shadowchaser

yeah i know Mugz, we get no luv *sniffle*

Compiled by Yoshitoshi 1 CHRIS LUM Bigger Tool EP Tango Larger than a Stokie taxi driver at a kebab van and more essential than Pete Tong. 2 IIO Rapture (Deep Dish Rmxs) Ministry of Sound US/ MADE DD's winner of the year get's the girls all buttery and that's the desired effect really isn't it? 3 PHOTEK Mine To Give (Satoshi Tomiie Rmxs) Astralwerks he man Rupert causes international dancefloor damage with Roberts Owens 4 BEN SHAW So Strong (Original, Cass + Slide Rmx) So Strong (Soul Mekanik, Sander Kleinenberg Rmxs) Away Music One of Sanders finest moments, but don't forget the Soul Mekanik mix either. And of course, the Cass & Slide rmx made Deep Dish's Yoshiesque 2. We hear Ben made this sitting in his skivvies on his bed. It's true - we swear! 5 PARANOID JACK Slave Driver Smart Hockey U Stickman One of the biggest surprises of the year, these were so damn good we couldn't just pick one! Thanks Canada (No one really says it that much) 6 X-PRESS 2 Muzikizum Skint It WAS worth the wait. 7 LUZON The Baguio Track Rmxs Yoshitoshi Recordings Yeah, well, c'mon - how could we not put it in the top 10? 8 SOUND 5 Hacienda Must Be Rebuilt RIP Damn right!Rebuild it and they WILL come. 9 SCIENCE DEPARTMENT Breathe (Lexicon Avenue, Danny Howells Drifting Dub) Breathe (Shaboom Rmx, Original) Renaissance Still doing damage in a club near you. 10 SASHA Unreleased Rmxs Excession The man like lets someone else twiddle his knobs for a change. 11 ROGER SANCHEZ Another Chance (Original, Miguel Migs, Mr G, Tom de Neef Rmxs) R*senal/Defected Who needs another chance with a record this good? 12 PLANET FUNK Inside All The People (Deep Dish Rmxs) Bustin' Loose The Dish gets dark and dubby on this decidedly delicious delivery. Nice and long - good thing they don't offer that 30 minute guarantee anymore... 13 MYSTERIOUS PEOPLE Fly Away Rmxs Yoshitoshi Recordings You might have overlooked this one in our year-end poll, but we didn't. 14 16B feat. MOREL Escape / Driving to Heaven (Full Vocal, Instrumental) Escape / Driving to Heaven (Omid's Dark Dub, , Francisco Savier Rmx) Hooj Choons You don't like the vocals? Fine. Make your own chart. 15 CHEMICAL BROTHERS Afrika Astralwerks They began as the Dust Brothers... 16 LITTLE GREEN MEN Need Forensic Methinks this one will appear next year too once Satoshi gets his hands on it. 17 SILICONE SOUL Right On (Steve Lawler Rmx) Right On (Can7, DAmien J Carter, Mandy Rmxs) Soma In this case, we agree. It IS better without the vocals. Ah well.... 18 KINGS OF TOMORROW Finally (Danny Tenaglia Rmxs) Defected Good, great, perhaps even magnificent, but not deserving of number one. Sorry! 19 MOREL Funny Car / Dreaming of LA Yoshitoshi Recordings We've seen your car, Richard. It's not THAT funny. 20 PLANK 15 Strings of Life (Tarrentella and Redanka Rmx) Strings of Life (Pete Heller Rmx) RIP / Multiply Big up the old skool massive! Feel like your 15 all over again. 21 SLIDE AND HEALEY Wicked Behavior Fire999 1 of 999. Did you get yours? We did. And we caned it. 22 WALLY LOPEZ AND DR KUCHO La Luna City Rockers Disco strings and analog basslines - a match made for a Garage in Paradise. 23 TIM DELUXE Sirens Underwater Emmerson's label emerges from the depths of obscurity and Tim hits it big. 24 SATOSHI TOMIIE Love In Traffic Inc. What the hell is she on about anyway? Robot police that like pornography? Huh? 25 CIRQUE DE PARIS Know You (Erick Morillo Rmxs) Subliminal One of Subliminal's finest moments. OK, it's not quite Big Love, but what is? 26 BENT Always (Ashley Beedle Rmx) Made The man from X-Press 2 goes all Baleric. If THAT doesn't want to make you give it a listen, what will? 27 CTRL Casa del Regardo (Weekend World Rmx) Niche Blue Wow. We'll be playing this one for years to come. 28 DIDO Thank you (Deep Dish rmx) Cheeky No, Thank YOU. 29 GROOVEJUICE Back To Afirca (Little Green Men Rmx) MP2 LGM = Forensic = Lexicon Avenue = Essential. 30 WEEKEND WORLD The Word Weekend World The second of 5 in the chart for Weekend World. Amazing. 31 PETE HELLER pres. STYLUS TROUBLE Sputnik (Original) Sputnik (Mainframe Rmxs) Junior the track that rules WMC2001. 32 SLAM Alien Radio (Darren Emmerson, Tony Thomas Rmxs) Alien Radio (Paul Daley Rmx, Original) Soma Damn straight - I guarantee you E.T. was rockin out to this one all year. 33 HARRY CHOO CHOO ROMERO Beats Vol 2 / HARRY CHOO CHOO ROMERO I Want Out (Ian Wilkie Rmx) Subliminal / Perfecto An anthem for pissed of clubbers (and DJs!) worldwide. My question is, why change the name when you license it out? 34 GREEN VELVET La La Land (Floppy Sounds, Francois K Rmx) Relief Sumthin bout those little pills... Theme of a genration. 35 ROGER SANCHEZ You Can't Change Me (Harry Choo Choo Romero, Chocolate Puma, Jazz and Groove Rmxs) The anthem of all us Yoshitoshi.com DJs. 36 FUNK D'VOID Diabla (Funk d'Void, Samuel L Sessions Rmxs) Diabla (Kevin Saunderson, The Hacker Rmxs) Soma Doesn't sound Satanic to us, but hey, what's in a name? 37 MISSY ELLIOT Get Ya Freak On (Superchumbo Rmx) White Don't worry Missy, we got it on. 38 JAIMY AND KENNY D Keep On Touchin' Me (Erick Morillo Rmx) Sondos Big with the ladies, this one filled the floors all year. 39 ORINOKO Island 3 Lanka Too bad for you the white label version never saw the light of day. Ah well, this will do... 40 GROOVE ARMADA Super Stylin Jive Electro Natty basslines for the midnight skank. 41 FC KAHUNA Hayling City Rockers If the first single is this good, we CAN'T WAIT for the album. Something for the comedown. 42 CIRQUE Cirque Music Vol 2 Cirque Weekend World A.K.A. This man really can do now wrong. 43 NICK HOLDER Inside Your Soul (Lexicon Ave Rmx) NRK Redubbed inside your pants after our dancefloor excursions 44 HALO HIPPE AND TONY The 6400 Crew EP Yoshitoshi Recordings Some ragga business on Yoshi. 45 DEPECHE MODE Freelove (Deep Dish Rmxs) Mute The only entry in this year's chart that won't actually ever get a proper release. 46 LOUDEAST Lights Off Shinichi Not related to #74, we swear. 47 BLACKWATCH Foreshadow Pitchblack It's still one of Balckwatch's finest moments. 48 CASS, SLIDE AND D.TEN Fever Rising Fire We don't even want to know what went on in the studio that day. 49 MAINFRAME Mainframe Fuju Play at full volume for maximum effect. 50 ZERO 7 Destiny (Hefner, Photek Rmx) Ultimate Dilemma Photek delivers YET ANOTHER wicked house rerub. 51 KELLI ALI Kids (Rui Da Silva, Armand Van Helden Rmxs) One Little Indian The voice from "Love in Traffic" has a moment to shine on her own. Liquidy grooves that will get all the ladies shakin those hips. 52 DUBTRIBE SOUNDSYSTEM Do It Now (Tom Middleton Rmxs) Defected Still doing it, thank you very much. 53 D*NOTE Past Masters EP (Tenaglia Rmx) Dorado Mutha goes old skool and delivers a progressive house masterpiece. 54 TRISCO Muzak (Steve Lawler Rmx) Positiva Coming down? Not anymore. 55 MANTICORE Slaves (Brancaccio and Aisher Rmx) Baroque One of Baroque's finest moments. Even Sharam says so! 56 SOUND 5 Latin Static RIP If you slept on this one, wake up, cause we've still got a few left on the shelf. 57 CIRCULATION Turquoise (Weekend World, BLIM Rmxs) Turquoise (Different Gear, Circulation Rmxs) Hooj Choons The little guy looked like he needed some color. Half decent house my ass. 58 DELERIUM Innocente (Deep Dish Rmxs) Yris Remember Frontline Assembly? It is them, but it sounds nothing like them. 59 EDDIE AMADOR The Funk (King Unique, Autokat Rmxs) Yoshitoshi Recordings I forgot. What did we come for?. 60 SCANTY SANDWICH Get Next To The Opposite Sex Southern Fried As if that wasn't what we were ALWAYS trying to do. Good on ya Ricky! 61 MOONCAT De Ja Vu Plastica I think I've heard that bassline befor. Hmm... 62 FINGERFEST INC Autoporno Choo Choo Autoporno? Look ma - no hands! 63 ECHOMEN Thru 2 You (Charles Webster Rmx) Thru 2 You (Bushwacka! Rmx) Airtight Sounds like Jon Marsh, brillliant. 64 DRUMSCAPE Transmission Steel Yard Balls bigger than Janet Reno (if you'e in the UK switch Janet for Mo Molam). 65 X-PRESS 2 Smoke Machine Skint Nice to have but its no Muzikizum. 66 JOHN CREAMER AND STEPHANE K I Wish You Were Here Critikal Kinda wish the 16b remix was here too. (Wake up, do it, do it) 67 AIRGAP Resolve Yoshitoshi Recordings THard to choose between the mixes, so we played 'em both. 68 ECVM Circuit Breaker Shinichi The progressive answer to 70's supergroup ELO. 69 RED MOON Basis Surround Sound Ttony Thomas got the best kick in the business. 70 CHRIS CARGO Touch the Sky Choo Choo Or the lasers, your pick. 71 THE NEANDERTHAL Animal White Label Have you actually tried following his directions? It actually worked - for one of us.... 72 FUTURE SOUND OF LONDON Papua New Guinea (Satoshi Tomiie Rmx) Jumpin n Pumpin Not only did he do it justice, he made it better. And that, my friends, takes some serious skill.. 73 MASH UP Do It Do It Plastica Red One of this years easiest to sing while on the mash. 74 MARSHALL JEFFERSON Mushrooms Airtight You know, I think I've been to that same field. Wish the girl had shown up instead of the midget. Guess I'll just have to try again. 75 LIL LOUIS VS HYDROGEN ROCKERS Black Out 2001 FFRR The lights go on! The lights go off! If they stay off you're in the 2nd room at Fabric, if they go on you've gone the wrong way . 76 RED MOON Esther the Whore Surround Sound I don't know about a whore but that kick drum is a bitch. 77 SMOKIN JO YanYu Fluential The words massive and underrated come to mind. 78 SYSTEM F Exhale (Sander Kleinenberg Rmx) Tsunami Images of waddling penguins dancing through my head. 79 BAZ Believers (King Unique, Circulation Rmxs) One Little Indian King Unique and Subtech kept us talking. 80 SOUL PROVIDERS Rise (Steve Lawler Rmx) Azuli / AMPM This one just doesn't quit, Thank you Mr. Lawler. 81 FELIX DA HOUSECAT Silver Screen (Laurent Garnier, FC Kahuna Rmx) City Rockers It's the shower scene that got our attention. 82 DAN ROBBINS Chanting in the Dark (Pete Heller Rmx) Chanting in the Dark (Madam Rmx) Oxygene Music / Junior ooh ahh ahh ee ee ooh ahh ahh ee ahh, my favourite lyric of the year.. 83 16 MILLION DOLLAR MAN On The Last Day Under The Counter A Tech House anthem if there ever was one, worth a million easily. 84 YMC Niteflite EP Yoshitoshi Recordings Sleepy swedish tech house made during the dark period of the year. 85 SUPERCHUMBO Revolution (Trendroid Rmx) Twisted / FFRR As long as its not televised. Wouldn't want my Mum to see me in THAT state.. 86 JADE The Safar (Innate Rmx) Method OK, I'm all for weird names, but what exactly is a Safar? 87 LEE COOMBS AND THE DRUMATTIC TWINS Tribal Tension Thrust Bongo rock for the acid house generation. 88 SIMON Free At Last (Julez Rmx) Pornstar Don't let the Eastern European thign throw you. This was the best of the rerubed bunch. 89 THE PSYCHEDELIC WALTONS Wonderland (Roger Sanchez Rmx) Echo Get lost in the lush vocals. Dark Tribe's a killer. 90 DIRTY VEGAS Days Go By Credence The Hydrogen just shines thru. 91 WATKINS Black AM (King Unique Rmx) Direction Reminds me of a time gone by, hope we see more like this in the future. 92 ROYSOPP Poor Leno (Silicone Soul Dub) Poor Leno (Sander Kleinenber Rmx) Wall Of Sound Repeat after me - "I Love Silicone Soul. I Love Sander." 93 MARTIN ACORSI Immersed Yoshitoshi Recordings Dark as the day is long and mean too! 94 SAEED AND PALASH Sub Attack / Losing Control Addictive Can Itouch your daughter? Err I mean the drums are tight. 95 RESET Pickpocket (Hakan Lidbo) Paper One of Hakan's finest, makes the hairs in the back of your neck stand up. 96 ORBITAL Illuminate (Charlie May, Medecine Rmxs) FFRR Suffering from a late release - put this in Q1 and its guaranteed Top 10. The man who co-produced Xpander with the men who made the Brown Album? How can you go wrong? 97 PEACE DIVISION Dark Daze Fuju Just touch 'em a bit. We won't tell. 98 JAKATA American Dream Rulin' Amazing what the right sample can do for a track, isn't it? 99 VAN BELLEN The Senses EP Beak If you didn't let this one play thru, you missed out. Subtle. Let it play and you'll be amazed. 100 TRENDROID Ignition Twilo A great start for the label that almost was. 101 NSYNC Pop (Deep Dish Rmx) Jive What... Did you think we'd forget it?

gotta put up another pic of sweet Miss Bliss

i wanna, but i got work 6 in the morning as usual. . .my mind doesn't get into party mode until thursday. . .

REPREZENT!

hey man, thats a low blow. . . i suggest all you peeps check baktun out tonight for some real music, get edjumacated and realize that trance is dead folks. . . evolve, if you stay stagnant and closed minded with your musical tastes, you'll be missing out on alot. . .

so which one do you think was remotely close or accurate to the way our scene was portrayed. . .

Paul Van Dyk - Dance Culture’s Not Just About Entertainment  “We need to lay down ground rules- to explain in magazines that electronic music IS a cultural thing.†So said Paul Van Dyk, when he caught up with Skrufff’s Manila correspondent Twinky Lagdameo, just before Christmas “This style of music is such a global language and it’s a tool of communication,†he continued. “I don’t speak one word of Spanish or Filipino but it’s possible for me to bring something across. It’s an important tool and we need more of these tools in these times.†Paul was chatting to Twinky to promote his new mix CD, the Politics of Dancing, which he released in conjunction with Ministry of Sound in November. Best known for his precision hard dance productions and DJing, he’s increasingly attracting attention for addressing issues most other DJs choose to ignore, being remarkably outspoken yet also talking sense. Also happening to be one of the few European jocks to admit to never using drugs, he’s also an unusually effective example of the power of dance music, proving that the old cliché of “it’s all about the music†is, in fact true. “Electronic music is a very different type of culture but it should receive the same amount of respect as opera,†he said. Skrufff (Twinky Lagdameo): Why did you call the compilation “The Politics of Dancingâ€? Paul Van Dyk: “It’s basically to send out a signal, to remind people that there is more to just listening to the music when they go out on weekends. It’s a whole lifestyle and it’s a whole youth culture.†Skruff You recently described 2001 was a “year of destructionâ€, what’s your opinion on the whole Afghan war situation? Paul Van Dyk: “A lot of good things have happened this year but they’ve been overshadowed by the bad things that have taken place. Look at all the plane crashes and how many wars have happened leading to September 11 and the whole terrorism thing. In Africa, black presidents were starting to kill white people. Everything like this happened in 2001 on a larger scale than before. I think we all should wake up to it.†Skrufff Are you for or against the bombing in Afghanistan? Paul Van Dyk: “I’m against it, though our stupid (German) government has actually decided to go into the war. I don’t see the point in bombing a desert. The country is already destroyed so why make it worse? The only solution is to give these people education and food. Bombing doesn’t help anything. If someone was killing my family, I would go up against them. That’s the problem; you can’t avoid killing people who have nothing to do with it. There are so many sides to it as well. The Clinton administration has worked very hard to help the peace situation in Palestine and Israel. Bush didn’t do anything.†Skrufff: News reports have suggested that Bin Laden’s network reaches the Philippines, would you have any concerns about coming to Manila? Paul Van Dyk: “No, because they actually say the same thing about Germany. In Hamburg, they have a lot terrorist cells. Given Bush’s intentions, he wouldn’t bomb Germany. Afghanistan was easier to do. It’s about education and communication which brings us back to the whole Politics of Dancing project. This style of music is such a global language and it’s a tool of communication. I don’t speak one word of Spanish or Filipino but it’s possible for me to bring something across. It’s an important too and we need more of these tools in these times.†Skrufff: Has your travelling been affected much by the events of 9/11? Paul Van Dyk: “We cancelled the first weekend after the attack because it didn’t feel right to be enjoying ourselves when so many people were in mourning, especially since I’ve been playing in New York bi-monthly for the past five years. I’m not scared of flying as such but more so because there are many accidents happening everywhere such as the crash in Zurich and the one in Queens, New York. It worries me but not I’m not scared.†Skrufff: US authorities shut down Twilo last year over drug concerns and clearly continue to misunderstand electronic music, why do you think this is the case? Paul Van Dyk: “They don’t know any better because we don’t communicate with them. If you’re the Mayor of New York, how can you know what’s going on in a kid’s head in Asia or Europe because you don’t communicate on that level? All they see are kids running around like headless chickens at six in the morning in Manhattan, so in their minds, the easiest thing to do is to close down the venue. That’s a poor decision, because if kids want to take drugs they’ll take them somewhere else.†Skrufff: What kind of changes might reduce the harm drugs cause? Paul Van Dyk: “If you want to reduce drugs problems and create a healthier environment, then you have to do it on a whole social level: to go in to schools and explain to people what they’re doing to their bodies. People usually take drugs because they want to escape the real world but if the real world is great then they don’t need to leave it. We need to lay down ground rules, to explain in magazines that electronic music IS a cultural thing. In La Scala in Milan (Milan’s world renowned opera house), for example, there’s a big cultural thing going on and no one will shut it down because it’s Opera. Electronic music is a very different type of culture but it should receive the same amount of respect as opera.†Skrufff Do many of your DJ colleagues share the same views? Paul Van Dyk: “Obviously, everyone has their own opinions. I’m against lobbyism with one spokesman talking for everyone else. The beauty of electronic music is that it’s about a gathering of free minds and of different ideas coming together. That’s why I emphasize that people must understand that it is a youth culture, that they must go and share in it and present it in their owns ways.†Skrufff: Do you feel a responsibility to speak out more these days? Paul Van Dyk: “The responsibility I feel is the same as before- I do what I do. If people ask me for my opinions then I share them but I don’t throw them in anyone’s face.†Twinky Lagdameo/ Jonty Adderley (Skrufff.com) music-village.com

from Xpander.nl by justin blum In 2001, breaks had started to make noise on the music scene. In 2002, critics are saying breaks will be a huge part of dance music this year. Before this genre was going to be the next 'BIG THING', John Digweed was supporting this genre and DJ Hyper was playing and producing this type of music. This month will see the release of a new compilation series from the Bedrock family, DJ Hyper 'Bedrock Breaks'. You can catch DJ Hyper as a resident DJ at Bedrock nights in London and in Brighton. Read on and see what Hyper has to say about his most recent mix CD, touring and more... You have just finished compiling & mixing the first double mix CD for Bedrock Breaks. With this double CD, were you trying to capture a typical set from your performances at Bedrock? Or is it a combination of something else? "It's a combination of the more dance floor aspect of my Bedrock sets and a more laidback chill out mix to fit what I play at Tyrant or at after hours. A lot of stuff that I think people need to be hearing from the Breakbeat scene." Bedrock is known as a 'progressive' label. In your opinion, do you see other labels jumping on the breaks phenomenon? What positive things might come out of this? What negative things might come out of this? "Loads of people will be at it as soon as they smell money. John Digweed has been supporting breaks in his club now for two years though, he's been in it for a while. The up side is that more people will get to hear the music and the down side is that if too many people are on it, a backlash may occur and the scene may get rinsed out." You are about to tour the US in support of your CD. What cities have you been/are you going to be laying your sound? "I've been to Daytona Beach (Florida), Juggarnauts (Miami), Charleston SC, Philadelphia (tbc), Buzz (DC), San Diego (Ultra), Vancouver, Spundae (San Fran), Spundae (LA) and will go to Madison WI (Jan. 23rd), Relode's Shattered (Chicago, Jan. 24th), Toronto (a rave, Jan. 25th), Macon Ga (a rave, Jan. 26th)." It is interesting to note that in a past interview you commented that Sasha is a god. Now, Sasha might be considered a 'progressive 'DJ, but I must admit, I have heard that guy lay down some of the nastiest breaks ever to hit the decks at Twilo. Are you influenced by Sasha? Ever plan to do some production work with him? "I'd love to, but I'm not sure he'd be up for it :-) He was one of the first DJ's I heard who blew my head of and he's just maintained an enigma by not doing too much press, etc. and maintained a quality." If I am correct, this is your second commercially released CD. The first was 'Y3K'. Please distinguish the difference between that mix CD and your current CD, 'Bedrock Breaks'. "I have done two Y3K compilations now and this Bedrock Breaks compilation is my first double CD so it's allowed me to add lots more interesting music on it including loads of Electro which plays a big part in my Tyrant sets." Your best gig to date? Why? "Every month at Bedrock is a winner! I love that club and the vibe in there is excellent. I've really enjoyed playing in Orlando as the vibe is very similar at Tab u as to Bedrock and it was also on a Thursday. Most recently I did the whole 5 hours in the backroom at Tyrant and it was the most exciting and enjoyable gig for ages." You have set up 'Kilowatt Recordings'. The first release comes from Nick Muir & John Gray aka MinuteMen. What is the goal of the label? What other releases are lined up? "Minuteman have had to change their name to 'Fatliners' and their first release 'Lo-Life' comes out through Kilowatt on 14th Jan, it is also included on the Bedrock Breaks album. Fatliners will be doing an album next year and Terminalhead are signing for an album due out mid 2002. Lastly I've signed a new artist 'Stir Fry' who is also The Light and PFN. His first release is 'Breakin On The Streets' which has been included on the Bedrock album as well and will be out late Feb. It includes a remix from False Prophet aka PMT. Stir Fry will also do an album for Kilowatt and is currently working on it in LA." What are your goals for your solo production career? "Get to work on a project this year and shop the starts of an album." How did you & Dylan Rhymes have a project going? What are the future plans for the both of you as production partners? "Me and Dylan met through Meat Katie to do singles for his 'Whole 9 Yards' label. He is working on more House oriented stuff for 'JBO' at present and I've been working with someone else doing a couple of remixes." Any last comments? "See you on the road somewhere I hope. Bedrock Breaks is coming to America and I can't wait!"

IN A LOUNGE I PREFER THE SOUNDS OF: breaks, house SEX IS BETTER WITH: dark dirty tribal like Lawler MY FAVORITE CHILL OUT CDs ARE: mono-formica blues, nick warren and dave seaman back to mine, radiohead, I'M ON CP I JAM OUT TO: breaks, techno and anything that else is good MY FAV CLUB MUSIC IS: breaks, techno, tech house, house, progressive THE MUSIC I AVOID LIKE THE PLAUGE IS: cheesy ass trance & uk garage

where ever in NYC i'm there! www.sistersf.com http://www.djpolywog.org

eat me raw

japanese, german and pig latin. . .

never since LL is closed

Gatecrasher are to launch a residency at Central London venue Heaven this March, which will be the first time the Northern superclub has attempted to tackle the capital. Gatecrasher’s move (reported in Music Week) should prove interesting since the club’s best known icon- the glow stick waving, face painted Crasherkid, failed to catch on in London except amongst some elements of the psi-trance/ hard house scenes. According to Paul Van Dyk, the club’s best known former resident DJ, Gatecrasher’s clientele appears to have changed in recent times, anyway . “I’m really puzzled as to what happened to the Gatecrasher kids, do they exist anymore?†he asks in the latest issue of Mix Mag. “I couldn’t see any in April the last time I was there. When I go back I’ll see what’s going on with them.†www.gatecrasher.co.uk

shit i gotta spike my hair up, and polish up my factory dance moves. . .

get ready to flex those pecs. . .

so yur going steve right?

http://www.paulvandyk.de/lowres/info.asp?page=2

games are for kids. . .

It was my first time seeing Howells since Labor Day...he never blew me away as he did at the loft party, but last night he did redeemed himself, although he did lose my interest by 6:30 or so...i felt like he dragged on at times...He was throwing down some of the best techno i haven't heard in a long time though...some of the nice melodic he snuck in was a nice touch but sounded too much like what Oakenfold would spin. . . He sure knows how to get the crowd moving and it shows that he enjoys doing it. . . Ashley Casselle definitely stole the show...I got there when it opened and he was already banging it, started off really smooth then he progressed in some tech house then really started to rip shit up. . .then he began to end his set with some great trance....his last track was his own production, Ashtrax - Digital Reason (filterheadz remix)... In my opinion, Howells couldn't top Casselle's opening set...I ended the night around 7am when they started to tag team and the discoish sounding tracks they started to drop wasn't gonna convince my tired ass to stay. . . Casselle Blew shit up and I hope he comes back again. . . Howells was good, not great Vibe was awesome, i knew almost everyone in there Vinyl still sucks cause of the annoying siren, lights, too damn dark, and the sound system still has to go. . . Six bucks for red bull, wtf? Great night overall, people who didn't go missed out. . .

find this Hybrid set from live @ ID&T 9•4•01. . . awf da hizzy. . . 1) Accadia - Into The Dawn (Ahstrax Remix) 2) Plump DJ's - Scram 3) Orbital - Nothing Left (Tsunami One Mix) 4) Orbital - Funny Break (Plump DJ's Mix) 5) Mark Shimmon - Unknown 6) Brancaccio & Aisher - Lovely Day 7) Unknown 8) Lexos - The Key (Adam Dived Remix) 9) Way Out West - Activity 10) Jimmy Van M - At Sanctuary (Qube Remix) 11) Raiven Maize - The Real Life

patience. . .all will be said when tix go on sale feb. 4th

speaking about fabric, did u see on of their line up for Feb 22nd.? Distinctive Records Present Y4K: Hybrid (Live) Freq Nasty Koma & Bones Tayo lucky brits. . .