clubmaster

The M Machine is an electronic music trio hailing from San Francisco, CA. Formed in 2011 by Ben Swardlick, Eric Luttrell, and Andy Coenen, the group has quickly risen to prominence on the strength of their wholly original and forward-thinking sound.Transcending genre, the group effortlessly bounds between hard-hitting dance tracks and thoughtful, indie-styled vocal songs, tying it all together with a distinctly cinematic presentation. The group also designed, built, and performs its own live visuals in the form of a massive LED version of their iconic “Mâ€. It is this eclectic and all-encompassing approach towards their craft that has distinguished The M Machine as something very unique in the world of electronic music.The group achieved initial viral success with a teaser video for their two-part album Metropolis. The group’s debut EP, Metropolis Pt. I, was released in April 2012 on Skrillex’s OWSLA label. Inspired by Fritz Lang’s seminal 1927 film Metropolis, the group created an entire mythology for the release, each song telling part of the story of the dystopian city of Metropolis. After an extensive run of official remixes for Bruno Mars, Passion Pit, Datsik/Kill The Noise, and Madeon, The M Machine have returned to original production, elevating their craft to the rave reviews of their peers (read Skrillex, Porter Robinson, and Madeon). The second installment of their album, Metropolis Pt. II, released by OWSLA in February 2013, completes the saga of Metropolis and marks a new high water point in terms of the group’s creativity and production.In 2012, The M Machine performed at high-profile festivals including Electric Daisy Carnival (Las Vegas & NYC), Outside Lands, South by Southwest, Nocturnal Wonderland, Electric Forest, and Camp Bisco. Other highlights include a support slot for the entire “Language Tour†with Porter Robinson, and a support slot for Skrillex at Red Rocks in Denver. They also embarked on their first European tour, including stops at Tomorrowland and the Emmaboda Festival. With support from many of the world’s most notable DJs, including Tiesto, Skrillex, Porter Robinson, Madeon, Markus Schulz, Benny Benassi, Zane Lowe, and Pete Tong, The M Machine continue to carve themselves a distinct niche in the ever-changing landscape of electronic music.~AXS

Adore Delano*(from RuPaul's Drag Race)performs with The Ladies of Town!!This ticket is for a Meet & Greet with Adore Delano*before the d

1015 Folsom & Gray Area present BEN Frost A U R O R A live COMMA live WEDNESDAY October 29TH / 9P-1A / 21+ Doors at 9PM - Show at 10PM Ben Frost ethermachines.com Ben Frost on Facebook Ben Frost on Soundcloud Born in 1980 in Melbourne, Australia, Ben Frost relocated to Reykjavík Iceland in 2005 and working together with close friends Valgeir Sigurðsson and Nico Muhly, formed the Bedroom Community record label/collective. His albums, including Steel Wound (2003), Theory of Machines (2007), By The Throat (2009) and A U R O R A (2014) fuse intensely structured sound art with militant post-classical electronic music, shape-shifting physical power with immersive melody, concentrated minimalism with fierce, rupturing metal. In 2010 he was chosen by Brian Eno as part of the Rolex Mentor and Protegé program for a year of collaboration, one of the outcomes of which was Sólaris; a re-scoring of the Tarkovsky classic for Poland’s Sinfonietta Cracovia. Eno and Frost continue to work together on a range of projects. Frost regularly works with other musicians and artists; in the production of studio albums such as Tim Hecker’s Ravedeath 1972 and Virgins, Swans The Seer, Colin Stetson’s New History Warfare, and on various Bedroom Community releases. On the stage Frost has produced scores for Choreographers including Wayne McGregor/Random Dance, Akram Khan, and german Director Falk Richter. In film, he composed the score for the Palme d

The Disco Biscuits are an entirely different band today than they were when they first broke out of Philadelphia in the mid-90s. That's not to say that they've abandoned their foundations, switched gears entirely, or set sail for distant shores. The Disco Biscuits are still very much the trailblazers of "trance-fusion" that they've always been, bridging the gap between electronic music and jam bands. They remain rock pioneers whose soul belongs as much to marathon dance parties as it does to live improvisational journeys. They still employ emerging technologies to help them create music that is 100 percent human, although perhaps not entirely of this earth. But after spending the past three years in the studio during breaks in touring they've resurfaced with Planet Anthem, a record that is undeniably unlike anything else they've ever created before. "Our only goal was to make a great album," says keyboardist Aron Magner. "That was the only concept from the very beginning." But Planet Anthem is more than a great album it's about to become a reference point for a whole set of new weapons in the Disco Biscuits' arsenal. "It's all about making sure that you have the material that you feel confident is, without a doubt, going to make a difference in your career," bassist Marc Brownstein explains. "We want to have this album be a game changer for us." In the past, the Disco Biscuits would try to convert their most recent live songs into studio versions, but with Planet Anthem the band is eagerly attempting to do the opposite taking new studio compositions and making them a seamless part of their live repertoire. It's a challenge that will no doubt shape the new face of Disco Biscuits jams. Indeed, now that Planet Anthem is finally complete, the Disco Biscuits can at long last return to their primary function as one of America's most in-demand live jam bands. And the new material will make the trek with them, adapting at every turn. Says Brownstein: "People might hear a new song like 'Loose Change' and be a little freaked out that it's a pop song, but we're going to take that song live and we're going to jam the s~~t out of it." In other words, meet the new Biscuits, at once much evolved yet still much the same as the old Biscuits. This is still the band that hosts Camp Bisco each summer, a three-day festival which they anchor while bringing the "trance-fusion" style to life with back-to-back sets by some of the world's top electronic acts, jam bands, MCs and DJs. They will continue to headline prestigious venues like Red Rocks, tear up stages at world-renowned festivals like Japan's Fuji Rock, and embark on tours during all four seasons. But Brownstein is right Planet Anthem is going to be a game changer. It's a game where everybody wins, but the Disco Biscuits remain firmly in the lead. ~AXS

The M Machine is an electronic music trio hailing from San Francisco, CA. Formed in 2011 by Ben Swardlick, Eric Luttrell, and Andy Coenen, the group has quickly risen to prominence on the strength of their wholly original and forward-thinking sound. Transcending genre, the group effortlessly bounds between hard-hitting dance tracks and thoughtful, indie-styled vocal songs, tying it all together with a distinctly cinematic presentation. The group also designed, built, and performs its own live visuals in the form of a massive LED version of their iconic “Mâ€. It is this eclectic and all-encompassing approach towards their craft that has distinguished The M Machine as something very unique in the world of electronic music. The group achieved initial viral success with a teaser video for their two-part album Metropolis. The group’s debut EP, Metropolis Pt. I, was released in April 2012 on Skrillex’s OWSLA label. Inspired by Fritz Lang’s seminal 1927 film Metropolis, the group created an entire mythology for the release, each song telling part of the story of the dystopian city of Metropolis. After an extensive run of official remixes for Bruno Mars, Passion Pit, Datsik/Kill The Noise, and Madeon, The M Machine have returned to original production, elevating their craft to the rave reviews of their peers (read Skrillex, Porter Robinson, and Madeon). The second installment of their album, Metropolis Pt. II, released by OWSLA in February 2013, completes the saga of Metropolis and marks a new high water point in terms of the group’s creativity and production. In 2012, The M Machine performed at high-profile festivals including Electric Daisy Carnival (Las Vegas & NYC), Outside Lands, South by Southwest, Nocturnal Wonderland, Electric Forest, and Camp Bisco. Other highlights include a support slot for the entire “Language Tour†with Porter Robinson, and a support slot for Skrillex at Red Rocks in Denver. They also embarked on their first European tour, including stops at Tomorrowland and the Emmaboda Festival. With support from many of the world’s most notable DJs, including Tiesto, Skrillex, Porter Robinson, Madeon, Markus Schulz, Benny Benassi, Zane Lowe, and Pete Tong, The M Machine continue to carve themselves a distinct niche in the ever-changing landscape of electronic music. ~AXS

SAFE IN SOUND featuring Adventure Club, Destroid and Flux Pavilion will make you feel the pounding in your chest and a rumble underneath your feet. A first of its kind festival experience, Safe In Sound will hit 20 cities in September and October, setting a new standard for bass music presentation. Getting those bass-bins and stacks rattling on Safe In Sound will be some of the biggest names to emerge from the bass scene, including (in alphabetical order) Adventure Club, Caked Up, Destroid (Excision's Super Group), Doctor P, Downlink, Excision, Flux Pavilion, Terravita,

Description XS Las Vegas presents Fedde Le Grand, Saturday October 4th* * ARTISTS Fedde Le Grand * * * *PLEASE Read Full Disclaimer* Wanticket guests are required to printed copy of the scannable ticket and e-mail confirmation, a valid photo I.D., and the credit card that the ticket was purchased. These tickets are print at home. Please print out and bring the scannable ticket as well as the e-mail confirmation, Id, and Credit Card to the club by 10:30pm and follow the signage to the Wanticket area. * All patrons must be 21 years of age with valid Id Us residents must bring state or federal issued Id foreign residents must have passports no copies or paper ID's will be accepted. The door and management reserve all rights to decline entry of any guest not in proper dress code. XS reserves the right to decline entry due to capacity issues, guests will be asked to wait until doors re-open. Visibly intoxicated guests will not be admitted to the venue. XS is a 21 venue, no minors will be admitted. Any disregard of the previously stated rules will invalidate your ticket / entry. xslasvegas.com Facebook.com/xslasvegas www.twitter.com/xslasvegas

with Dannic

with Dannic

RISE Friday’s cater to Boston’s thriving community of high-energy party people. The music is delivered by a diverse roster of international & local artists pushing a variety of musical flavors.

In April, Simian Mobile Disco trekked out to the Southern California desert, taking with them just two modular synths, two sequencers, and a mixer. Over a period of three days, they jammed and rehearsed in the desert, culminating in a one off sold out show at Pappy & Harriet’s, Pioneertown, allowing 900 fans to witness part of the recording process. Those sessions, taped under the desert sky, became the basis for their brand new album “Whorlâ€. Now, after completing mixing and mastering, they are pleased to announce that the final studio album will be released through Anti Records (Tom Waits, Kate Bush) on September the 8th. “Whorl†is available for pre-order now. The album will be preceded by a single, “Tangentsâ€, on the 1st of July.* SMD ’s new live system was born out of a desire to challenge themselves – to remove computers altogether, going back to hardware sequencers, and limiting themselves to a suitcase sized rack of modular synth gear each –which both reduces the sound palette but allows much more hands on, real time manipulation – constraining themselves technically, to free themselves up musically. Jas, on the recording process – “The recordings we did in the studio while we were writing and rehearsing the new material for Whorl were simply “live†takes – the system we’re using has limited ability to save patterns in the sequencer, but nothing like the flexibility of a computer. Live performance and studio composition are essentially now the same process, rather than the common method of writing a track using the computer, and then working out ways to perform it live. We planned not to slavishly limit ourselves just to this performance – when we came to mixdown the album, we used portions of three sessions – the show itself, an extended jam we did in the desert the day before, and a little of our London studio rehearsal. †Future live performances of Whorl are currently being planned, with a full list of tour dates to come – each show will be a live recreation of that recording process, so each time “Whorl†will be slightly different. To reflect the organic, analogue aims of the new musical set up, long time* SMD *art & video collaborators Jack Featherstone & Hans Lo have built a complimentary bespoke hardware system to create the album’s visual aesthetic. The system involves feeding live generated digital content through an oscilloscope, filming the oscilloscope’s screen, then further processing the image produced. This system will be used in forthcoming videos and* SMD ’s live shows (it was debuted at Sonar this weekend). The cover image is a still grabbed from one of these oscilloscope jams, capturing a moment of flux in performance. The accompanying trailer showcases all the elements of the Whorl project, including the desert valley where the rehearsal/jam was recorded, the landscape that inspired the performances, the oscilloscope visuals and the show at Pappy & Harriets. In the coming weeks, further video pieces will explore different elements in more detail. The video is set to a short excerpt of “Tangentsâ€. ~AXS

San Francisco's #1 Club with the Top DJs of the world Sign-Up at http://www.solylunasf.com/ Guest Lists are published Thursday the week of the event **Excludes certain special events

SAFE IN SOUND featuring Adventure Club, Destroid and Flux Pavilion will make you feel the pounding in your chest and a rumble underneath your feet. A first of its kind festival experience, Safe In Sound will hit 20 cities in September and October, setting a new standard for bass music presentation. Getting those bass-bins and stacks rattling on Safe In Sound will be some of the biggest names to emerge from the bass scene, including (in alphabetical order) Adventure Club, Caked Up, Destroid (Excision's Super Group), Doctor P, Downlink, Excision, Flux Pavilion, Terravita,

RISE resident DJ Craig Mitchell is back! Few artists know how to control the dance floor at RISE like Craig does. He comes from the old school, where the mix never over shadows the vibe.... where there is no black or white.... where we all are one under the disco ball. He seamlessly weaves his way through every flavor of beats, from house to techno, tribal to tech, all bespeckled with acapellas and effects galore. Click "Event Website" on the right for guest list & party info.

Gramatik - The Age of Reason The Age of Reason is a benchmark release in the career of Gramatik - the first release on his own label, Lowtemp and a true sonic evolution. It is said that a master learns the rules in order to know how to bend them. With The Age of Reason, Gramatik, shows a musical growth which defies genre and breaks the EDM status quo to achieve an extension of the sound we have come to know as Gramatik. Currently residing in NYC, the Slovenian producer has been lighting up stages and creating a distinct relationship with fans worldwide since his debut performance in 2009. In an era when most musicians and the industry at large were scrambling to maintain a grasp of their old streams of revenue, Gramatik was jumping head first into what he believed would be the future - file sharing. "Freeing music by making music free" has become one of the calling cards of Gramatik's career. In 2010, after releasing five records at a furious pace, Gramatik began posting links to torrents containing his full discography. Fans responded by sharing files and coming to shows by the tens of thousand. Gramatik has never been afraid to speak openly and honestly to his audience. With his last record #digitalfreedom, he encouraged a new era of copyright law and discourse. In his frequent and usually well received post in social media, he has taken the artist to fan relationship to a very personal level. He frequently speaks about his love of Nikola Tesla and more importantly his reasons for supporting Tesla's legacy and mindful progressive living as a whole. Gramatik's elaborate stage design even mimics multiple Tesla Coils. Nothing has changed with the release of The Age of Reason. Gramatik elaborates on the epic LP title, which was " inspired by a stand-up segment by comedian George Carlin. He made a joke on the fact that he was Catholic until he reached the age of reason. I also firmly believe that there comes a time in a human life when you reach the so-called 'age of reason' and realize that there are so many irrational beliefs, shameless contradictions and illogical restrictions inflicted upon society for various malicious reasons, things that were deliberately designed to keep us in line and prevent us from reaching our full potential as a species. Some people reach it sooner, others later, but a majority unfortunately never do. [Through my music] I'd like to guide more people to reach the age of reason sooner. Maybe. Or, hopefully at least unite the ones that feel the same way. "* ~AXS

with Made in Heights Born and raised in the South Bay area of Los Angeles, TOKiMONSTA (Jennifer Lee) was an unfocused pupil of classical piano. However, she has come to use this background to create vast textural soundscapes by utilizing live instruments, percussion, digital manipulation, and dusty vinyl. Through the creation of beats, she is able to fuse vintage sounds with progressive styles into something unique. ~AXS

Today, rising hip hop artist and producer G-EAZY debuted his new track “Almost Famous,†the second release off his forthcoming album These Things Happen due out March 2014, and corresponding music video. * “Almost Famous,†produced by Christoph Andersson, takes listeners on a ride through the young rapper’s career thus far, from touring the country to wild after parties, while also proposing how much farther there is to go in his budding career. The track’s accompanying one-shot music video, directed by Bobby Bruderle, follows G-Eazy as he reflects back on his budding career thus far while pondering where he has to go. The clip nods to classic magazine covers, with tongue-in-cheek references to Rolling Stone, GQ, High Times, Hypebeast and more. Each cover, of course, comes with a slight G-approved twist.* * In addition to the release of new music, G-Eazy is pleased to announce his upcoming headline “These Things Happen†North American Tour. The 36 date tour will kick off on February 21, 2014 in Dallas, TXand continue across the U.S.and Canadatouching base in New York City, Chicago, Atlanta, Los Angeles, San Franciscoand Montrealwith additional dates to be announced. Tickets for the tour will be available at G-Eazy.com starting this Friday, December 13th at 12:00pm EST. * “Almost Famous†follows the first official offering off of These Things Happen, the Bay Area anthem “Far Alone†featuring Jay Ant, which premiered with XXL Magazine. Additionally, G-Eazy was just named Spotify’s “Spotlight†artist for 2014 and featured in Brooklyn Magazine for their “30 Under 30†list for emerging artists. * G-Eazy’s 2012 offering, Must Be Nice, reached #3 on the iTunes Hip Hop chart and garnered media acclaim from outlets such as Billboard, MTV, Interview Magazine, VIBE and The Source. The release of Must Be Nice spawned a sold out 40-date headline tour run at the top of 2013 in major markets such as New York, Los Angeles, Minneapolis, Chicago, Atlanta, San Francisco and more as well as an appearance at the Billboard Music Awards where he performed at the official after party. This summer, G-Eazy toured alongside Lil Wayne on the 2013America’s Most Wanted Music Festival with T.I., 2 Chainz and Hit-Boy. * For more information on G-Eazy, please visit G-Eazy.com . ~AXS

with Steve Aoki & Lil Jon

D2K Tour Cher, who is currently on her 49-city D2K Tour, will be performing at the United Center on October 24 with special guests Pat Benatar and Neil Giraldo! The D2K Tour is in support of Cher’s Warner Bros. Records album Closer to the Truth which includes the No. 1 Dance hit ‘Woman’s World’. The tour has received rave reviews across the country. “Cher turns ‘farewell’ tease into an exceptional entertainment ride. The truth is, Cher doesn’t need to stop…she is in exceptional form, as a singer, entertainer and tour guide through her 50 years in show business. And it all worked magically under the vast, rainbow-colored umbrella known as ‘Cher’†– Boston Globe

L-Vis 1990 (Night Slugs) + Ghosts On Tape + Grime City DJS All We Need Is You ....

LIV presents: Thomas Gold Saturday November 1, 2014 * ARTISTS Thomas Gold *Mednas * Table Reservations: 305.674.4680 * www.LIVnightclub.com www.facebook.com/LIVMiami www.twitter.com/LIVMiami

DJ Dan has been on the cutting edge of global dance music for the last two decades. As one of the pioneers of the west coast explosion throughout the 90s to the present day wave of electro and indie dance, DJ Dan continues to push the envelope and reinforce his status of international superstar. He has commanded dance floors around the world, from clubs to festivals, including Amnesia Ibiza, Burning Man, Fabric London and Ultra Music Festival Miami.

Daylight Beach Club *Krewella* To book a table call* 702-588-5656 . Eclipse at Daylight Beach Club door and management reserves all rights to decline entry of any guest not in proper dress code. Daylight Beach Club reserves the right to decline entry due to capacity issues, in which event guests will be asked to wait until the door is re-opened. Visibly intoxicated guests will not be admitted to the venue. No minors will be admitted. Guests must bring a printed copy of the scannable ticket (printed, PDF, or on the Wantickets app), valid photo I.D., and the credit card the ticket was purchased with. Please bring these items to the Will Call area, adjacent to the entrance of Eclipse at Daylight and you will be scanned in. *You Must arrive by 11:30pm to guarantee entry. All Daylight Beach Club and Eclipse patrons must be 21 years of age with valid Id. Us residents must bring state or federal issued Id. Foreign residents must have passports. Daylightvegas.com facebook.com/daylightvegas twitter.com/daylightvegas instagram.com/daylightvegas After spending your day poolside at Daylight, stop into Kumi Japanese Restaurant + Bar by Akira Back! Kumi features a moden Japanese menu with a Korean American twist. Akira Back's suptuous cuisine is complimented by a wide array of specialty cocktails created by The Light Group's very own master mixologist. For reservations, please contact us at 702.632.9100 or visit www.kumilasvegas.com.

Description *Skrillex at XS Las Vegas Sunday, November 2nd* * ARTISTS Skrillex Dave Fogg* * *PLEASE Read Full Disclaimer* Wanticket guests are required to printed copy of the scannable ticket and e-mail confirmation, a valid photo I.D., and the credit card that the ticket was purchased. These tickets are print at home. Please print out and bring the scannable ticket as well as the e-mail confirmation, Id, and Credit Card to the club by 10:30pm and follow the signage to the Wanticket area. * All patrons must be 21 years of age with valid Id Us residents must bring state or federal issued Id foreign residents must have passports no copies or paper ID's will be accepted. The door and management reserve all rights to decline entry of any guest not in proper dress code. XS reserves the right to decline entry due to capacity issues, guests will be asked to wait until doors re-open. Visibly intoxicated guests will not be admitted to the venue. XS is a 21 venue, no minors will be admitted. Any disregard of the previously stated rules will invalidate your ticket / entry. xslasvegas.com Facebook.com/xslasvegas www.twitter.com/xslasvegas instagram.com/xslasvegas

San Francisco's #1 Club with the Top DJs of the world Sign-Up at http://www.solylunasf.com/ Guest Lists are published Thursday the week of the event **Excludes certain special events