kevtherev1

what exactly is a "riseing superstar dj"?? maybe you should read the press release before you "copied and pasted" it. Actually what press write up would say "riseing"?? what promotion company would post a statement about a client without reading it???? One more thing, how do you break into the cd market? Since the cd market has been around 25+ years, saying you are breaking into the cd market a quarter century after the fact isnt really saying much. I'm sure the artists on your cd are proud to have their name on a cd with your promotion company. Nick Terranova, executive producer/dj of starkillers has no knowledge of this cd that you legitimately released.

Angelina Cho, who owns the fort lee hilton and the closter nj hilton, actually owns the liquor license for studio 4, so the problem might be with her rather than studio 4 itself. Other people say however, that she doesnt want studio 4 to use her liquor license and is trying to break contract, and is having the town put pressure on studio 4 so they will opt out on their own. Some say she actually requested that the town not renew the license. This however might be caused by the hilton corp putting pressure on her. Studio 4 has had some noise complaints in the past, as all high powered nightclubs have had, and I dont think that this warrants refusal of a liquor license renewal. Just my highly accurate 2 cents.

dead rising - short hills mall version

Dave Cregar dj'ed jj rockers for a most of its lifespan. I beleive Bermuda and JJ rockers sound systems were both installed by mike vendetti. I have the original coemar robots that were installed into the original jj rockers in 1983. They were the first moving mirror hd lights which were the predescessors to intellibeams, technobeams, martins etc...I also have the original mode touch panel controller and the strobe tubes from jj rockers if you remember those.

ultimix and dj encore mix are the only other two.

Free Parking?? Where the hell do you have to pay to park in Pine Brook? The whole town is free parking.

Bartending schools are a joke unless you want something to write on your TGIF application. Anyone can learn how to make a drink, personality and curb appeal are way more important in this business than a bartending school certificate. 90% of the bartenders in the popular clubs didnt go to bartending school. Barback, bus boy, waiter are good starting points...friends with a current bartender/manager/owner of the place you want to work is even better.

I've seen many engineers set up start to finish and worked with many. Most seemed more concerned about what bar they have the radio station comps at than if their mics have freq issues. Using an in house abused wireless for on air broadcast is insane. The radio engineers dont even know what a frequency counter is. I wouldnt call the clear channel remote broadcast people engineers they are the fools who are interning and who will do it for $100.

urban cookie collective - "the key, the secret"

The lav's used for wireless tv broadcast are a far cry from the crappy samson/shure wireless mics in most clubs. And they dont even check for interference before the broadcast. For tv broadcast, the receiver for the lav's is a few feet away from the tv anchors.... not 100 feet away with 500 people between them and the receiver not to mention the other variables involved and they dont broadcast from the bathroom. Its a straight shot to the receiver. Thats why all the track acts sound crappy at the clubs because they use cheap wireless in house mics with major interference that have been dropped hundreds of times. I have never seen radio engineers use a frequency counter to check for close signal interference, so how else would they know.

OK im no expert, just asking..so thanks for your input. So the whole feed is sent over one isdn line? or left and right channels are two seperate isdn lines? Or do you use the b channels on one line.. one for left and one for right? I thought the ktu/z100 policy for live broadcasts was that the club has 4 isdn lines installed. If this was such an important night to record, I wouldnt rely on a radio feed to record, I would record to dat out of the pre-mic output to avoid the talkover nonsense. also, maybe if the on air jocks who do remote broadcasts would realize that when they are in the ciubs, they arent in their sound engineered radio booths where they can talk on the mic from 8 inches away with the $500 mics. They are in a noisy environment with a crappy shure or samson wireless that you have to have zero clearance between mouth and mic to actually be heard. Actually using a wireless for a broadcast is kind of insane.

2 hours commercial free? And if no board op, then who is telling jules when the stop set is coming up so she knows when to come in live after the break. And who is running the temp sweepers over the mix? Denny isnt running the sweepers in the club so they are put in the post mix at the studio. And isnt the compression done in house at ktu? I doubt they are running the house feed and mic feed back to the station as one signal. Probably 4 channels back to the studio. L & R audio house feed and L & R Mic feed and then mixed back at the studio. How could you possibly monitor a radio feed off the temps soundsystem ?

What is the cover charge? Full price drinks on wed nite? No way you gonna do 400. Wed is the cheap drink night of the industry.

Its "Donna Summer" NOT "Donna Summers" you damn NOOBZ!

mine is sandstorm