abstractrhythm

Could be, but Tejeda said he already tested three times for steroids. If the B-12 injections were steroids, he probably would have tested positive just like Palmeiro.

Palmeiro implicates Tejada in ’roid violation O's slugger says vitamin B-12 to blame; shortstop cleared of wrongdoing Rafael Palmeiro, who had to wear earplugs at one point because he was being booed so much, told a baseball arbitration panel that a teammate gave him an unknown substance. NEW YORK - Rafael Palmeiro told baseball’s arbitration panel that a vitamin he received from Baltimore Orioles teammate Miguel Tejada might have caused his positive test for steroid use. Palmeiro testified that he received B-12 from Tejada, a person familiar with the grievance hearing said Thursday on condition of anonymity because the proceedings were secret. The Washington Post reported that Tejada was already cleared of any wrongdoing Thursday night by the governing body of baseball's testing policy. According to the Post, Tejada gave MLB's Health Policy Advisory Committee a substance that was tested three times and determined to be vitamin B-12. “Right now I’m in shock,†Tejada, a former American League MVP, said after Baltimore lost to the New York Yankees on Thursday night. “I’ve never given anybody steroids before. I’ve been checked out three times already, and I’m clean. I’ve been clean all my life.†Tejada said he gave Palmeiro the B-12 “a long time ago.†“It doesn’t bother me because I’m not guilty. I’ve done nothing wrong. I just gave him B-12, and B-12 is legal,†Tejada said. “You don’t get caught for B-12.†Vitamin B-12 helps maintain healthy nerve cells and red blood cells, and is commonly found in foods such as fish, meat, poultry and dairy products. Palmeiro has not publicly discussed details of his testimony, which came during an unsuccessful grievance filed by the players’ association to overturn his 10-day suspension, which followed a positive test for stanozolol. His lawyers, Mayer, Brown, Rowe and Maw LLP, issued a statement Thursday night saying they “are disturbed about the misleading reports being leaked by unnamed sources who claim knowledge of the investigation.†“Rafael Palmeiro has never implicated any player in the intentional use or distribution of steroids, or any other illegal substance, in any interview or testimony,†the statement said. According to the person familiar with the investigation, Palmeiro listed the B-12 as a possible reason for the positive test but did not make any definitive accusation. Before the game, Orioles interim manager Sam Perlozzo said that if the first baseman had named a teammate in trying to explain his steroid test, it probably would be best that Palmeiro not return to the team this year. “If in fact that was true, then it probably would not be a good idea†for Palmeiro to return, Perlozzo said. “It’s all speculation as far as I know.†For full article click here.

USB for your car Associated Press Friday, September 16, 2005; Posted: 11:41 a.m. EDT (15:41 GMT) FRANKFURT, Germany (AP) -- Leave the CDs at home. With digital music players becoming more ubiquitous, Volkswagen AG is offering a stereo component that lets motorists plug in all manner of portable digital players -- not just iPods -- and manage their tunes and podcasts on a dashboard display. Although the in-dash CD player has yet to go the way of the eight-track, digital devices with USB connections -- be they fancy iPods or simple keychain drives -- seem now to be portable music's future. Volkswagen, Europe's biggest automaker, is thus making the USB connection an option on its Golf, Golf Plus and Touran models in December and on remaining models next year. Just plug your device into a built-in console in the center armrest. The option comes in two varieties, one for the iPod, another for other USB-based players. Up to six of the player's folders will be displayed on the car stereo system, and the radio buttons can be used to scan, search or shuffle your mix. The setup will cost $240. For full article click here .

Where Abstractrhythm is a Pleasure.

Moog Synthesizer Demo (1979) from the University of Iowa Link: http://theremin.music.uiowa.edu/MoogDemo.html R.I.P.

Synth pioneer Robert Moog dies at 71 Robert Moog, "father of the synthesizer," receives the Polar Music Prize from the Swedish King Carl XVI Gustaf, right, during a 2001 ceremony in Stockholm. Associated Press Updated: 10:43 a.m. ET Aug. 22, 2005 RALEIGH, N.C. - Robert A. Moog, whose self-named synthesizers turned electric currents into sound and opened the musical wave that became electronica, has died. He was 71. Moog died Sunday at his home in Asheville, according to his company’s Web site. He had suffered from an inoperable brain tumor, detected in April. A childhood interest in the theremin, one of the first electronic musical instruments, would lead Moog to a create a career and business that tied the name Moog as tightly to synthesizers as the name Les Paul is to electric guitars. Despite traveling in circles that included jet-setting rockers, he always considered himself a technician. “I’m an engineer. I see myself as a toolmaker and the musicians are my customers,†he said in 2000. “They use the tools.†As a Ph.D. student in engineering physics at Cornell University, Moog — rhymes with vogue — in 1964 developed his first voltage-controlled synthesizer modules with composer Herbert Deutsch. By the end of that year, R.A. Moog Co. marketed the first commercial modular synthesizer. The instrument allowed musicians, first in a studio and later on stage, to generate a range of sounds that could mimic nature or seem otherworldly by flipping a switch, twisting a dial, or sliding a knob. Other synthesizers were already on the market in 1964, but Moog’s stood out for being small, light and versatile. The arrival of the synthesizer came as just as the Beatles and other musicians started seeking ways to fuse psychedelic-drug experiences with their art. The Beatles used a Moog synthesizer on their 1969 album, “Abbey Roadâ€; a Moog was used to create an eerie sound on the soundtrack to the 1971 film “A Clockwork Orangeâ€. Keyboardist Walter (later Wendy) Carlos demonstrated the range of Moog’s synthesizer by recording the hit album “Switched-On Bach†in 1968 using only the new instrument instead of an orchestra. “Suddenly, there was a whole group of people in the world looking for a new sound in music, and it picked up very quickly,†Deutsch, the Hofstra University emeritus music professor who helped develop the Moog prototype, said in a 2000 interview with The Associated Press. The popularity of the synthesizer and the success of the company named for Moog took off in rock as extended keyboard solos in songs by Manfred Mann, Yes and Pink Floyd became part of the progressive sound of the 1970s. “The sound defined progressive music as we know it,†said Keith Emerson, keyboardist for the rock band Emerson, Lake and Palmer. Along with rock, synthesizers developed since Moog’s breakthrough helped inspire elements of 1970s funk, hip-hop, and techno. Charles Carlini, a New York City concert promoter, staged Moogfest in May 2004 to mark a half-century since Moog founded his first company while still in college. Emerson, Rick Wakefield of Yes, and Bernie Worrell of Parliament/Funkadelic were among those who played, and a second Moogfest was held a year later. Moog had “this absent-minded professorial way about him,†Carlini said. “He’s like an Einstein of music,†Carlini said. “He sees it like, there’s a thought, an idea in the air, and it passes through him. Passing through him, he’s able to build these instruments.†“A lot of people today don’t realize what this man brought to the masses,†Carlini said. “He brought electronic music to the masses and changed the way we hear music.†Click here for full article.

Synth pioneer Robert Moog dies at 71 Robert Moog, "father of the synthesizer," receives the Polar Music Prize from the Swedish King Carl XVI Gustaf, right, during a 2001 ceremony in Stockholm. Associated Press Updated: 10:43 a.m. ET Aug. 22, 2005 RALEIGH, N.C. - Robert A. Moog, whose self-named synthesizers turned electric currents into sound and opened the musical wave that became electronica, has died. He was 71. Moog died Sunday at his home in Asheville, according to his company’s Web site. He had suffered from an inoperable brain tumor, detected in April. A childhood interest in the theremin, one of the first electronic musical instruments, would lead Moog to a create a career and business that tied the name Moog as tightly to synthesizers as the name Les Paul is to electric guitars. Despite traveling in circles that included jet-setting rockers, he always considered himself a technician. “I’m an engineer. I see myself as a toolmaker and the musicians are my customers,†he said in 2000. “They use the tools.†As a Ph.D. student in engineering physics at Cornell University, Moog — rhymes with vogue — in 1964 developed his first voltage-controlled synthesizer modules with composer Herbert Deutsch. By the end of that year, R.A. Moog Co. marketed the first commercial modular synthesizer. The instrument allowed musicians, first in a studio and later on stage, to generate a range of sounds that could mimic nature or seem otherworldly by flipping a switch, twisting a dial, or sliding a knob. Other synthesizers were already on the market in 1964, but Moog’s stood out for being small, light and versatile. The arrival of the synthesizer came as just as the Beatles and other musicians started seeking ways to fuse psychedelic-drug experiences with their art. The Beatles used a Moog synthesizer on their 1969 album, “Abbey Roadâ€; a Moog was used to create an eerie sound on the soundtrack to the 1971 film “A Clockwork Orangeâ€. Keyboardist Walter (later Wendy) Carlos demonstrated the range of Moog’s synthesizer by recording the hit album “Switched-On Bach†in 1968 using only the new instrument instead of an orchestra. “Suddenly, there was a whole group of people in the world looking for a new sound in music, and it picked up very quickly,†Deutsch, the Hofstra University emeritus music professor who helped develop the Moog prototype, said in a 2000 interview with The Associated Press. The popularity of the synthesizer and the success of the company named for Moog took off in rock as extended keyboard solos in songs by Manfred Mann, Yes and Pink Floyd became part of the progressive sound of the 1970s. “The sound defined progressive music as we know it,†said Keith Emerson, keyboardist for the rock band Emerson, Lake and Palmer. Along with rock, synthesizers developed since Moog’s breakthrough helped inspire elements of 1970s funk, hip-hop, and techno. Charles Carlini, a New York City concert promoter, staged Moogfest in May 2004 to mark a half-century since Moog founded his first company while still in college. Emerson, Rick Wakefield of Yes, and Bernie Worrell of Parliament/Funkadelic were among those who played, and a second Moogfest was held a year later. Moog had “this absent-minded professorial way about him,†Carlini said. “He’s like an Einstein of music,†Carlini said. “He sees it like, there’s a thought, an idea in the air, and it passes through him. Passing through him, he’s able to build these instruments.†“A lot of people today don’t realize what this man brought to the masses,†Carlini said. “He brought electronic music to the masses and changed the way we hear music.†Click here for full article.

He's dead now. RIP

brian kent

same here

Deceased Steelers fan laid out at funeral home on recliner in front of TV, beer at his side July 6, 2005 PITTSBURGH (AP) -- James Henry Smith was a zealous Pittsburgh Steelers fan in life, and even death could not keep him from his favorite spot: in a recliner, in front of a TV showing his beloved team in action. Smith, 55, of Pittsburgh, died of prostate cancer Thursday. Because his death wasn't unexpected, his family was able to plan for an unusual viewing Tuesday night. The Samuel E. Coston Funeral Home erected a small stage in a viewing room, and arranged furniture on it much as it was in Smith's home on game day Sundays. Smith's body was on the recliner, his feet crossed and a remote in his hand. He wore black and gold silk pajamas, slippers and a robe. A pack of cigarettes and a beer were at his side, while a high-definition TV played a continuous loop of Steelers highlights. ``I couldn't stop crying after looking at the Steeler blanket in his lap,'' said his sister, MaryAnn Nails, 58. ``He loved football and nobody did (anything) until the game went off. It was just like he was at home.'' Longtime friend Mary Jones called the viewing ``a celebration.'' ``I saw it and I couldn't even cry,'' she said. ``People will see him the way he was.'' Smith's burial plans were more traditional -- he'll be laid to rest in a casket.

M3 Summit has been presenting "Sunset Sessions" hotel parties on a yearly basis in Miami since 2003.Wouldn't they be considered the originators of the "Sunset Sessions" event name? Also, an event called "Sunday Sunset Sessions" is at The Clevelander every Sunday.

AFP Fri Jun 24,12:52 PM ET NEW YORK (AFP) - Despite living in a city renowned for its vibrant nightlife, a group of New Yorkers have deemed it necessary to embark on a legal battle to win the right to go out dancing. A group of social dancers, dance teachers and a dance club jointly filed a lawsuit Thursday in State Supreme Court that seeks to declare a city ordinance forbidding dancing in clubs without cabaret licenses as unconstitutional. "The time has come for us to allow New Yorkers to dance," said Norman Siegel, a civil rights lawyer who helped draw up the suit. "It's time to change this anti-freedom and anti-fun aspect of New York life." The target of the lawsuit is the city's 1926, prohibition-era "cabaret laws," originally designed to control black speakeasies in Harlem. The laws limited the music that could be played and required ID cards and fingerprinting for everyone who officially worked in a "cabaret." Over the years, the restrictions have been whittled away, but one crucial statute has remained -- a ban on dancing in any restaurant, bar or club that does not have a cabaret license. Twenty people sitting in a bar without a cabaret license listening to, say, Brazilian music, is perfectly legal. However, should one couple decide to stand up and indulge in a quick samba, the bar could be closed down immediately. City officials say the law helps with "quality of life" issues such as reducing noise levels and crowd control. Opponents say it is oppressive and aimed at creating a cartel of "super-clubs" that can afford the cabaret license. Back in 1960, there were 12,000 places for New Yorkers to get their groove on. Today there are barely 250 with licenses. Siegel dismisses the noise reduction argument out of hand. "When I dance, I don't make noise, I sweat," said Siegel. "It's a basic human reaction to move to music. It should be encouraged, not seen as a negative." In arguing that the cabaret law violates the state constitution, the lawsuit states that dancing is "a basic form of cultural expression" and that the restrictions currently in force are an "arbitrary and capricious exercise" of the city' legislative power.

Darth Vader

It really was!!! He played that track with the MLK "I have a dream" vocal over it..... yeah i suck i don't know the name, but that track was IT in Ibiza when I was there 2001. Awesome. "Free at Last" by Simon. Mel O' Ween did one in 1997. Good choons 8)

clubbervision...

It has only been a year.

Thanks. 8)

Abstract Rhythm News and Sounds for June 2005 Antonio Arebalo Featured on Thump Radio Antonio Arebalo (Abstract Rhythm/Los Angeles) was recently interviewed and featured by Thump Radio/XM Satellite Radio. His mixes from the show are now available for download in MP3 format. Enjoy! Part 1::Antonio Arebalo Part 2::Antonio Arebalo ________________________________________________________________ Mili Sefic Alongside Sasha & Kaskade in Chicago on June 10, 2005 The Showdown: Sasha vs. Kaskade Mili Sefic (Abstract Rhythm/Chicago) will be performing alongside two huge headliners, Sasha and Kaskade, June 10, 2005 at Sound Bar in Chicago. This event is presented by Pure, Sound-Bar and Smart-Bar. ________________________________________________________________ Avex Axiom Alongside Marco Bailey in Chicago on July 2, 2005 Avex Axiom (Abstract Rhythm/Chicago) will be performing alongside Marco Bailey on Independence Day weekend. I Love Techno! ______________________________________________________________ Massi's Chart for May 2005 01- Petter-Everydaybaloon (Deep Focus) 02- Dominik Eulberg- Rotbauchunken rmx (Traum) 03- Extrawelt - Soopertrack (Border Community) 04- M.A.N.D.Y - Body Languge (Get Physical) 05- Adam Johnson - Malk EP (Narita) 8) Based in Miami, Abstract Rhythm is a partnership of professional artist associations spanning the globe. For more information, log on to www.abstractrhythm.com.

Abstract Rhythm News and Sounds for June 2005 Antonio Arebalo Featured on Thump Radio Antonio Arebalo (Abstract Rhythm/Los Angeles) was recently interviewed and featured by Thump Radio/XM Satellite Radio. His mixes in MP3 format are now available for download. Enjoy! Part 1::Antonio Arebalo Part 2::Antonio Arebalo ________________________________________________________________ Mili Sefic Alongside Sasha & Kaskade in Chicago on June 10, 2005 The Showdown: Sasha vs. Kaskade Mili Sefic (Abstract Rhythm/Chicago) will be performing alongside two huge headliners, Sasha and Kaskade, June 10, 2005 at Sound Bar in Chicago. This event is presented by Pure, Sound-Bar and Smart-Bar. ________________________________________________________________ Avex Axiom Alongside Marco Bailey in Chicago on July 2, 2005 Avex Axiom (Abstract Rhythm/Chicago) will be performing alongside Marco Bailey on Independence Day weekend. I Love Techno! ______________________________________________________________ Massi's Chart for May 2005 01- Petter-Everydaybaloon (Deep Focus) 02- Dominik Eulberg- Rotbauchunken rmx (Traum) 03- Extrawelt - Soopertrack (Border Community) 04- M.A.N.D.Y - Body Languge (Get Physical) 05- Adam Johnson - Malk EP (Narita)

Abstract Rhythm News and Sounds for June 2005 Antonio Arebalo Featured on Thump Radio Antonio Arebalo (Abstract Rhythm/Los Angeles) was recently interviewed and featured by Thump Radio/XM Satellite Radio. His mixes in MP3 format are now available for download. Enjoy! Part 1::Antonio Arebalo Part 2::Antonio Arebalo ________________________________________________________________ Mili Sefic Alongside Sasha & Kaskade in Chicago on June 10, 2005 The Showdown: Sasha vs. Kaskade Mili Sefic (Abstract Rhythm/Chicago) will be performing alongside two huge headliners, Sasha and Kaskade, June 10, 2005 at Sound Bar in Chicago. This event is presented by Pure, Sound-Bar and Smart-Bar. ________________________________________________________________ Avex Axiom Alongside Marco Bailey in Chicago on July 2, 2005 Avex Axiom (Abstract Rhythm/Chicago) will be performing alongside Marco Bailey on Independence Day weekend. I Techno! ______________________________________________________________ Massi's Chart for May 2005 01- Petter-Everydaybaloon (Deep Focus) 02- Dominik Eulberg- Rotbauchunken rmx (Traum) 03- Extrawelt - Soopertrack (Border Community) 04- M.A.N.D.Y - Body Languge (Get Physical) 05- Adam Johnson - Malk EP (Narita)

Abstract Rhythm News and Sounds for June 2005 Antonio Arebalo Featured on Thump Radio Antonio Arebalo (Abstract Rhythm/Los Angeles) was recently interviewed and featured by Thump Radio/XM Satellite Radio. His mixes in MP3 format are now available for download. Enjoy! Part 1::Antonio Arebalo Part 2::Antonio Arebalo ________________________________________________________________ Mili Sefic Alongside Sasha & Kaskade in Chicago on June 10, 2005 The Showdown: Sasha vs. Kaskade Mili Sefic (Abstract Rhythm/Chicago) will be performing alongside two huge headliners, Sasha and Kaskade, June 10, 2005 at Sound Bar in Chicago. This event is presented by Pure, Sound-Bar and Smart-Bar. ________________________________________________________________ Avex Axiom Alongside Marco Bailey in Chicago on July 2, 2005 Avex Axiom (Abstract Rhythm/Chicago) will be performing alongside Marco Bailey on Independence Day weekend. I Techno! ______________________________________________________________ Massi's Chart for May 2005 01- Petter-Everydaybaloon (Deep Focus) 02- Dominik Eulberg- Rotbauchunken rmx (Traum) 03- Extrawelt - Soopertrack (Border Community) 04- M.A.N.D.Y - Body Languge (Get Physical) 05- Adam Johnson - Malk EP (Narita)