phuturephunk

Xanny bars are the way to go! There's no subsititute for a good mind eraser to bring you down off speed. . . One other thing I would recommend for the comedown is Perkiset. . you'll turn into jello and then fall asleep.

. . also . .. the comedown was awesome, no pain at all . . I think it wasn't bad because I didn't get amped from the pills (cause they were so pure). . I wasn't ate up really either . .

Mollies shouldn't do that to you. I've done em once down in Flooreedaah. Very clear Green tinted gellcaps with clear liquid inside. I took two and I can say that It was the cleanest roll I've ever had. I mean . . I was in the stratosphere but it wasn't edgy, it was like rolling with speediness on tap, but you didn't HAVE to be speedy if you just chilled for a couple mins . . . No jaw chattering . . it was awesome . .

thanx Dialectics , one day I really hope to be one . . .ah to dream . . I get all kindz of intelligent on things . . which explains why I'm sooo long winded. . .speaking of long winded, do a search on my name and look at my e-tardism post, it's a screamer . . .

23 --- Formally a spazed out B-Boy info systems engineer in Fla . . . now just a spazed out "unclassifiable" Info systems techno wizard in NY.

Progressive is a combination of both the beat pattern in question and the layering of the chords throughout the song. There are three types of progressive subgenre's, these include House, Breaks and Trance. For matters of simplicity I will lump trance and House into one because they both have the same UNDERLYING beat pattern (aka Untz, Untz, Untz, Untz) For Straightbeat (house and trance) the progression is in the beat patterns you hear: For a basic house beat there is a Bass Drop every single Count giving you four pronounced thumps per bar 1 and 2 and 3 and 4 and BD BD BD BD and so on . . . For a progressive house beat there are also four thumps per bar, HOWEVER there is also a PRONOUNCED snare, snap or handclap on the 2's and the 4's So the resulting beat pattern would be: 1 and 2 and 3 and 4 and BD BD BD BD SD SD and so on . . . In the case of breaks, the progression comes more from the build up of the chords to a massive breakdown and rebuild towards the middle or end of the song. Progressive breaks are often mixed in with Intelligent breaks even though they mean two different things. Progressive Breaks also have a much more darkside slant then intelligent, So we can say that all Intelligent breaks are progressive, but not all progressive breaks are intelligent. .. and so on .. . Why is progressive Straigbeat (again, house and trance) called progressive? Because of 2 extra snares on the 2's and 4's? Well, not entirely.. . . The reason that it's called progressive (and here's where all the house and tranceheads get mad a me . . ) is because it "progresses" to one step away from breaks, which, in turn allows it to be properly and smoothly mixed with breaks. . Some background to validate: I started spinning breaks 3 years ago and then started loading in progressive house to add variety. Any breaker DJ will tell you that when the bass is flying and you have nothing to monitor except what's coming through the headphones on the que, the ONLY thing you have to listen for is that handclap, or snare, or whatever on the 2's and the 4's. The bass in the phones get's drowned out by the bass in the zone (the dancefloor) and the chords are almost impossible to hear (especially if the song that's riding in the zone is particularily forceful and the one you're queuing starts out soft) so the ONLY thing left to listen to is that pronounced snap of mid-to high range on the 2 and 4. Progressive house also has the pronounced snap on the 2 and 4 and USUALLY runs in the same BPM range as it's break counterpart. Progressive breaks on the other hand can range anywhere from baseline electro tempo (~120 - 125) BPM all the way through the low end of trance (~135-140). The combination of the breaks and the straights adds a variety and effect that can be matched by no other Single genre set out there. . . Good examples of Progressive break/house acts are : Hybrid Anything off of 4d recordings Anything off of DB recordings (FLorida) Starecase Bassbin Twins anyways . .enough babbling

I got kinda jumpy on my reply because I thought USA was going to start bashing arabs (a flame war that I can assure you he was looking for). Seriously though, if you wash your hands and keep yourself clean, you shouldn't have a problem, it's when the government tells us to boil all water for consumption, that we should worry. . .

I'd worry more about getting infected with head lice than a deadly disease/biological agent . . .

Actually Junior is really just a hamster with a robot suit, but damnit that hamster can really throw down!

Will you PLEASE stop the hysteria inducing antics with your LIES about supposed infections. It's all just a cover for your supreme IGNORANCE.

I agree with the insipid frat boy fan problem that the Dave Matthews Band has . . however there's nothing we can do about it. Musically, they're quite good, alot more talented than most of the schlock that has been released by Pop-culture in the last decade. Bad fans, good band . . .

Disrespectful DJ's in the booth and Juiceheads on the dancefloor . .why do people still go to this place?!? . . .

I am sephardic and I always kind of chuckled when I got the funny look from people when I tell them I'm Jewish. I have to agree that Ashkenazim (read: the pale guy named saul from Brooklyn) have a tendency to look down on Sephardics. In those occasions I like to counter like this: If your people lived in the desert for say . . 6 thousand years don't you think they're gonna develop a perma-tan? Saul Rosenberg from Brooklyn isn't the real Jew . . I am! Jesus was a black man! Let's raise an offerin!

Never believe the company that's pushing the product. Keep in mind that they have everything to lose if they don't sell the product. .

First off, don't diss the geeks, they make good DJ's Second, any post or reply with the term "skullfuck" or any of it's conjugations can be deemed funny at face value . . LOL!

This, Ladies and Gentlemen, Boys and Girls, is the nature of the beast. For every upswing profit there is a potential for an equal (and often greater) loss. Basic Economics . . Good luck in your court appearance . . I hope everything goes well. . and look at it this way . . If u were a good dealer, try to apply it to the legit world after the legal troubles . . you'll be surprised in how good you can really be . . . -Phuturephunk

I'm doing the same loser thing I do every weekend. . sit on my ass and dream about partying. . -Phuturephunk

Starecase! They rock!

I just want to chime in with a kinda funny obersavation that I made during the the days after the attack. I need to know if it's just me or if anyone else noticed. It seems to me that George Pataki turns into a sidekick when Giullian takes the mike. During those first press conferences I was expecting Pataki to chime in with a "Yeah. . what he said . ." after every major pause in The Giulliani's speech. Anyways, just an observation, P.S. That "You're the one that I love" song BLOWS! Just thought I'd add that. . -Phunk

An infantry war with the Afghans would be interesting. We do indeed have the millitary complex to spank the shit out of those people, it just depends on how we deploy it and on how much logistical work we get done behind the scenes. We're dealing with an ideology here, not another empowered state, which compounds problems exponentially because they can attack and stage from just about any location, the key is speed on their part. Yes the Afghans held out against the russians for a decade, but keep in mind that the US was funding, training and arming them in their fight. Without that help they would have folded very early and Russia would have claimed Afghanistan for itself. We are the ones who created Osama Bin-Laden, by initially training his group of rebels to fight the russians. The US made the mistake of training one of the most vicious fundimental factions in the country at the time and now that they have nothing else to do, they're gonna mess with us. So how do we win? Simple, cut off the money supply. Without money, the weapons of destruction cannot be purchased, nor can logistical items such as food and survival gear be procured. Next, bomb the shit out of them. The Air Force was one of the major factors in us spanking the Germans in WWII, however infantry will still be needed, cause as you bomb you need to take and hold the land. The only way to do that is with heavy artillery and foot manpower. Luckily there are freedom fighters in the mountainous area that will help us out. If they weren't there, we'd have a much more difficult time. One thing I am afraid of is the nut jobs in Pakistan rising up and destablilizing the government. That could be a particularly dangerous situation because if we get caught with our pants down at our own staging area (staging: the place you launch your tactics and attacks from) by a bunch of angry locals, many people are gonna die. It's a complicated situation, and I don't want to go to war, but our government seems dead set on starting shit, so all we can do is hang on for the ride. Just my two cents . . -The phunkity phunk PhuturePhunk.

E and White. . .

I didn't know you could skullfuck someone who was still alive . . . hmmmmm . . .

Leonardo all the way. Those swords could slice em wolverine style

no problem, but just one more thing . .O-town is 5 hours from miami (3.5 if you drive like me) no 40 mins.

You really don't want to fool with whippets unless you're already rolling. The best thing to use em for is to blow yourself up, cause if you roll and do one once your going, you'll go through the ceiling. . . Other than that I wouldn't try to prolong it, the reason the whippets get you high is a combination of the nitrous and the LACK of oxygen going to your brain. The longer you're high from it, the more probable that brain damage will occur.