 FRI- Ghostly Halloween w/ Matthew Dear & The Rapture ****Stay Tuned!! More Dates Announced Soon!!**** Studio B 259 Banker Street WillyB/Greenpoint Brooklyn www.ClubStudioB.com

Terry Mullan- Catalyst Recordings, Moist Music, Chicago/San Diego Terry Mullan, Chicago's turntablist extraordinaire, turns out dance floors week after week throughout the US and abroad. His credits include Twilo, Spundae, Sona, Bugged Out, The End, Pure, The Queen amongst raves as far off as Japan, Australia, Canada, England, France, Belgium, Scotland, Austria, Spain and Germany. He has developed a faithful following to those who know through his signature style of funky quirky jacking acid house combined with cutting and scratching making up an entirely new genre all his own. The eighties posed as the formative years of Terry's career. Although his roots began in hip-hop, he found himself smack in the middle of the Chicago house explosion. House and Disco were styles of music that were entirely new to Terry, but the match was struck. Soon after gaining inspiration from the Chicago radio DJ’s like Ron Hardy, Farley “Jackmaster†Funk, & Mike "Hitman" Wilson via 102.7 WBMX, Terry made house his home. Next, when acid house hit the US, the link was completed, Terry found the sound he was looking for. Never one to follow the masses, he borrowed from each genre to create what we all know to be Terry's sound, putting a bad ass twist on an otherwise conservative house scene. Through his label he has released projects for the likes of DJ SNEAK, IAN POOLEY, HALO VARGA, MAZI, BRYAN ZENTZ, ANGEL ALANIS & TJR, As well as for himself under the monikers, ACID OG'S, SPEAKERPHREAKER, TONE BROKE, and as SEROTONIN PROJECT on RICHIE HAWTIN and JOHN ACQUAVIVA'S Former imprint Definitive which featured Terry's track "Sidewinder" on the CHEMICAL BROTHERS "Brothers Gonna' work it out" MixCD. Additionally, Terry gained Notoriety for his records under the alias SPEAKERPHREAKER Whicj includes the largely succesful "Products of our Enviroment" EP on Catalyst Which was featured on PETE TONG'S ESSENTIAL SELECTION on BBC RADIO 1 in the UK & "La Nina/Nickel Bag Da Funk" EP on SMILE which was licensed to several top DJ mix Compilations. (TERRY MULLAN & HALO VARGA Collaboration). *LIVE PERFORMANCE* DJ HYPERACTIVE- 4 Track, Communique, Missile, Planet of Drums, Drop Bass Network, Chicago DJ Hyperactive hails from the south side of Chicago, where he honed his djing and producing skills for the past 20 years. Hyperactive started out as a DJ and 14 years ago, made the transition into writing as well. To date, he has released over 50 projects and remixes for labels such as Contact, Hybrid, Missile, Plus 8, Communique, Drop Bass, Planet of Drums, Smile, Analog, Saboteur, High Octane, Uppercut and his own label imprint, 4 Track Records. As a DJ/Artist, Hyperactive's popularity took off rapidly due to his DJ skills and frequent releases, and became a very sought after DJ/Artist worldwide.He is renowned for playing at many of the top clubs/events in the U.S. and overseas. The list includes some of the top clubs and events such as The End in London, The Orbit in Leeds, The Liquid Room in Tokyo and Love Parade in Berlin. In the late 90's Hyperactive relocated to Southern California, where he continues to produce under the name of DJ Hyperactive, but also has produced under aliases Joe Manu, Samoan Acid Stomper and Drumaddik. DJ Hyperactive also co-produces along with world renowned DJ/Artist DJ ESP Woddy McBride as the group Fuzz Face.

GRANDMASTER FLASH Grandmaster Flash is Known as one of the three Oringinators of Break-Beat DJing(The Other 2 being Afrika Bambaataa and DJ Kool Herc), And is responsble for developing and perfecting time precision on the following DJ techniquues: Cutting (repeating a beat or Musical phrase by moving the record back and forth); Back Spinning (repeating a beat or phrase on a record, by alternately spinning both records backwards to the desired beat or phrase; thus, repeating it); and punch-phrasing (playing certainparts of a record on one turntable in quick volume surges, while the record plays on the other turntable). Flash was the first to debut track DJing skills like mixing records behind his back or beneath table, kicking mixing faders with his feet, and the like. In the late 1980s, he was also the first DJ to develop and market his own mixer, called the Flashformer. His Group the Furious Five was a premier group toward the mid-1970s, known for thier choreography, studded leather stage wear, and fierce Rapping Skills. Group member Cowboy was the first MC for Flash, Who Pioneered Phrases like "Throw your Hands in the Air, And wave'em like ya just don't care!," "Clap your hands to the beat!," and "Everybody Say, Ho!," Which have become staples in Rap and Hip Hop Culture. He was also the first Mc to hype the Skills of his DJ during Parties, With Lines like "The Pulsating, Inflating, Disco Shaking, Heartbreaking man on the turntables...." Flash's 1981 Single "the Adventures of Grandmaster Flash on The Wheels of Steel" was the first record to exemplify Hip-Hop DJing Skills, and the Group's 1982 hit "The Message" was One of the First Serious Rap Records. Group Member Melle Mel was among the most skillful rap lyricists and technicians of his name. He is also responsible for introducing a more phonetically percussive style to MCing. As one of Hip Hop's pioneer DJs, Flash is responsible for introducing some of the following break records: "Pussyfooter" by Jackie Robinson, "Heaven and Hell" by 20th Century Steel Band, "Johnny the Fox" by Thin Lizzy, and "Walk This Way" Aerosmith. Flash grew up in the South Bronx with a wide appreciation of music. He would sneak and raid his father's record Collection, and listen to records by Glenn Miller, Frank Sinatra, James Brown, Aretha Franklin, Thin Lizzy, Led Zeppelin and other varieties of Music. He was also fascinated with Electronics, and his mother eventually sent him to Samuel Gompers Vocational High School to Pursue this Interest. Flash started to take up DJing in 1974 after seeing Kool DJ Herc play Break Music. Flash and his then-partner, Mean Gene (DJ Grand Wizard Theodore's older Brother), Later played for small house parties and discos, Where he came upon Pete DJ Jones, A popular disco DJ for the older crowd. He noticed that Jones knew more about mixing than Kool Herc did, because Jones precued all his records, as opposed to Herc, Whose method of mixing was strictly based on how he dropped the needle. After asking Jones for an opportunity to play on his system several times, Flash found out why Jones's Mixing was perfect. By Listening through Jones's headphones, He discovered that that a troggle switch allowed him to hear the other turntable before playing it to the crowd. Thereafter, Flash found and divised his own switching system for his sound equipment, and soon began perfecting his timing in Break-Beat DJing. Around 1975 Flash began to apply what he called "The Clock Theory" to DJing, Where he began to read records by finding a particular spot on the record label (like the label's logo) to enable him to quickly find certain sections on a record. Mean Gene's Baby Brother, Theodore, Began hanging out with Flash around this time and later became Flash's record Boy. Because Flash's DJing Skills at his parties captivated his crowd so much that it hindered them from dancing , He began to assemble a group of MCs to keep the Crowd going. Cowboy was his first choice for MC. Melle Mel was the second MC he chose, with Mel's brother, Kid Creole, Being the third. They then were billed as Grandmaster Flash and the 3 MCs. Later Flash would use a Vox drum machine with the group, Billing themselves as Grandmaster Flash and the 3 MCs with the Beat Box. Toward 1976 Flash was approached by ex-policeman and promoter Ray Chandler in St.Ann's Park in the Bronx, Who suggested to Flash that he esablish a regular spotfor his parties. Chandler found a place on Boston Road and 169th Street; The Small Club had a painted Black Door, and the two decided to Christen the spot in promotions as the Black Door. Later, Due to scattered problems by Stick-up kids who attended Flash's parties, Chandler decided to hire security for the spot. He hired some former members of the Black Spades street gang, known as the Casanova Crew, led by crew member Tiny. Within a few months the popularity of Flash's parties forced him to seek larger venues. By September 1976 Flash was playing the Audubon Ballroom to a crowd of nearly 3000, Where he performed many of his familiar tracks, plus added new ones, like dropping the needle on records directly on the beat, on time, without cuing (DAMN!!!) Flash, Cowboy, Melle Mel, Kid Creole, and added member Scorpio (then known as Mr.Ness) appeared in several other venues like the Renaissance and the Savoy Manner as Grandmaster Flash and the Furious Four. By 1977 the Furious Four Split with Flash's Manager, Ray Chandler, due to various differences, While Flash continued working minus his MCs. Around this same period DJ and MC battles were frequently occurring in the Bronx. Flash was involed in several notable ones, including challenging DJ Tex and Afrika Bambaataa, Where Flash retaliated with an army of sound systems. Flash Began DJing for Kurtis Blow, and the two would later perform together at various P.A.L.venues in the Bronx. During summer 1978 Cowboy, Melle Mel, Creole and Scorpio were working with DJ Charlie Chase. By the End of 1978 Flash and his former MCs (with Scorpio) had Reunited and Resumed doing shows together. Around this same period they took part in a notable battle with Busy Bee Starski, Grand Wizard Theodore, and Afrika Bambaataa. Some time later the group's famous and intense battles would be with DJ Breakout and the Funky Four. By 1979 Flash was approached by legendary record producer/store owner Bobby Robinson of Enjoy Reords, who wanted to Rrecord Flash and the Group. During this same period Cowboy, Melle Mel, Kid Creole and former Funky Four member Raheim had recorded a record for Brass Records called "We Rap More Mellow" under an assumed name, The Younger Generation. Soon After, Flash and the Furious Five (with Raheim now a member) began recording for Robinson, with their first 12-inch single for the label being "Superappin'." Disappointed with Robinson's inability to get them on radio, the group soon signed with Sylvia Robinson's Sugar Hill Records, on the strength of her promise to get them to perform on the backing track of a record that was a DJ favorite at the time, titled "Get Up and Dance," by the group Freedom. Flash and the Furious Five's first record for Sugar Hill was, in fact, titled "Freedom," and was a hit with the Hip-Hop crowd. During that same year the group recorded the song "Birthday Party" By 1981 the landmark "Adventures of Grandmaster Flash on the Wheels of Steel" was released. This single gave people the first recorded example of Falsh's wizardry on the turntables, and it was the first record of it's kind. During this same period Flash and the Furious Five went on a European Tour, where they opened some show for the punk rock group The Clash. They were received poorly by Clash audiences in some venues, while in others they received moderate responses(Kurtis Blow later Toured Triumphantly as The Clash's opener). In 1982 the group had released another landmark recording called "The Message," a social Commentary that was unique for its "don't push me, 'cause i'm close to the edge" chorus hook, which expressed urban frustration. Sugar Hill Records' house band percussionist, Ed "Duke Bootee" Fletcher, was one of the main architects behind the work, with Melle Mel's performances making the piece one of Hip-Hop's true Classics. That same year Grandmaster Flash made an appearance in the Hip-Hop movie "Wild Style". In 1983 Flash felt there was a conclict of intrest with Sugar Hill Records' co-owner Sylvia Robinson managing and producing Flash and the Furious Five, as well as owning half the labelthey were recording for. Flash sued Sugar Hill Records for $5 million. Thereafter, the courts ruled the Flash had the right to keep the use of his name, "Grandmaster Flash," but was not entitled to a finacial settlement. The lawsuit caused another riff within the group with the Furious Splitting down the middle, with Melle Mel, Scorpio and Cowboy forming one fraction, and Mel's brother Creole, Raheim and Flash forming the other. Melle Mel, Cowboy and Scorpio continued to recoerd for Sugar Hill Records. The Single "White Lines (Don't Do It), " Which was released around 1984, was billed as Grandmaster & Melle Mel. Later Mel and the others did three albums for the label, billed as Grandmaster Melle Mel and the Furious Five, with King Lou, Grandmaster E-Z Mike, Dynamite, Tommy Gunn and Kami Kaze making up the remainder of the group. Melle Mel also did some cameo work during this same period, appearing on singer Chaka Khan's single "I Feel for you". During 1986, Melle Mel worked with promoter Van Silk on the WNBC-TV antidrug commerial in New York, which won an Emmy. Flash signed with Elektra Records, working with Raheim and Kid Creole, along with additional crew members, including Mr.Broadway, Lavon, Shame and Larry Love. In 1985 this configuration scored big with the piece "Larry's Dance Theme". After Several albums from both Furious Five fractions, the original Furious Five reformed again around 1988, recording the album "On The Strength". However, by September 1989 Flash's first MC, Cowboy, had died, and the group members had separated again to pursue individual projects. Melle Mel worked with Quincy Jones on his "Back on the Block" album, while Flash began to get into production, working with Roxanne Shante, Essence (who appeared on the soundtrack of the film "New Jaxk City"), Color Me Badd and others. J MAJIK- INFRARED, MINISTRY OF SOUND ,GANJA RECORDS, METALHEADZ UK According to GOLDIE "J Majik is the Luke Skywalker of drum & basS". Brought up in a North London suburb by a family dedicated to the film industry. J Majik's first track. Six Million Ways To Die, with its infamous break and ragga flavour, became a huge underground hit, and was released on Lemon D`s Planet Earth label. Impressed by this spectacular debut, Goldie followed the progress of the young producer and J Majik gifted him with Your Sound , an early and very influential Metalheadz single. Setting up his own studio with advise from Photek, Lemon D and Dillinja and releasing the 12� single on Metalheadz thrust to the centre of the early scene. In 1994 with old friend Danny Jay he decided to create his own label and called it Infrared. Infrared music released tracks by artists like Goldie, Peshay, Lemon D and 4 Hero�s Dego their contributions and Majik`s ambition broke new boundaries with each release. An album entitled, Slow Motion was released in 1997,from which the track, Mermaids was picked up on by Mo Wax head James Lavelle and released as a 12� and was also included on Goldie�s Headz compilation. While J Majik`s confidence grew with every release, his talent did not go unnoticed. Everything But The Girl`s Ben Watt approached a very flattered Majik to collaborate on some tracks for their album. Blame. This successful collaboration between EBTG & J Majik appeared on the album, with a VIP mix appearing on the Infrared compilation album NightVision in 1999. NightVision received critical acclaim and featured tracks by Goldie and Photek alongside some promising unknown young artists and J-Majik himself (under various guises). October 2000 saw Infrared became the first Drum & Bass label to offer the white labels direct to the record buyers via the internet. 2000 was a year of constant touring for J Majik and sidekicks Adam F and MCMC.It was also the year that saw Majik produce some film score�s with Goldie, collaborations with Jazz guitarist Ronnie Jordan, as well as an exciting meeting with US house diva Kathy Brown that would lead to the know Infamous Love Is Not A Game. Fabio (who was given the track on exclusive) called it �track of the year� on his Radio One show and predicted it would change the Drum and Bass scene, when considering the amount of vocal d&b available today this seems like a fair assertion. With the likes of Optical, Andy C, Hype and Jumping Jack Frost firmly backing it, marked a significant shift in attitude within the drum & bass scene. The track was so well received that the highly successful house label Defected Records snapped it up and it went straight into UK`s Top 40. August 2001 saw the release of J Majik`s hugely successful album project Infrastructure. Alongside fellow artists Optical, Dillinja, Accidental Heroes, Futurebound and Future Cut, the album had mouths watering all around the world. The album featured the massive hit Spaced Invader by Hatiras v J Majik. August 2001 saw the signing of new artist Motion, his debut single has been well received. Motion aka James Heppel signed to Infrared after sending a demo to J Majik. Instantly recognising his talent offered him an exclusive deal with Infrared. Expect a lot more from this youngster in the future. 2002 is a becoming another great year for J Majik & Infrared, having recently released the massive Metrosound J Majik & Adam F have marked the latter�s return to drum & bass in style. While Adam F�s hip hop is signed to Def Jam, expect an follow up d&b track on Infrared soon. April 2002 saw the first artist album Stars Our Destination from Infrared signings, Accidental Heroes. These guys have been compared to Ed Rush & Optical, and are considered the hottest new producers to break into the drum & bass scene recently. The album has been really well received by the likes of Goldie, Andy C, Bad Company, Hype Ed Rush & Optical to name a few. In the pipeline at the moment is the highly anticipated New Generation LP, due out late 2002, it is an up to date compilation album based on the concept of developing and nurturing new talent. Thanks to the heavy dub plate rotation of Grooverider, Fabio Andy C, Bad Company, Ed Rush, DJ Marky, Adam F, Bryan Gee and Hype the New Generation is set to cause a storm when it is released in three parts between November 2002 and January 2003. Amongst the many dance floor hits provided on New Generation is the massive Share the Blame by J Majik featuring Kathy Brown, a really big track!. J Majik recently signed another single to Defected in conjunction with Infrared, 24 hours is destined to become one of the year�s biggest anthems, supported by the main players the track features the unmistakable vocals of Loletta Holloway. This will be released at the end of 2002. There are plans for a J Majik artist album, early 2003, and countless other projects in the pipeline, including tracks with the now infamous Terra Deva (of Shakedown and Defected fame), some new ventures into the house scene, including some great new tracks with Kathy Brown. Infrared are currently on tour to promote the album over the coming months. J Majik has recently held the New Generation album launch party at Turnmills venue, and last month did a launch party at Fabric J Majik has remixed Groove Armada brand new single Final Shakedown. They heard his new track the phenomenal Capuera featuring Gil Felix and immediately asked him to do a track for them.

It's time to bring it back!! NYC's Legendary Oktoberfest returns! Stuck On Earth, Rob Rewind & Tom Mello Present Baby BOO!!! A New Generation Sunday October 12th 2008! No School Or Work the Next Day Don't Miss the return of this Legendary Halloween Extravaganza!! A LIMITED NUMBER OF $20 ADVANCE TICKETS ARE NOW AVAILABLE ON TICKET WEB!!

Come out to LOVE!!! DJ Rolando from Underground Resistance!!

Josh will be at LOVE on Friday December 1st

If only it were that easy!!! Please be assured that as someone who work's at LOVE it was 100% not our decision to cancel this gig. Politics like that don't even cross our minds. We wanted Vibe to play on this night and it's just not going to happen. In any event, we have secured DOC MARTIN to do a sublevel event on this night with resident DJ's DB & Jason Jinx!!!!! If you've been to one of Doc's underground's you know what's up!! I'll see you on the Dancefloor!