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Honey Soundsystem + Sunset Sound System + The Public Works SF present their 4th annual New Year’s Eve party. This year’s special guest DJ Matthew Dear! Featuring: Solar Galen Jason Kendig P-Play Josh Cheon Robot Hustle 2 Floors Custom Lighting Drink Specials Confetti Countdown Real Dance Music

One of the best djs coming to boston for one special club night at royale.

BostonVIPList and The Royale Family Present: Pretty In Pink Wear PINK for Free Entry Before Midnight! Sounds by DJ BREEAZY PARTY VIP STYLE For Guest List, Reduced Cover and VIP Phone or Email: BostonVipList@gmail.com Sunny @ 617-335-5582 Follow us! www.BostonVipList.com @BostonVipList Facebook.com/bostonviplist ROYALE | 279 TREMONT ST | BOSTON *Boston VIP List is NOW HIRING! If you’re looking to get paid to party, email us!

Featuring an ultra lounge with vodka bar, two spacious dance floors, table service, VIP lounge, plush couches, and some of Boston’s best nightlife events, PRIME'S third, fourth and fifth floors are a world class club catering to 21+ clientele. As a premiere nightlife destination every Saturday night, the nightclub presents internationally famed DJs spinning a mix of House, Top 40’s and Mashup every Saturday. Voted Boston's Best Dance Club by Citysearch.com. flavormediagroup@gmail.com

The name itself presents a terrifying image- a mangled, forced extraction, quite literally "removal by cutting". It should come as no surprise that the sounds behind this name are just as filthy, brutal, and unforgiving as the namesake suggests. Excision shows are like no other- a virtual apocalypse of twisting and morphing sounds turn massive crowds into a frenzy, as virtual walls of bass are relentlessly impaled time and time again upon their fragile bodies and ears. Your ears will ring and your eyes will roll into the back of your head as you are suspended in what can only be called a true sensory overload. Bass will rain down from above for hours as Excision's skills as a DJ and producer shine like an unholy light from the underworld.* The true champion of bass music, Excision hails fromKelowna,British Columbia. The founder of the ROTTUN label, a bass music conglomerate that has shaped the sound of modern Bass music, Excision has created a vast roster of allies that has only bolstered his spot as a warrior of bass music. Armed with a library of destruction and filth, Excision has time and time again tested the limits of electronic music with vastly different sets*that encompass a full range of genres. The things you see and hear during the precious time you are engaged by Excision's sounds will eclipse your mind for a lifetime, as you are constantly enlightened by the true fervor and energy that only an Excision set can provide. ~AXS

Join EyeHeartSF as we transform the Festival Pavilion into a playground of city sights, lights, and sounds at Streets of San Francisco (SF) New Years Eve (NYE). Featuring state-of-the-art visuals and sound, and music by world renowned DJ talent, this event is quite arguably the #1 NYE experience on the West Coast and easily one of the top parties in the nation.

..a world like no other, a brand new venture in a never before used space for this kind of party. New Bohemia is not just a brand new NYE's event at the iconic Armory, it's also a place. A world like no other. Part the velvet red curtains to find an SF twist on those timeless bohemian values of Truth, Beauty, Love and Freedom. Further into the castle find cutting edge sounds, SF's most dynamic creative communities, and the synergy of intentional revelry on the precipice of a new year. Poets and performers, aerialists and DJ's, burlesque dancers and live painters, acrobats and absinthe hawkers, Art Cars and visual treats, crimson busts and decadent costumes; are all to be found in different markets, plazas, private upstairs chambers and titillating dark corners and streets inside New Bohemia. The curtain is raising on the show worth getting excited about New Years Eve again. presented by Vau de Vire, Opel Productions & Kink.com. Featuring: The Crystal Method Syd Gris Camacho Melyss Dulce Vita Kimba Vau de Vire Society: Performances & spectacle throughout the night Special midnight countdown Fou Fou Ha (facebook.com/foufou.ha) Soundtrack by Distrikt Kinky Bohemia: Special VIP Lounge on the infamous 4th Floor of the Armory Hosted by Kink.com -With Smooth, Sexy & Playful Music by- Vitamindevo (Heart Phoenix / Laser Native) Klown (Bohemian Carnival) ELiKi (Opulent Temple) & more tba DISTRIKT: Ben Seagren DJ Kramer Matt Kramer Darren Grayson Layne Loomis Opulent Temple: Drew Drop Billy Seal Brian Peek Grammar The Quadrobe Dusty Rhino: DJ Dane Clarkie NUGZ Alvaro Bravo Mystr Hatchet DJMK Lords of Chill: Lounge Zones Throughout New Bohemia Big Art From: Flaming Lotus Girls Michael Christian Zoetrope magic by Peter Hudson Illuminated Art by Grammar Live painting by Lee Harvey Roswell Dela Artist Ernest "Hoodie" Salinas C-SkwaRed & much more tba much more tba And more: The Jazz Mafia Live Painting Vending Areas from local designers 3D mapped visuals by Biolumence (OcuCult) Opus Sound Food Trucks Self-guided tours through the world largest studios of it's kind Spontaneous participant moments of artistic brilliance Slightly dangerous and subversive forms of creativity The grand revealing of a one of a kind venue

Join us this month as we welcome back International DJ/Remixer/Producer Alexander! With our twelfth installment we are excited to have one of our superstar DJs back as we announce his residency with Evolution! From his home base in Los Angeles, DJ Alexander’s talents are creating a buzz heard throughout the music scene. A master in the DJ booth and in the recording studio, Alex’s energetic approach to original production work translates right to the dance floor, where every event is transformed into an unforgettable musical experience. He has had the opportunity to spin with superstars Victor Calderone, Peter Rauhofer, Junior Vasquez, Paulo, Manny Lehman, Tracy Young, Tony Moran, and Hex Hector to name a few, spinning at Resolution in the legendary Mayan theater, as well as Vision at Avalon, nurturing the large loyal following he keeps to this day. Don't miss out on one and only signature 3D visuals, Evolved Gogos, free Hard candy, and midnight surprises.. this is a Timmy Scott Production that will engage all of you senses.. be prepared to hear, feel, and see what a party can offer. Don’t miss out on one and only signature 3D visuals, EVOLVED GOGOS, free HARD candy, and midnight surprises.. this is a TIMMY SCOTT PRODUCTION that will engage all of you senses.. be prepared to hear, feel, and see what a party can offer.

Bijou NYE 2014: Wolfgang Gartner More info @ http://tinyurl.com/mqvv7n8

SUB FOCUS at Umbria Prime (Prime Boston) A great Night brought to you by Bostons premier nightlife promoters - Music by SUB FOCUS Don't miss out - Get Ready to PARTY!! Buy Tickets here: http://www.wantickets.com/Events/ShowEvent.aspx?eventId=140624&affCode=97d89fac4f7a4783be58&trackingCode=SUBFOCUSEDMwear

Armin Van Buuren STORY - Friday December 20, 2013 Artists: Armin Van Buuren Dave Sol Table reservations: 305.479.4426 www.STORYmiami.com www.facebook.com/STORYmiami www.twitter.com/STORYSOBE

Feat. Cath Coffey & Robert Gallagher on vocals It’s their sixth album now out in 2013 and believe me, it is even stronger and more sophisticated than the last – No Hassle. If geography has an impact on music, then Vienna has coloured Tosca’s music at every turn. Over the course of a career spanning two decades, the Austrian capital has inspired Richard Dorfmeister (of Kruder & Dorfmeister fame) and Rupert Huber to make electronic mood pieces coloured with Middle European melancholy. It’s a bittersweet coexistence that is much in evidence on the pair’s new album, Odeon. It opens with the hazy strings of Zur Guten, which ebbs into the oozing keys and pizzicato steel string guitars of What If, which features a smokey vocal from Sarah Callier. Lead single Jayjay is a haunted combination of sombre piano chords, rolling drums and weird, otherworldly vocals from Jay Jay Jones. It’s the pivotal track on a record that sees Tosca tapping into gothic atmospheres. It’s darker than their previous five albums, more downbeat, at times ambient. It’s unlike anything else out there at the moment. Listening to a track like Meixner Nu Y you have to go back to the ’80s and The The for a reference point. It’s truly peerless stuff.

I’m Dillon Francis, I’m from Los Angeles and I’m 24 years old. If you want to know more about me you can follow me @dillonfrancis or go to Facebook or my Tumblr 666f~~kingdie.tumblr.com. I probably won’t do an interview or photo shoot but here is an amazing picture of a cat. http://instagr.am/p/ZIgPg/ I love the Internet and p~~~~~g off your Mom and Dad (especially if they’re hippies). Love You. Dillon Francis is a Los Angeles-based electronic music producer and D.J. A pioneer in the moombahton genre of (110 bpm fame), Francis first signed with Mad Decent, releasing his first official Ep, Westside, in early 2011. His dancehall ‘Westside’ and ‘Masta Blasta’ became an underground sensation amongst the electronic dance community. Francis has continued on to collaborate and remix artists including Steve Aoki, Calvin Harris, Diplo, A-Trak, Zedd, Madeon, Flux Pavilion, Jack Beats, Digitalism, Chuckie, Kill The Noise amongst others. His latest Ep, Something Something Awesome, was released in February 2012 through Skrillex’s label* Oswla . Francis continues to play international festivals and is currently on his first Us headline tour w/ Flosstradamus, Baauer, and RL Grime. ~AXS

Friday, December 6th at Royale Nightclub BostonVIPList and Evolution 101.7 Present: GLOW SHADES See Your Favorite City Through Brand New Lenses! Free Glow Shades on the VIPList! Ladies FREE B4 11pm! Sounds by DJ NRG and DJ TAO PARTY VIP STYLE For Guest List, Reduced Cover and VIP Phone or Email: BostonVipList@gmail.com Sunny @ 617-335-5582 Follow us! www.BostonVipList.com @BostonVipList Facebook.com/bostonviplist

with Mathew Jonson, Hrdvsion, Ewan Pearson and Kate Simko Mathew Jonson really is one of a kind. He's developed one of the most distinctive voices in electronic dance music: when you hear one of Jonson's tracks, you almost immediately know it's his. And yet there's no mistaking any given track for another. His music offers a rare fusion of populist intensities and nuanced musicality. With a keen understanding for the needs of the dancefloor and the universal laws of house and techno, he's thrown out the rule book time and time again, sneaking tricks learned from electro and even drum'n'bass into minimal clubs, and loading up his B-sides with tracks that do what they damned well please. (No kick drum? No problem.) His standards for sound and presentation are exacting. Both on stage and in the studio, Jonson's fealty to analog equipment and real-time play—as opposed to mere playback—serves as a standardbearer for a kind of electronic music that goes way beyond the drag 'n' drop world of digital composition. Jonson has always been eager to get his hands dirty, and the music reflects that in gnarled bass sequences and long, intuitive lines. His sounds have serious teeth. And despite his quick ascent through the ranks of the techno elite, Jonson hasn't just stayed personally grounded. He's devoted much of his energy to supporting his own close musical family, both in the groups Cobblestone Jazz and the Modern Deep Left Quartet, and with his Wagon Repair label, which he cofounded with Jesse Fisk, Graham and Adam Boothby, Frank Meyerhofer and Konrad Black. He studied classical piano as a kid, plus jazz drumming, and played drums in a marching band —thus laying both the melodic and the rhythmic cornerstones of his music today. (Plenty of musicians claim to be "classically trained," of course, rendering the phrase all but meaningless. But here's something you might not have known about Mathew: he's actually begun studying piano again, which suggests a musical seriousness that's rare in the world of auto-didact button-pushers. Thanks to his father's work with sound technology, he also got his hands on synthesizers at the age of 9. By the time he discovered hip-hop as a young teen, he was recreating its electro-based beats on his own rudimentary setup at home. It was in Victoria, when he was 19, that Jonson met up with the crew that would help guide his musical trajectory: Tyger Dhula, Danuel Tate and Colin de la Plante, who were playing and DJing parties around the area. The four started playing in clubs together, an early version of the group that exists today as Cobblestone Jazz and the Modern Deep Left Quartet. (The Modern Deep Left Quartet was the original name for the foursome; after de la Plante moved to Montreal, the remaining trio carried on as Cobblestone Jazz.) "It was all improvised," says Jonson of the group's early days. "We never really worked in the studio, we would just meet at the nightclub and jam. That's how it started. We did that for quite a while, and then it morphed into a residency at a club, once every two weeks." To keep it interesting, they would invite other musicians—on trumpet, violin, bass, sax, and rhythm sections—to join them. After de la Plante left town, Cobblestone Jazz began focusing its efforts more squarely on the dancefloor, moving away from purely improvised sets to include composed and rehearsed passages. And Jonson gradually began honing in on his own sound, both in his productions and his DJ sets, inspired by a deeper, weirder sound that had begun filtering into the city's techno parties. His first record, in 2001, was the first release on the B.C. label Itiswhatitis, appropritately titled "New Identity." Another followed in 2002, and in 2003. That year, he also made his first appearance on Perlon, "Alpine Rocket"—a track he recorded alongside Luciano during his first trip to Europe. And then, suddenly, Jonson was everywhere: Itiswhatitis, Sub Static, Arbutus, Kompakt, M_nus—and every track an anthem. "I had all that music kind of saved up," says Jonson, "and then, just by chance, released it all at the same time. People criticized me for it, said that it wasn't a good idea. But it worked out for me. All the tracks did well. I wasn't saturating the market with bad music." He's right there. In 2005, Jonson co-founded Wagon Repair, and it's been a blur since, a nonstop series of tours and recordings, solo and with his bandmates. Crucially, he moved to Berlin. Here, he and de la Plante—who moved over at the same time—have set up Cobblestone Jazz' European headquarters, providing not only the launch pad for European tours but, more importantly, the control center for the group's recorded activities. The studio is jawdropping, frankly: a semi-circle full of gear, from old workhorses like the 808 and 909 and SH-101 to unique beasts like their Cwejman and Roland System 100m modular system. Tate's Rhodes piano anchors one corner of the horseshoe, and everything feeds into a massive desk where tracks are mixed and recorded in real-time. Jonson makes his own music essentially the same way—only with two hands instead of eight.

With a career spanning over fifteen years, Kramer is one of the most respected Tech House DJs to come out of San Francisco. With a sound, style and energy all his own, Kramer can move a dance floor like no one else. Kramer is one of the co-founders of Distrikt, the largest daytime sound camp at the yearly Burning Man festival. Hosting over 3,000 people every day on it’s dance floor, Distrikt has became legendary. Kramer’s annual Saturday closing party set at Distrikt has become a one of the biggest and most popular parties at Burning Man. Kramer is also one half of the production team Methodrone. Their highly regarded debut albums "Nonlinear Reality" (Looq Records 2010) and "Where is the New World?" (Looq 2011) have been compared to classic ground breaking productions by Charlie May & Sasha, Voyager and Breeder. Their music has caught the ear of Hollywood, with tracks featured in the number one rated show CSI: New York and the racing game WRC Fia World Rally Championship. Notable remixes by Methodrone include the Jondi & Spesh classic "We Are Connected" and well as MoMu’s "Space Pimp." Their third full-length album "Spacial Recognition" will be out on Looq Records in February 2013. On his own, Kramer also has dance floor singles on Sequential Sounds, Pop+Lock, Transition Records, Helvetica Noir, Lo-Rise Recordings and Knob Records.

Step Brothers is the collaboration between Evidence and Alchemist. When Dilated Peoples had its 2001, Alchemist-produced song “Live On Stage†licensed in the 2008 film Step Brothers movie starring Will Ferrell and John C. Reilly, Dilated Peoples member Evidence and the Alchemist had a realization. By that point, Evidence had traveled the world, released a string of acclaimed albums with Dilated Peoples and as a solo artist, and had become a respected producer helming beats for Kanye West, Defari and Planet Asia, among others. For his part, The Alchemist had become one of rap’s triple threats, producing for Mobb Deep, Nas and Jadakiss, among others. The Alchemist was also an accomplished rapper and Eminem’s DJ. While they were building their respective careers, Evidence and The Alchemist had worked together regularly collaborating on Dilated Peoples albums, Evidence’s solo material and The Alchemist’s releases. So as they watched Step Brothers, Evidence and The Alchemist found common threads between their relationship and that of Ferrell’s and Reilly’s characters. “The dynamic of our relationship is similar in a lot of ways,†Evidence explains. “We grew up together, so it’s kinda like we’re brothers. It’s more than a friend thing.†The idea for a full-blown Step Brothers project was born. As the pair continued collaborating, they began labeling themselves as Step Brothers when they would record, as noted on Evidence’s The Layover EP. The pair then decided it was time to record an album together. “We had worked together on different things over the years, but I had never had his undivided attention,†The Alchemist says. “I think he felt that same way about me. We’re always working on a bunch of stuff, but for a few weeks, we mentally put on the helmet for Step Brothers.†Given that they had grown up together, Evidence and The Alchemist adopted a relaxed, loose vibe while they were recording. Top-tier beats and rhymes and beats arrived in quick succession, a byproduct of their familiarity with one another. While working on their material, they chose Lord Steppington as the title for their album after a line Alchemist dropped on Gangrene’s “Dark Shades.†“It sounded kind of royal,†Evidence says. As for the music, Evidence and Alchemist deliver lyric-driven, punchline-heavy and intricate rhymes throughout Lord Steppington. Over Alchemist’s grimy, eerie beat, the pair rips through raucous rhymes on “Step Masters.†“It’s got a heavy drum beat,†Evidence says. “It’s just a hard beat, hard rhymes with just an old school kind of chorus. It’s something we could represent with coming out the gate.†What Evidence watches served as the inspiration for “Byron G,†a song that features Domo Genesis & The Whooliganz (The Alchemist’s former partner-in-rhyme Mad Skillz, aka actor Scott Caan). As Evidence was working on beats, he happened across a brazen Kanye West award show acceptance speech, which serves as the intro for “Bryon G.†“I was super high watching YouTubes and I saw that Kanye speech and I was dying laughing on the floor,†Evidence says of the song, the only Lord Steppington song Alchemist did not produce. “It was hilarious. Hit acceptance speeches, they’re something you can just say you’re going to do, just watch them on YouTube. They’re good cinema.†Known for his cinematic beats, The Alchemist delivers one of his most impressive production pieces on “Swimteam Rastas.†Inspired by some of DJ Premier’s most imaginative work, The Alchemist wanted to make his own song where the beat changed several times, a rapping obstacle course of sorts. “Those DJ Premier songs were so dope to me as a kid,†The Alchemist says. “That was so exciting to me. It was like walking into different rooms as the camera kept rolling.†“Swimteam Rastas†clocks in at nearly five-and-a-half minutes and features three distinct beats. It’s a crowning aural and lyrical exercise for Alchemist, who thrives on creativity. “He’s into games,†Evidence says. “Everything’s a game to him. Writing a verse to him is like a creative project. Everything’s like a Rubik’s Cube to him. I think he enjoys the challenge of it all.†Given their chemistry, Step Brothers found recording material for Step Brothers natural. It was also easy to determine who they would feature on Lord Steppington: whoever happened to be at The Alchemist’s house while they were recording appeared on the LP. “There was no mailing it out,†Evidence says. “Whoever’s on the song was whoever was over at Al’s those days. If they’re on it, they were physically there. It adds a lot doing it that way. There’s a sense of camaraderie there. It’s fun to be around people and bounce ideas off them.†The Lord Steppington songs ooze with a natural aesthetic that provides plenty of insight into who Evidence and Alchemist are without selling you on their personas. “You get a real sense of who we are,†Evidence says. “We’re giving you our personality without overtly giving it to you. It’s hard to do that and the only way you can do that is by loving what you’re doing, being down with the person you’re being in the room with. If I were to hear this album, I’d be like, ‘I’d want to hang out with these guys. It seems like they have a lot of fun, like they’re wilding. They’re definitely innovative.’ It seems interesting, not the run-of-the-mill dish.†Growing up, Evidence and Alchemist were hardly run-of-the-mill. Infatuated with rap, the two ran the streets of Southern California and soon found themselves putting rap and the making of rap above virtually everything else. “We used to ditch school and go lay raps on beats,†Evidence recalls. “That’s what this Step Brothers album is a continuation of.†Now as the Step Brothers, Evidence and Alchemist deliver another stellar musical achievement. “I want people to feel the looseness of it, the fun of it,†Evidence says. Adds The Alchemist: “It was easy. Me and Ev have been doing music since high school. In addition to being a friend of mine, he’s one of my favorite rappers. We had always toyed around with me doing a whole album with him, or producing for him. Making this album was like doing layups.†~AXS

New Years Eve 2014 Ultimate New Years Eve Ball 2013 into 2014 This event will sell out get your Tickets Now! This year we are limiting the number of guest so get your tickets now! New Years Eve Tickets Click Here On Line Ticket Closing December 30th at Midnight ! Hot Buffet 9 pm - 11 pm Blackout party from 1 am - close Chocolate Fountain Desert Bar Champagne Fountain provided by Scores Baltimore Tabu Ladies Licken and Sticken Upside Down Shooters provided by Kasidie Party Favors Butler Served Hors D Oeuvres Tabu Photographer on premise Midnight Toast provided by Scores Midnight Ball Drop with Cash and Prizes..and much much more We at Tabu look forward to bringing you the sexiest most erotic New Years Eve Party in the DC / Metro Area. We also have not raised the event fee for 5 Years running. Our members deserve to get the BEST all around party for their money. Discounted Pre Ticket Rates Limited Time Only! The on-line tickets will close on or before December 30th once they have sold out. Couples $125 Single Females $50 Single Males $140 Excludes Annual Membership fees and renewal fees. Higher Rates will be in place at the door!! Pre Register Now Higher Rates for the few spots we save for at the door. Music: Dance Club ( Not house)

SATURDAY DECEMBER 14th Worship Recordings presents... THE SHAKEDOWN with guest DJs: THE FORQUARTERS COLLECTIVE (Jason Joseph & J. Mack - Baltimore MD) Opening set by Shakedown Selectors: ROB PAINE & WILLYUM UPSTAIRS: NATE DARK and PETE STONE (Bangarang / Crazy Paisley - Philly) Sound by SOLOMONIC SOUND / Sight by VISUALEYZ FREE PBR & WELL VODKA from 10pm -11pm 10pm-2am / $5 Cover at THE BARBARY - 951 Frankford Avenue, Philly www.worshiprecs.com for more info

The First U.S. Tour. U-Kiss is finally coming to America for their own tour for the first time since their debut! U-Kiss (Ubiquitous Korean International Super Star) consists of members Kevin, Eli, Aj, Soohyun, Kiseop and Hoon. * U-Kiss will kick off the new series of concerts titled "The Headliners," which will bring 360 degree content of your favorite Kpop stars to America.* ~AXS

Ben Gold is one of the most prolific artists of his generation and at the tender age of 26 his sound transcends continents, performing across the globe from Miami to LA from Australia to Ibiza, with main room appearances at sell out events such as Bal en Blanc in Montreal, the prestigious ASOT celebration parties, Global Gathering and Creamfields.

Out of Montreal, Jackinsky and his unique sound bring a much anticipated freshness to the DJ scene. Jackinsky's sounds have quickly raised to International fame, allowing him to perform at the most sought out festivals around the globe such as Eterna The Week in Brazil, Circuit Festival Barcelona 2013, Mexico City Pride, Divers-Cite Montreal, Prism Toronto, Black & Blue Montreal, White Party Palm Springs, Winter Party Miami, Miami Pride 2013 to name a few.

Montreal-based electronic music producer, DJ and heavy bass lover, Marc Remillard has been around for many years now, delivering solid tracks through a variety of labels, such as Play Me, Trouble & Bass, Heavy Artillery and BugEyed Records, among others. Born and raised in Quebec City, Canada, Marc Remillard got his first signing in 2008 -- next thing we knew of, sharing the stage with the likes of Skrillex, Zedd, Porter Robinson, Bar 9 and many more.

with ASAP Rocky, Alvin Risk and Tokimonsta

presented by Eye Heart SF featuring MOBY with additional sets by ALEX SIBLEY and AARON AXELSEN • San Francisco's top large-scale 21+ NYE party • Nationally Recognized by DJ Mag, Vice and more • Voted best event in SF under 5,000 attendees • World-class sound, lighting, and visuals • Music Festival caliber production elements • Featuring Premium Open Bar for all guests • #1 bartender-to-guest ratio of any event • Overlooking the Golden Gate Bridge and Alcatraz