paradeatw

LOL!

yeah... everything is up and runnin... sorry we couldn't get that Rio Parade story happening for this issue... but you can bet we will have the Fuel story for next issue... i will email you later to discuss more details...

Parade ATW will be in full effect! We can't wait.

Just can't get enough

BRING IT ON! NJ'S "REAL" House Party is at Nu Society at Deko Lounge! For any first time Deko clubbers - This place is really the spot to check out. The vibe is amazing and so are the people. Roger Sanchez will be tearing it up, so be prepared to DANCE. -Shane Fontane You can get more info on Roger Sanchez here: http://www.releaseyourself.com/indexflash.php Roger Sanchez Bio: b. 1 June 1967, Queens, New York City, New York, USA. With countless remixes, productions and releases to his name, Sanchez deserves his reputation as one of the most hard-working and skilled DJ-producers, and received official recognition by being nominated for a 1999 Grammy Award. The son of Dominican immigrants, Sanchez's career began behind the decks while he was studying architecture at the Pratt Institute in New York City and, despite his success in the studio, DJing remains Sanchez's first love. However, his first recorded success was with the single "Luv Dancin'" in 1990, released under the name Underground Solution on the pioneering New York label Strictly Rhythm Records. With it, he established a sound that has become his trademark: a dense, syncopated bassline and simple, contagious melody. One of his first remix projects, "Take Me Back To Love Again" by Kathy Sledge proved that he could handle quite a difficult project, turning the sultry R&B ditty into a full-throttle, gospel-tinged dancefloor stomper. In the early 90s, he became an in-demand remixer and, under the name Roger S, worked on singles by artists such as Juliet Roberts, M People, Brand New Heavies and Michael Jackson ("Don't Stop Till You Get Enough", "Jam", "Dangerous"). Sanchez formed One Records with Eddie Colon in 1992. His Secret Weapons Vol. 1 was released on the label in 1994, and reaffirmed his commitment to the underground house sound at a time when his remixing and production clients were becoming a major success. One Records became known for pioneering releases by Sanchez and other underground luminaries. In 1994, he formed Narcotic Records and early releases on the label included work by Ashley Beedle, Deep Dish and DJ Disciple. Narcotic's reputation for quality was emphasized with a bimonthly release schedule, including work by Junior Sanchez and the Rhythm Masters. In 1997, he collaborated with Junior Vasquez and DJ Sneak in the dance supergroup S-Men. In 1998, Narcotic signed an important production and distribution deal with Strictly Rhythm. During the week of 21 March 1998, Sanchez had an unprecedented three remixes in the Top 30 of the Billboard chart. His DJ schedule also remains very busy, playing events such as Tribal Gathering in the UK and regular slots at the UK's superclubs, Ministry Of Sound and Cream. He also still "spins" regularly at New York's Spy Bar and Life when he is not touring and, as a solo artist, is signed to Sony Records. Despite this renaissance man's diversification, DJing is still where it all begins: "To me, spinning records can be just as creative as producing and remixing. A great DJ can take a record and give it an entirely new sound or vibe, by the way they deal with the beats or chord progressions." After the closure of Narcotic, Sanchez launched R-Senal Records in June 1999. He was also voted number 9 in the UK's DJ magazine's Top 100 DJs in the world. In July 2001, Sanchez topped the UK singles chart with the Toto-sampling single, "Another Chance". His album debut followed in the UK shortly afterwards, but was delayed in the USA because of licensing problems.

To: Rhythmism Moderators & Community Every time we have posted, in the past or the present, our posts are removed instantly. A few months ago, we were PM'd by the now defunct Naughty Booth message board. This PM stated that they had a policy that did not allow competing sites to post on their boards. First of all, I find that ridiculous. Second, although we are flattered to be considered competition, Parade ATW is by far no competition to a message board community. Parade ATW is a Dance Music Netzine. All in all, I believe that it is silly to control the content that your readers have access to. Especially if it is content that they may enjoy. Or content that they may benefit from, like contests, mp3 downloads, exclusive interviews and similar content. Is it an EGO thing or does Rhythmism feel so threatened by others that they will not allow their community to freely read postings from other organizations? We post freely on Club Planet, Red Plow and others. No one gives us grief nor deletes our posts. There is a mutual respect. As a matter of fact, Club Planet advertises on the Parade ATW web site. We are not afraid that they may be competition. We are more concerned about our readers gaining access to more information that they may enjoy or find helpful. We post relevant information on all the boards. We do not spam and we address all matters and postings with professionalism and respect for the community and their boards. It is a shame that you control what your readers read. Rhythmism: Policies Before Reader Benefits I wonder how many other web sites, organizations and promotions are blocked from the eyes of your users? How many other “competitors†are banned from your site’s boards? We thought this "scene" was here to build relationships, meet new people, share news and help each other grow as a community, but I guess this is not the truth - at least for Rhythmism. Parade ATW thanks Rhythmism for their continued LACK OF SUPPORT. Keep up the good work. Thank You, Shane Fontane Parade MG www.paradeatw.com

To: Rhythmism Moderators & Community Every time we have posted, in the past or the present, our posts are removed instantly. A few months ago, we were PM'd by the now defunct Naughty Booth message board. This PM stated that they had a policy that did not allow competing sites to post on their boards. First of all, I find that ridiculous. Second, although we are flattered to be considered competition, Parade ATW is by far no competition to a message board community. Parade ATW is a Dance Music Netzine. All in all, I believe that it is silly to control the content that your readers have access to. Especially if it is content that they may enjoy. Or content that they may benefit from, like contests, mp3 downloads, exclusive interviews and similar content. Is it an EGO thing or does Rhythmism feel so threatened by others that they will not allow their community to freely read postings from other organizations? We post freely on Club Planet, Red Plow and others. No one gives us grief nor deletes our posts. There is a mutual respect. As a matter of fact, Club Planet advertises on the Parade ATW web site. We are not afraid that they may be competition. We are more concerned about our readers gaining access to more information that they may enjoy or find helpful. We post relevant information on all the boards. We do not spam and we address all matters and postings with professionalism and respect for the community and their boards. It is a shame that you control what your readers read. Rhythmism: Policies Before Reader Benefits I wonder how many other web sites, organizations and promotions are blocked from the eyes of your users? How many other “competitors†are banned from your site’s boards? We thought this "scene" was here to build relationships, meet new people, share news and help each other grow as a community, but I guess this is not the truth - at least for Rhythmism. Parade ATW thanks Rhythmism for their continued LACK OF SUPPORT. Keep up the good work. Thank You, Shane Fontane Parade MG www.paradeatw.com

Parade Around The World CELEBRATING DANCE MUSIC & CULTURE For Immediate Release: April 1, 2004 For more information, contact: Parade MG Public Relations bigmouth@parademg.com Parade ATW is proud to annouce that the April Issue is now available online. We would also like to thank everyone for their continued support. Just this past month we have had over 1,100+ unique visitors and 18,000+ page views! Parade ATW would also like to thank our staff of freelance writers, photographers and designers. Job well done everyone! In This Month's Issue: - Win Junkie XL Tickets for Avalon NYC - Interview with Junior Sanchez - Infusion: Live at Nerve Miami Video - WMC Pics - Harry Romero @ Deko Lounge Review and Pics - Blacked Out - JP's Opening Chaos - Movie Reviews - 900+9Watts Record Reviews with Real Audio Samples

Parade Around The World CELEBRATING DANCE MUSIC & CULTURE For Immediate Release: April 1, 2004 For more information, contact: Parade MG Public Relations bigmouth@parademg.com Parade ATW is proud to annouce that the April Issue is now available online. We would also like to thank everyone for their continued support. Just this past month we have had over 1,100+ unique visitors and 18,000+ page views! Parade ATW would also like to thank our staff of freelance writers, photographers and designers. Job well done everyone! In This Month's Issue: - Win Junkie XL Tickets for Avalon NYC - Interview with Junior Sanchez - Infusion: Live at Nerve Miami Video - WMC Pics - Harry Romero @ Deko Lounge Review and Pics - Blacked Out - JP's Opening Chaos - Movie Reviews - 900+9Watts Record Reviews with Real Audio Samples

Lol... yeah

That's good to hear. Are you coming out for Roger Sanchez?

LOL... guess you two are bitter towards Victor? Hope you all can work it out.

Just curious, does anyone know why our previous post stating the announcement of our new issue of Parade ATW was removed? I was in conversation with xlr8ted and fouroneone discussing Parade ATW's relationship with NJ promoter Victor Soto and then... POOF. The post was gone. -Shane Fontane